Be all my sins remember'd.

By the pricking of my thumbs, Something wicked this way comes. Kat. SCAD Grad. Instagram: littleghosttco

[art-mirrors-art]

Adrian Piper - Everything Will Be Taken Away (2004)

[wulfhalls]

nosferatu (2024) dir. robert eggers // kiss of death (1908) by włodzimierz błocki

[worldsandemanations]

New Horizons in Flower Arrangement by Myra J. Brooks

[cidnangarlond]

reblog for a soup blessing in 2022

[love]

“This photograph is my proof. There was that afternoon, when things were still good between us, and she embraced me, and we were so happy. It did happen. She did love me. Look for yourself.” This is my proof, Duane Michals, 1974

[snootyfoxfashion]

Vintage Style Halloween Girl Prints by lllittleghosttt

[medias-res]

My artwork is on tumblr, I had no idea 😂 I should prob represent on my own page!! 🖤🧡🖤🧡

[maggieontherocks]

“Silence. How long it lasted, I couldn’t tell. It might have been five seconds, it might have been a minute. Time wasn’t fixed. It wavered, stretched, shrank. Or was it me that wavered, stretched, and shrank in the silence? I was warped in the folds of time, like a reflection in a fun house mirror.” Haruki Murakami, Dance dance dance. ✨ The Ritual. Part II @lizakryskina Photographed by @daniel.garzee Hair & makeup by @moi_freire_ Creative direction by @patriciagmonllor Photography assistant @javieraldemunde https://www.instagram.com/p/Bxos-3_oVxw/?igshid=c1yolvz4g8y6

[bienenkiste]

Ph. Maisie Cousins

[nepenthel]

[distantvoices]

Aweng Chuol by Erika Astrid for Vogue Italia Online May 2018

[gacougnol]

Raymond M. Clermont Nude on a Step Chair with Artworks 1960’s

[violentwavesofemotion-deactivat]

“You and I know each other in our bones,”

— Kurt Vonnegut, from a letter to Nanny Vonnegut wr. c. January 1973

[free-parking-blog]

Cindy Sherman, from Untitled Film Stills, 1977-1980

Other artists had drawn upon popular culture, but Sherman’s strategy was new. For her the pop-culture image was not a subject (as it had been for Walker Evans) or raw material (as it had been for Andy Warhol) but a whole artistic vocabulary, ready-made. Her film stills look and function just like the real ones—those 8-by-10-inch glossies designed to lure us into a drama we find all the more compelling because we know it is not real.

In theUntitled Film Stills there are no Cleopatras, no ladies on trains, no women of a certain age. There are, of course, no men. The sixty-nine solitary heroines map a particular constellation of fictional femininity that took hold in postwar America—the period of Sherman’s youth, and the ground-zero of our contemporary mythology. In finding a form for her own sensibility, Sherman touched a sensitive nerve in the culture at large. (via)

[endocathexis]

Source

[enochliew]

[aduram]

Bourrasque by Paul Cocksedge

200 suspended sheets made from an electrically conductive material that lights up when a current passes through it.

[criminalwisdom]

Frenzy of Exultations (1893)

Władysław Podkowiński’s best known painting, Frenzy of Exultations (Szał uniesień) was shown at the Zachęta on 18 March 1894. The exhibition was accompanied by an atmosphere of sensationalism and scandal and the painting was violently criticized. The exhibition lasted only 36 days because the terminally ill Podkowinski brought a knife on the 37th day, and slashed his work on display. The reasons for this act are unclear. After his death the painting was eventualling restored.[1]

[thegreatinthesmall-deactivated2]

Otto Künzli (Ring für zwei Personen, 1980, stainless steel)