Les deux têtes (1898) - Auguste Leroux for Victor Hugo’s “La confiance du marquis Fabrice”
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Les deux têtes (1898) - Auguste Leroux for Victor Hugo’s “La confiance du marquis Fabrice”
The National Theater of Costa Rica, photo by historiagramas
Fan, 1780, France.
A beautiful dagger with a crystal hilt, attributed to Peter Munich, Solingen, Germany, 1649, housed at the Kunsthistorisches Museum, Vienna.
Aron Wiesenfeld (1972-) “The Pit” (2019) Oil on panel
‘Mrs. Moon’ by Enkel Dika.
Saint Jerome (Detail), 1655 - Carlo Dolci
Madonna in Glory, Carlo Dolci 1665-1675.
Memento Mori: Remember to Die, 1640.
Memento mori, 18th century
Georges Merle (1851–1886)
L'Envoûteuse (The Sorceress), oil on canvas, 1883.
There is death in the pot. Detail from the title page of A treatise on adulteration of food, and culinary poisons, exhibiting the fraudulent sophistications of bread, beer, wine, spirituous liquors, tea, oil, pickles, and other articles employed in domestic economy. 1820.
Ghosts of right now. Oil on paper, 9 x 12"
19th century american silk and silk thread mourning pictures from the yale university art gallery (x, x)
The Witch of Endor (Detail), 1857. by Dmitri Nikiforovich Martynov
Würzburg Residence. Germany
Source.