These are some of the worlds first photographs contributing to the Greek archaeological record.
Let us go on a quest, tracing in the footsteps of these pioneering photographers, and compare then to now.
Trying to pinpoint the exact location of each photograph was a challenge – with respect to the original photographer I did my best to keep true – however geography, nature, circumstances and rules have changed. Places once ventured are now off limits – for example one cannot simply stroll inside the Parthenon or climb up to the roof of the Erechtheum Temple.
The glorious complexity of Ancient Greek design made it even more a challenge. My angles are far from perfect, but still I hope it will give you an idea of how chilling it can be to compare the past with present.
Strange coincidences occurred. While I was sifting through literally thousands of my older files I found uncanny matches, waiting to be discovered. The romantic in me theorized that the same Muse who held the hands of the photographers before me, were with me as well.
While looking at these photos you will see that much has changed but much remains the same. The displacement of archeology is alarming. The restoration of the Acropolis site feels unnerving. But above this, a pattern is revealed. Our enchantment and love for Greece. The spirit of Ancient Greece and all her wonders continue to call to us, no matter the generation.
So let us go back in time, and compare then to now.
The Propylaea, the ancient gateway into the Acropolis. 1882.
After entering the Propylaea, and taking a look back. 1961.
This man and the photographer are both unknown, and all we have is a date was February 29, 1923.
The Parthenon in 1961 and the Parthenon today, currently undergoing restoration.
The Parthenon from a slightly different angle. This photo was taken by the Italian historian, Giuseppe Gerola, during the early 20th century. The woman in this photo is unknown.
Isadora Duncan – a legend in her own right – in 1920. This photo was taken by Edward Steichen.
Note we are looking at the northside of the temple, at the Porch of Caryatis, also known as the Porch of Maidens.
Today, there are five replicas of the Maidens on site. The originals are displayed at the Acropolis Museum.
During the early 19th century, the sixth Maiden was looted by Lord Elgin, and used to decorate his mansion in Scotland. He later sold the Maiden to the British Museum to clear his debts.
Returning the Maiden to her sisters in Greece is one of the most fiercely debated topics in the world today.
Mary Paraskeva infront of the Erechtheum, late 19th century.
A clipping from 1930 reads “Modern Athens from the Acropolis”. Then just as now, we have the same reaction as we peer over the city.
And looking a little closer: the Lycabettus Hill in 1922.
And even closer but further back in time, the Parliament in 1875 which was then a palace.
Photographer is debated, either Peter Moraitis or Felix Benfils.
The East side of Parthenon in 1961 compared to today.
View of the Odeon of Herodes Atticus from the Acropolis. Early 19th century and today.
Entrance to the Odeon of Herodes in 1905.
One of the most difficult and chilling images to line up. The Germans approaching the Acropolis in 1941.
And finally, view of Athens from the Pnyx Hill, the very birthplace of democracy. Photo taken in Anthony Stewart in 1940.
Then and Now These are some of the worlds first photographs contributing to the Greek archaeological record. Let us go on a quest and compare then to now. These are some of the worlds first photographs contributing to the Greek archaeological record. Let us go on a quest, tracing in the footsteps of these pioneering photographers, and compare then to now.