Yep, highlighting a bunch of great shows in Columbus.
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Yep, highlighting a bunch of great shows in Columbus.
Watch the 11-piece NO BS! Brass Band turn up the funk, and fly the flag high for its native Richmond, Va., at the Tiny Desk.
Saturday, February 7th at Stuart's Opera House.
So here’s the deal…We’ve got a new band on the roster! They’re called Eastern Midwestern, but they live in New York. Yeah, New York City!
You maybe have seen them around, as they have been a band for coming on 7 years, but we’re just about to release their debut record, ...
Eastern Midwestern at Ace of Cups, Tuesday, February 3rd.
THE PENNY SERFS
Release Video for “Dead Love” on CULTURE COLLiDE, here: http://bit.ly/1tkW7rd
Stream Like Eating Glass on ARTISTdirect, here:
http://bit.ly/1IRAjVU
Purchase Like Eating Glass on iTunes, here:
...
Tuesday, February 3rd in Columbus, Ohio at Ace of Cups
My favorite restaurant, maybe in the world, it's home, Lula Cafe.
The schedule
Lots of people on stage in a joyful spirit, without artifice and the crowd LOVED them.
A chilling cover. Spend some time with Kevin Morby -- go find the NYTaper of his full band set in New York. The songs will stick with you long after the Bob Dylan comparisons.
Strand of Oaks works hard to deliver songs like this one, "JM," that remind us all of the loneliness of adolescent and the slave of treasured songs.
This vocal-centric pop band is Madison\
They are a merry band that love playing and singing together
Tim Heidecker is smart and funny. He appreciated Scharpling and gave a gifted (if creepy) performance in the Comedy. Oh and I am happy to go to the Hideout any day.
Cloud Nothings played to a sold out crowd at the Metro. They delivered straight ahead rock. I look forward to seeing them in a smaller room.
Watch music videos and original shows on Vevo. Download Vevo free on mobile and TV devices.
Riley Walker with full band is my preferred mode. The players are tasteful and completely absorbing.
The Grifters from 1994. I chose an old video because the looseness and swagger of 1994 is hard to recreate.
Maybe I was spoiled by the super tiny rooms I saw this band in last year, but I was not as excited by the big stage as I wanted to be -- much more crowded. Still love them.
Mike Savino was my favorite part of Kishi Bashi and string quartet -- when he pulled out the mallet, he had me.
A much tighter unit than the last time I saw them. Erik Hall worked patiently and solitarily for four years to craft Driver, his sophomore album as In Tall Buildings. Produced between his home studio in the Pilsen neighborhood of Chicago and a 60's farmhouse in Leelanau County, Michigan, the album comes twenty years after Hall originally fell in love with home recording at age 13 - the year he got his hands on his first multitrack recorder. Raised in downtown Chicago, Hall played drums and guitar in high school rock bands, and then went on to study percussion and audio engineering at the University of Michigan. While in college he joined the avant afro-funk band NOMO and met His Name is Alive's Warn Defever, who produced many of the band's albums. Under Defever's tutelage, Hall honed many of the recording and production techniques he would later apply to his solo recordings. As he explains, "I was the guy in the band badgering him with questions throughout the sessions, trying to learn everything I could and then trying it out myself at home." As a multi-instrumentalist and producer Hall eventually went on to record and tour with several groups, including old friends His Name is Alive and, more recently, dream-pop duo Wild Belle, performing the rhythm section tracks and lending an engineering hand to their Columbia Records debut. In stark contrast to the dense polyrhythms echoed by NOMO's albums, Driver uses a relatively simple palette to create spacious pop songs, leaving plenty of room for Hall's often Peter Gabriel-esque vocals to shine. The music, though culled from every guitar, keyboard, and drum he managed to fit into his home studio, is powerful in it's restrained simplicity, and it's a compelling foil to the haunting gravity of his vocal performance. Never rushed, his melodies deliver elliptical lyrics that manage to feel intimate, while retaining a sense of mystery. Ultimately, the album's melancholic vibe is relatable, rather than moping or histrionic, and in the end these songs are incredibly comforting and inviting.