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The episode’s title, “Egyptian Cigarettes,” refers to how the pictures of diseased lungs that many countries — but not Israel or the United States — depict on cigarette packaging display the consequences of potentially destructive choices. “To have a picture of those organs — these effects are really real,” Youssef explains. “When are we going to look at that photo? I view the Ramy character as a symbol of how complicit we are in the large scale of the world, even as we’re navigating our own small piece of it.”
And practically, “Egyptian Cigarettes” depicts the day-to-day obstacles — interrogations, detainments, checkpoints, the separation wall, a constant military presence — that the citizens of the Palestinian territories face every day, a stark reminder of the normalized harm of nation-states.
“You don’t have to really say anything else,” Jacir adds. “In terms of the shooting, the wall, the checkpoints; the fact that in reality, those boys are not allowed to get out of Jenin; everything about our reality. We didn’t have to say to anybody, ‘What is a military occupation? What is life like here?’ It just is.” - How 'Ramy' Centered Life in the Palestinian Territories
Ramy, S03E02: 'Egyptian Cigarettes' (2022). Dir. veteran Palestinian director, Annemarie Jacir. Written by Maytha Alhassen and Ramy Youssef.
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All profits raised from this print will be donated to the Palestine Children's Relief Fund.
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