āI want to be with you, it is as simple, and as complicated as that.ā
ā Charles Bukowski
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@mintblues
āI want to be with you, it is as simple, and as complicated as that.ā
ā Charles Bukowski
āEverythingās a risk. Not doing anything is a risk. Itās up to you.ā
ā Nicola Yoon, Everything, Everything
From the book Cut these words into my stone: ancient Greek epitaphs (Wolfe, Michael)
Victoria Chang, "Green Fields", The Trees Witness Everything
āThere is only one thing that can form a bond between men, and that is gratitude⦠we cannot give someone else greater power over us than we have ourselves.ā
ā Montesquieu, Persian Letters
āSome say that suffering is self-made, some that it is made by another, some that it is made by both, and some that it is without cause; but it is not correct to think of suffering as an effect.ā
ā NÄgÄrjuna, MÅ«lamadhyamakakÄrikÄ, Siderits & Katsura tr. (12:1)
āWe do not deserve our place in the distribution of native endowments, any more than we deserve our initial starting place in society. That we deserve the superior character that enables us to make the effort to cultivate our abilities is also problematic; for such character depends in good part upon fortunate family and social circumstances in early life for which we can claim no credit.ā
ā John Rawls, A Theory of Justice
āBefore Kant, an inquiry into āthe nature and origin of knowledgeā had been a search for privileged inner representations. With Kant, it became a search for the rules which the mind had set up for itself (the āPrinciples of the Pure Understandingā). This is one of the reasons why Kant was thought to have led us from nature to freedom. Instead of seeing ourselves as quasi-Newtonian machines, hoping to be compelled by the right inner entities and thus to function according to natureās design for us, Kant let us see ourselves as deciding (noumenally, and hence unconsciously) what nature was to be allowed to be like. Kant did not, however, free us from Lockeās confusion between justification and causal explanation, the basic confusion contained in the idea of a ātheory of knowledge.āā
ā Richard Rorty, Philosophy and the Mirror of Nature
āthe statements of others cannot hurt you except through your own thoughts and mental participation. you are the only thinker in your universe.ā
Who will speak at whose funeral?
āWhen I said: āYouāll outlast me, you live more carefully.ā He said: āWrite out what you want.ā Okay, itās hard to say I knew him well, He was enigmatic to himself. Which of us was more aware? Which the elder? I was born November fifth. He on October thirteenth ā a few weeks premature, you following me? He was born three weeks before me, my dear, But he was a premature baby. Were we both conceived at the same instant? February 5th 1941, the dead middle of winter, In the heart of World War Two Was I born at the right time? For seventy years his arm has been around my shoulder. Heās dazzled me with gifts. I nurtured him in his youth. He brought me into prominence. I taught him to sing. He connected my voice to the world. I made him tall. All of our personal belongings are intertwined. We say itās exhausting to compete, But we shine for each other. Itās still our favorite game. It goes on, this embrace, whether I speak for him, or he for me. Love ruled our lives. It rules the mourners, And the winner of longevity.ā
by Art Garfunkel
ā-
A birthday poem delivered at Paul Simonās 70th birthday party in 2011, written and read by Art Garfunkel.
Happy 71st Birthday, Paul Simon!
ā
Transcribed from the BBC 4 radio interview with Art Garfunkel, broadcasted on November 28, 2011.
Hear Garfunkelās reading.
āYou start dying slowly if you do not travel, if you do not read, if you do not listen to the sounds of life, if you do not appreciate yourself.
You start dying slowly when you kill your self-esteem; when you do not let others help you.
You start dying slowly if you become a slave of your habits, walking everyday on the same pathsā¦If you do not change your routine, if you do not wear different colors, or you do not speak to those you donāt know.
You start dying slowly if you avoid to feel passion and their turbulent emotions; those which make your eyes glisten and your heart beat fast.
You start dying slowly if you do not change your life when you are not satisfied with your job, or with your love, if you do not risk what is safe for the uncertain, if you do not go after a dream, if you do not allow yourself, at least once in your lifetime, to run away from sensible advice.ā
āexcerpt by Pablo Neruda
(Poem #1149)Ā Don't Go Far Off
Don't go far off, not even for a day, because --
because -- I don't know how to say it: a day is long
and I will be waiting for you, as in an empty station
when the trains are parked off somewhere else, asleep.
Don't leave me, even for an hour, because
then the little drops of anguish will all run together,
the smoke that roams looking for a home will drift
into me, choking my lost heart.
Oh, may your silhouette never dissolve on the beach;
may your eyelids never flutter into the empty distance.
Don't leave me for a second, my dearest,
because in that moment you'll have gone so far
I'll wander mazily over all the earth, asking,
Will you come back? Will you leave me here, dying?
--Ā Pablo Neruda
I do not love you as if you were salt-rose, or topaz,
or the arrow of carnations the fire shoots off.
I love you as certain dark things are to be loved,
in secret, between the shadow and the soul.
I love you as the plant that never blooms
but carries in itself the light of hidden flowers;
thanks to your love a certain solid fragrance,
risen from the earth, lives darkly in my body.
I love you without knowing how, or when, or from where.
I love you straightforwardly, without complexities or pride;
so I love you because I know no other way
than this: where I does not exist, nor you,
so close that your hand on my chest is my hand,
so close that your eyes close as I fall asleep.
XVII, Pablo Neruda
XVII (I do not love you) -Pablo Neruda
I do not love you as if you were salt-rose, or topaz,
or the arrow of carnations the fire shoots off.
I love you as certain dark things are to be loved,
in secret, between the shadow and the soul.
I love you as the plant that never blooms
but carries in itself the light of hidden flowers;
thanks to your love a certain solid fragrance,
risen from the earth, lives darkly in my body.
I love you without knowing how, or when, or from where.
I love you straightforwardly, without complexities or pride;
so I love you because I know no other way
than this: where I does not exist, nor you,
so close that your hand on my chest is my hand,
so close that your eyes close as I fall asleep
If we were not so single-minded about keeping our lives moving, and for once could do nothing, perhaps a huge silence might interrupt this sadness of never understanding ourselves and of threatening ourselves with death. Perhaps the earth can teach us as when everything seems dead and later proves to be alive.
Pablo Neruda, "A Callarse" or "Keeping Quiet" tr. Alastair Reid
ļæ¼
The love will stay even if you donāt