Hannah's visit. This is the same week. 75F and 31F
almost home
Three Goblin Art
No title available

JBB: An Artblog!
he wasn't even looking at me and he found me
taylor price
Alisa U Zemlji Chuda

No title available
Claire Keane

Origami Around

祝日 / Permanent Vacation

No title available
One Nice Bug Per Day
let's talk about Bridgerton tea, my ask is open
"I'm Dorothy Gale from Kansas"
Sweet Seals For You, Always
Cosmic Funnies
No title available
Not today Justin

❣ Chile in a Photography ❣

seen from India
seen from Brazil
seen from Uzbekistan
seen from United States
seen from United States
seen from Malaysia
seen from Malaysia

seen from United States
seen from Qatar
seen from United States
seen from United Kingdom
seen from Libya

seen from Malaysia
seen from United States
seen from Chile

seen from Brazil

seen from United Kingdom

seen from Malaysia

seen from United States

seen from Brazil
@midnighthayes
Hannah's visit. This is the same week. 75F and 31F
Our log cabin in stunning Gig Harbor, WA. What a place. What a view.
In Freddy's. Well done Freddy's Jam session
Great night at Sunny's bar in #redhook last night. @thewoesband
Booker T. Washington White (Bukka White)
One of my favourite sets. Shown on the BBC back in the early eighties this set was really something special
Late New Orleans jazz scene legend Lionel Batiste
lightnin’ hopkins - bring me my shotgun
Big Joe Williams - Meet Me Around The Corner
Recorded: Chicago, March 27. 1941 Joe Williams (g) (vcl), William Mitchell (imb)
Big Joe Williams (born Joseph Lee Williams, October 16, 1903 - December 17, 1982) was an American Delta blues musician and songwriter, known for his characteristic style of guitar-playing, his nine-string guitar, and his bizarre, cantankerous personality Born in Crawford, Mississippi, as a youth Williams began wandering across the United States busking and playing stores, bars, alleys and work camps. In the early 1920s he worked in the Rabbit Foot Minstrels revue, and recorded with the Birmingham Jug Band in 1930 for the Okeh label. In 1934 he was in St. Louis, where he met record producer Lester Melrose who signed him to a contract with Bluebird Records in 1935. He stayed with Bluebird for ten years, recording such blues hits as “Baby, Please Don’t Go” (1935) and “Crawlin’ King Snake” (1941), both songs later covered by many other performers. He also recorded with other blues singers, including John Lee “Sonny Boy” Williamson, Robert Nighthawk and Peetie Wheatstraw. Williams remained a noted blues artist in the 1950s and 1960s, with his guitar style and vocals becoming popular with folk-blues fans. He later recorded for the Trumpet, Delmark, Prestige and Vocalion labels, among others. He became a regular on the concert and coffeehouse circuits, touring Europe and Japan in the late 1960s and early 1970s, and performing at major U.S. festivals.
Big joe Williams
Blues TV | LOUISIANA RED - The Story Of Louisiana Red
R.I.P. Louisiana Red – March 23rd, 1932 to February 25, 2012
Louisiana Red. Terrific slide!
Lightnin’ Hopkins
Albert King
Pipe and guitar, where have those days gone?
Belton Sutherland: Blues #2 (1978)
Otis Spann - Riverside Blues
Jimmy Dawkins
Jimmy Dawkins: 5 Albums Jimmy Dawkins - Fast Fingers - 1969 (1998) | The Jimmy Dawkins Band - Blisterstring - 1977 (1996) | Jimmy Dawkins - Blues And Pain - 1994 | Jimmy Dawkins - Hot Wire 81 - 1994 | Jimmy Dawkins - American Roots: Blues - 2002
Stavin’ Chain, Lafayette, LA, 1937
Junior Wells and Buddy Guy - Snatch It Back and Hold It