[intersection-2]

[cavernedeplaton]

Suite des carnets de Juin 26 (Les Oreillers). Monotypes. Serge Pietri.

[cavernedeplaton]

Suite des carnets de Juin 26 (Les Oreillers). Monotypes. Serge Pietri.

[decophotolove]

 Eva-claire. Austin, Texas, 2008.

[thinkingimages]

πυρίτης λίθος (pyritēs lithos), “stone or mineral which strikes fire" ⥲ Indices of Disappearance series. Avril, Tanya Rusnak

[cavernedeplaton]

Odilon redon. Journal. A soi même.

[lameteodujour]

Bernd Lohaus/ Während/DU/als Gegenüber/oder/zwischen dem/ICH/ 1985

[wowgreat]

[amalgammaray]

Anthony Pearson

[thinkingimages]

Danh Vo ‘Autoerotic Asphyxiation’ 15 September – 19 November 2010 Artists Space 38 Greene St, 3rd Floor New York, NY 10013 http://www.artistsspace.org “Elegiac in their preoccupying calm, the images and objects inhabiting Autoerotic Asphyxiation coyly recall the past, fashioning a peculiar nostalgia. (…) The most immediately visible works in the room – the sheer curtains concealing both windows and walls – reveal, upon closer inspection, flowers embroidered in some of the fabric. These, in turn, are all species discovered throughout China and Tibet by French missionary and botanist Jean-Andre Soulie, who exported them to Europe. (…) Concealed behind the fabrics and tucked between windows are several sets of black and white photographs of Vietnamese men and boys. The intimate pictures exude an air of homoeroticism and evidence a keen fascination with masculine relationships in Vietnam. Images of men working or eating are accompanied by photos of men holding hands and embracing. Moving through the gallery becomes an active search as one parts the curtains along each wall to locate the photographs”. More info… via http://idiommag.com

[thinkingimages]

Hiroshi Sugimoto “Aujourd'hui le monde est mort”, Palais de Tokyo.           © ADAGP, Paris 2014. Photo: André Morin

[thinkingimages]

Hiroshi Sugimoto, In Praise of Shadows 980817, 1998. © Hiroshi Sugimoto, courtesy Fraenkel Gallery, San Francisco

[a-ppunti-blog]

Rodrigo Valenzuela, Sense Of Place n.3 (2016)

[a-ppunti-blog]

Rebecca Horn, Parrot Wings Blue, sculpture 2009. Photo Karin Weyich

Biennale 2009 eventi collaterali, Fondazione Bevilacqua La Masa, Venezia

“[Horn’s work] it’s an observation on fantasy, vulnerability, the body and the slippery slope of identity. (…) Like her work she is an elusive creature who slips between alternate states of mind: films, performances, poetry, installations, objects (…) At the end of the sixties, Horn was hospitalized for most of a year. Nursing herself back to health, alone and distraught, she discovered the obsessions that pulse through her work now. She sewed masks, prosthetic limbs and bizarre sculptural bandages. (…) In the seventies, Horn began constructing her irrational machines. These act with the maniacal perversity of living creatures. "I’m interested in the soul of a thing”, she says. The souls of her machines sink into the states that all souls are heir to: disorder, disease, ecstasy, fear and electrified anxiety, a willful self-destruction. They, like us, are performers. They strive. They hesitate. They have breakdowns. The machines, in other words, are icons of crazy motivation - like us. (…) Some spray ink on the walls (…). Others carve holes in the plaster (…). Many flap feathered wings in a simulation of the longing for flight, for escape.“ Kay Larson The mind-body problem, New York Magazine 20 sept 1993, pages 60-61

[intersection-2]

[postpunkindustrial]

Albert Ayler - New York Eye and Ear Control LP

New York Eye and Ear Control was originally the soundtrack to an experimental film of the same name by Michael Snow.

Aylers band consisted of

Albert Ayler - tenor saxophone

Don Cherry - trumpet

John Tchicai - alto saxophone

Roswell Rudd - trombone

Gary Peacock - bass

Sunny Murray - drums

So he wasn't fucking around.

Take a look at the film.

You can download it from my Google Drive HERE

[intersection-2]

[nobrashfestivity]

Felix Gonzalez-Torres, Untitled (Shield), 1990