
Love Begins

Kiana Khansmith
YOU ARE THE REASON
"I'm Dorothy Gale from Kansas"
will byers stan first human second
icyghini twinkie
Claire Keane
One Nice Bug Per Day
Noah Kahan
we're not kids anymore.

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izzy's playlists!
I'd rather be in outer space 🛸

@theartofmadeline
The Bowery Presents
Stranger Things
Xuebing Du
Aqua Utopia|海の底で記憶を紡ぐ
Today's Document
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@michael-thuglas
ALIENS: FIRETEAM ELITE (Aug 24, 2021) dev. Cold Iron Studios
🎄🎄🎄 merry christmas! 🎄🎄🎄
countdown to halloween | The Thing (1982)
Yeah, fuck you, too!
“For a true hero isn’t measured by the size of his strength, but by the strength of his heart.”
Hercules (1997) Dir. Ron Clements, John Musker.
I live, I die. I live again! Witness me!
MAD MAX: FURY ROAD (2015) dir. George Miller
Harrison Ford as Indiana Jones in Raiders of the Lost Ark (1982), dir. Steven Spielberg
The Matrix (1999) dir. The Wachowskis
The Matrix (1999) dir. The Wachowskis
we have a city to burn
me getting home after doing the bare minimum
A behind-the-scenes look at Keanu Reeves’s GQ cover
Neons on a rainy night
Joker (2019)
What’s really incredible about Mad Max: Fury Road is that our titular, brooding White Male Lead in an Action Movie™ is given no opportunities to appear badass or heroic unless he’s working as a team or directly helping the women.
We see Max alone in the desert, all brooding and action-hero-y, clearly haunted by a tragic past… and he’s immediately captured, chained, humiliated and spends the next half hour tied up and useless while Furiosa is off getting shit done.
Then he gets free and he comes in waving a gun around and embarrassing himself. It’s not until Furiosa calms him down, wins him over, and he starts following her orders that he’s allowed to appear properly badass - in an action sequence that begins with him handing her a gun, and which progresses with the two of them working as the ultimate team while the girls help him as much as he defends them.
Then they’re in the Night Bog. Max fails to hit the Bullet Farmer and instead becomes a prop to steady Furiosa’s shot. Then he runs off on a solo mission and it doesn’t even merit screen time. Some dude lone wolfing it to kill a scary bad guy? Who cares. Let’s watch Nux running in front of the rig and the girls cooling down the engines instead.
Then comes the final chase. Max is undeniably awesome, but he is only allowed to be awesome because all of his efforts are dedicated to helping and protecting his weird new family. And the instant he hears Furiosa is hurt, all of his badass moments are pivoted around reaching her. He fights a hundred war boys, jumps over trucks, swings off poles, sets of explosions, beats someone with a flamethrower guitar, just so he can be there to catch Furiosa once she has killed the big bad Immortan Joe.
And, of course, his biggest heroic moment in the film isn’t even a cool action sequence or taking out a villain - it’s saving someone’s life. It’s being selfless and compassionate. It’s expressing love and humanity. It’s acting as a nurse and donating his blood. Max’s triumph is fixing something that’s broken.
Then, at the end, instead of being rewarded with a sexy girl and something else cool like most action heroes, Max gets nothing. He gives everything to Furiosa - his love, his loyalty, his fighting skills, his blood, his name - and he takes nothing in return, nor does he feel he is owed anything. He is content simply to help her, and thanks to this love and selflessness he was able to achieve some kind of redemption.
In Fury Road, a man’s heroism is not determined by how strong or tough he is - it is defined by how willing he is to love, help, support and protect others, particularly women, while demanding nothing in return.
Uncharted: Drake’s Fortune Photomode [90/∞]
Oh, what a day! What a lovely day!
Mad Max: Fury Road (2015) dir. George Miller