Mightbewhite

[documentassion]

Vera Molnar (b 1924), ‘Arbres et collines géométriques’, 1946, graphite on paper, 16 x 22.5 cm.

[nevver]

[nevver]

Sixteenth of September, Rene Magritte

[unusualwhite]

 jonna_kina_wind

[mightbewhite]

André Kertész: A Washington square télen

[ethereallune]

http://sumally.com

[phineasharper]

[preciousandfregilethings]

architectural-review:

Hedvig Skjerdingstad, ‘Copenhagen City Museum – A Matter of Time’, 2014

www.skjerdingstad.com 

[lovemewhite-blog-blog]

“The lighthouse” by Ulla Jensen

[unusualwhite]

TAIK_Koljonen_Two_Moons_and_a_Shadow

[garadinervi]

Catherine Danou, Lokta noir et bleu, (ink and acrylic on paper & hemp threads), 2021 [Amelie Maison d'Art, Paris. © Catherine Danou]

[dame-de-pique]

[mythologyofblue]

Hans Baumgartner, Blossoming tree in a forest glade, 1928

(via dame-de-pique)

[mythologyofblue]

Tekniska Museet, The old “Telefontornet” telephone tower in Stockholm, Sweden, with approximately 5,500 telephone lines c. 1890. (via rarehistoricalphotos)

[iamjapanese]

ONO Chikkyo（小野竹喬 Japanese, 1889-1979）

海　Ocean   1957    via    more

[iamjapanese]

Lea Ignatius（Finnish,1913-1990）

Syysmuutto（Autumn migration） 1982　26.5 x 28.5cm   via

[huesser]

Presidio Modelo (model prison), Isla de la Juventud, Cuba. The circular building follows the “Panopticon” concept invented by Jeremy Bentham. Its simple centrifugal layout allows one watchman positioned inside the central tower to observe the activity in all prison cells at once. Even if the inmates don’t know if there is somebody present in the tower, they get a feeling of constant surveillance. Just like in today’s world of omnipresent digital scanning where one could be spied on at any moment without noticing it. This concept aims to produce a society of self-restriction rather than to impose authoritarian control. For more on that read Michel Foucault’s “Discipline and Punish”.

[buildinghead]

Mimar Sinan - Alipasa Carsisi, Edirne, Turkey, 1500s.

[jacquesausterlitz]

landscaping of the acropolis of athens_1954-1957_dimitris pikionis

[huesser]

catwalk carpet Pastizal DVN, 2015 by alexandra kehayoglou for dries van noten