foreverinwonderland

Im a 22 year old who is always either in a daydream or writing about my recovery. also im a huge fan girl of taylor swift cause her music makes me feel whole and powerful

[mcranebow-blog]

So like everytime i hear i did something bad i wanna rob a bank set fires and fly around the world @taylorswift. What do i do about this?

[whataswift]

People: Taylor Swift is not talented.

Me:

[theswiftisthequeen]

[mcranebow-blog]

When i was younger my dad turned to drugs and all at once i had no one but taylor was there. He got aggressive and abusive and married a women that was terrible but taylor was there. I wanted to leave this world and never come back, but taylor convinced me not to. I got pregnant at 15 and had my son at 16. All my family did was judge but taylor was there. I wad scared alot because no one wanted to give me direction as a young mother. I had my now husband but we were both young. Taylor taught me to never give up. That love can be real instead of conditions and abuse. @taylorswift you never left you never stopped making music you were always on the radio. Some people think shes just a singer we all know shes so much more. We all have something to tell taylor thank you. So @taylor thanks from the depths of my soul. More than you know. #thankyoutaylor

[mcranebow-blog]

Watching all taylor music videos to prepare for end game

Mentally preparing myself tho

[mcranebow-blog]

@taylorswift @taylornation. Please make wines named after taylors songs that wld be just neat it needs to happen like ….now the pink rose vould be named call it what you want im ready even make special wine glasses ill buy them

People share this !!!!! Im ready for it

[mcranebow-blog]

Please share

[mcranebow-blog]

Just waiting sipping wine that @taylorswift didnt brand ...the day will come tho

[niggazinmoscow]

This thread is the purest form of girls having girls backs.

[sadburgerboogie]

I’ve reblogged this before but I will reblog it constantly because women supporting women is what will help make the world right again.

[mcranebow-blog]

Yes just yes

[reputation2017]

[mcranebow-blog]

Oh taylor your a genius

[derping-since-birth]

Made a little sketch of taylor swift’s eyes ;)

[dont-like-your-kingdom-keys]

This is amazing! @taylorswift

[mcranebow-blog]

Could legit be an album cover

[lovestory]

Taylor with fans in Loft 89

[mcranebow-blog]

I would die

[re-pu-ta-ti-on]

things they have no idea about

me & you

our secret moments in a crowded room

all of this silence and patience 

a golden tattoo 

your name carved into my bedpost

shaking hands

where tf the 10 min version of all too well is 

[mcranebow-blog]

@taylorswift @taylornation. Please make wines named after taylors songs that wld be just neat it needs to happen like ….now the pink rose vould be named call it what you want im ready even make special wine glasses ill buy them

People share this !!!!! Im ready for it

[mcranebow-blog]

Please share

[mcranebow-blog]

@taylorswift @taylornation. Please make wines named after taylors songs that wld be just neat it needs to happen like ….now the pink rose vould be named call it what you want im ready even make special wine glasses ill buy them

People share this !!!!! Im ready for it

[mcranebow-blog]

Me speculating or maybe everyone knows and i dont maybe i need a life idk? Find me on TSL tho @taylorswift @taylornation

[mcranebow-blog]

@taylorswift @taylornation. Please make wines named after taylors songs that wld be just neat it needs to happen like ....now the pink rose vould be named call it what you want im ready even make special wine glasses ill buy them

People share this !!!!! Im ready for it

[recklesstreacherous]

Jack Antonoff on his busy 2017 and the Taylor Swift song he calls a 'hint at the future'

The Bleachers mastermind produced for Lorde, Pink, St. Vincent, and Taylor Swift this year

What were the reputation sessions like? When I listen to “This Is Why We Can’t Have Nice Things,” I imagine you guys having a blast in the studio. But other songs, like “Call It What You Want To,” make me want to see if Taylor needs a hug.                JACK: It’s an intense album, and that’s what I care about. In the course of a day — in the course of two minutes — you can feel like you can conquer the world, or you can feel like the biggest piece of garbage that ever existed. An album or song should feel that way too. It should have the whole gamut of what it actually is like for the artist to be alive at that moment. The sessions were just her and I. She would come over to my apartment, and we would talk and eat and talk more, and the things we talked about turned into songs. She is great at remembering the heart and soul of the process. Some people forget it — sometimes something works and everyone starts to rewire it. But she’s really great at knowing what it’s about: talking about what the hell is going on in your life and somehow finding a way to take that exact emotion and make a song out of it. That was the theme of those sessions: “Let’s just tell this story, whatever that story is, because that’s the whole point.”

Would you start from scratch or would she show up with ideas and demos?                JACK: 1989 was different. I would send her tracks, and she would write to that. We did reputation sitting in the room together. There were lyric ideas or things like that [that she would bring], but I would say the majority of it came from scratch. Things would just happen in the room. It was a special time.

The last song on the album, “New Year’s Day,” doesn’t sound like anything else on the record. Was there ever a conversation about taking this stripped-down song and building it up into something more in line with the rest of the album?   

JACK: No, no, no. Not only that, but it was the quickest [song to record]. If you listen to the piano on that record, you can hear me moving around. You hear things clicking. Those are the “scratch takes” — we did that very quickly. It came out in that sort of goofy Hollywood version of how music is written, where it comes out of moments of inspiration. Part of the process is you do that [scratch take], and then you do it for real. But we just sat there: That’s the song. You want a song to sound like itself. You don’t want to get the perfect tune. You don’t want to get the absolute perfect vocal take or the perfect panning or compression. You just want it to sound like itself. You want to feel like you’re home within the song. That theory works for “Closer” by Nine Inch Nails, and that theory works for Joni Mitchell. It has nothing to do with genre, or how loud or soft it is. You just want the song to feel like itself. I don’t know what we would be thinking if we tried to f— with it. I’m so proud of it because, personally, I think it’s some sort of hint at the future.

[mcranebow-blog]

Im here for this future

[imparalyzedbyitt]

“why do you like taylor swift?”

[pulls down projector screen] [sets up charts and graphs] [sets up a powerpoint presentation] [takes out 5 full 3 ring binders] “i’m glad you asked”

[itwasntasingle]

Y'ALL THIS SO TRUE

[mcranebow-blog]

Yes yes omg oml yes

[all-too-well]

what do you even get your 25 year old multimillionaire international popstar daughter for christmas

[all-too-well]

nice

[all-too-well]

the thrilling saga continues

[mcranebow-blog]

Same really