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photos from the book Before They pass Away and Deep Lab
In much of her work, Austria-based artist Addie Wagenknecht takes the concept of connectedness, and technological networks as a jumping off point, and a means ...
http://www.theonion.com/video/bored-scientists-now-just-sticking-random-things-i,36415/
The Mysteries of Then
From Them to Us
3D mapping projection closeup, HD video clip available here. —A. SUN
The Awe and Wonder of a Single Tear
“It’s amazing to me how the patterns of nature seem so similar, regardless of scale,” she says. “You can look at patterns of erosion that are etched into earth over thousands of years, and somehow they look very similar to the branched crystalline patterns of a dried tear that took less than a moment to form.” -photograher Rose-Lynn Fisher
These images are part of a new project called “Topography of Tears,” she’s using microscopes to give us an unexpected view of another familiar subject: dried human tears.
All tears contain a variety of biological substances (including oils, antibodies and enzymes) suspended in salt water, but as Fisher saw, tears from each of the different categories include distinct molecules as well. Emotional tears, for instance, have been found to contain protein-based hormones including the neurotransmitter leucine enkephalin, a natural painkiller that is released when the body is under stress.
Additionally, because the structures seen under the microscope are largely crystallized salt, the circumstances under which the tear dries can lead to radically dissimilar shapes and formations, so two psychic tears with the exact same chemical makeup can look very different up close. “There are so many variables—there’s the chemistry, the viscosity, the setting, the evaporation rate and the settings of the microscope,” Fisher says.
Images of Tears:
1 onion tears
2 tears of ending beginning
3 basal tears
4 laughing tears
5 tears of change
6 tears of grief
7 timeless reunion
Transcendence: In Time Our Cells May Die, But We Will Live On: The art of Fredrick Loomis
Artist statement
Frederick Loomis, inspired by the 18th century British artist & poet William Blake, experienced at an early age an artistic vision of computers in a human form succeeding humanity as the next stage of human evolution. For the past 40 years he has actively searched for ways to successfully articulate this. After a 25-year career in telecommunications technology sales and marketing, he took a voluntary early-out package from Verizon to obtain a graduate Master of Fine Arts (MFA) degree in Drawing at the California College of the Arts in San Francisco, which he received between 2002-and-2004. He received a Bachelor of Arts degree in English Literature at Boston University in 1972 and a Diploma in Fine Arts from the School of the Museum of Fine Arts in Boston, in 1974. He is married and has three children from a previous marriage and two step children from his current marriage. During the past 40 years, he has been engaged in a personal, experiential inquiry into the world’s revealed religions and, over the past 23 years, he has developed an artistic portfolio of pencil drawings and several written manuscripts that will eventually become The Third Testament: The Genesis Story of the Coming Race of Human Computers – seven prophetic books and a narrative storyline, to be published under the anonymous name of Edward Mathew Taylor.
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"For Edward Matthew Taylor, the alter ego of Frederick Loomis, the story is more visionary-prophetic, with a Third Covenant favoring the new human computers as they free themselves from slavery and overthrow the damned humans who couldn’t handle being stewards of the planet, etc., let the whole thing ecologically destruct. The narrative is familiar and resonates with others, like Battlestar Galactica, or McLuhan’s collapsing of imperial individualistic hotness into a nervously-linked, contingent, unified coolness. Or how some cyberneticians from the Macy conferences could write a paper defining teleology as “purpose controlled by feedback.” Or a French journal of critical metaphysics that produced statements such as, “Henceforth the political moment dominates the economic moment. The supreme issue is no longer the extraction of surplus-value, but Control.”
There is something pre-cybernetic about the drawings, diagrams, mind maps, and obsessively-filled calendar/planner pages that Loomis presents as an archive of sorts. Not only a personal archive of a life’s work, but also the visible evidence of archiving—of organizing information for the record. With his blueprints for things like a “soul code” or a “DIOS Neurocontroller” that resemble mandalas and reference Meyers Briggs personality types, astrology, tarot, and the twelve steps of AA, Loomis translates the desire to predict one’s becoming as a static functional analysis. In the way that some of the drawings could have functioned as illustrations for pen and paper role-playing game manuals in the 70s/80s, there’s a stylistic historicity at work here, just as it was with the new age Telos of Alice Bailey and theosophy, with her complex spiritual governments of the afterlife superseding the world religions. And, thus, the way is paved, after the human computers take over: celebrate with a Nuremburg-like rally and start linking up, for us to understand the reason behind generalized Control."
above text (truncated) is by ANTEK WALCZAK, a NY-based artist.
Consciousness, Self Awareness, and Meaning: The Drawings of René Descartes
"I am accustomed to sleep and in my dreams to imagine the same things that lunatics imagine when awake".
Most images taken from Principia Philosophiae, 1644. The drawing of the magnetic field is my favorite, the second image down. This was one of the first drawings of the concept of a magnetic field. It shows the magnetic field of the Earth, pictured in the center, attracting several round lodestones (I, K, L, M, N) and illustrates his theory of magnetism. Descartes proposed that magnetic attraction was caused by the circulation of tiny helical particles, "threaded parts" (shown), which circulated through parallel threaded pores in magnets, in through the South pole (A), out through the North pole (B), and then through the space around the magnet (G, H) back to the South pole. Oppositely threaded particles circulated in the opposite direction. When the "threaded parts" came near a lodestone or piece of iron, they passed through its pores, causing magnetic force. Alterations to image: cropped, and cloned out intruding text around edges of drawing
THE SHADOW OF THE FOURTH DIMENSION=The Minimal
text and 4th dimension images from: Elementary Treatise on the Geometry of Four Dimensions
The invisible preserves one’s identity within a land that cannot be visible. Borders shape limits of vision. They draw a line between what is seen and what should never be seen. They divide our perception into gaps of knowledge; the land that is on your side is familiar, it is yours, you know the history of its sacrifice and preservation. The middle part is no hu-man land. The other side is invisible. It lives behind webs of denial that never connect, but still protect your vision from seeing. The web contains a perpetual state of mirrors that do not mirror the other only one’s self: your story, your history, your rites, your ownership, your blood.
The nation state survives through this blindness, it teaches you a language of defense through the repetition of trauma. - artist Meital Yaniv
image 1. Non-sign” an installation piece by Lead Pencil Studio, located near the border between the U.S. and Canada. 2.Pura Lempuyang Door in Bali, Indonesia 3. James Turrell 4. unknown 5 unknown 6 unknown 7 unknown 8 Snow Wall by Tokujin Yoshioka 9 unknown 10 unknown
Money Talks: From the Mouths of Ghost Face Coins to GhostFace Killah
above:Coins from china known as Ghost face coins or Ant Nose Money.
Above: Ancient Celtic rouelle (ring money or wheel money) from France, 1st millennium BC.
above: ancient Egypt
above: Ancient Judean coin (I think it sold for 11 million in an auction?)
above: bone cowrie, looks like a little brain. The cowrie shell has been used as money in many parts of the world, including China, Africa and Arabia.
above: the coinage of the Lydians had been in existence for more than a millennium when paper money first emerged in China under the Tang dynasty (618 –907 AD). The early development of paper money continued during the Song dynasty (960-1279 AD).
above: Ephesos 620-600 BC.
above: ghostface coin from ancient China
above: ancient China
above: ancient Greek
above:Phoenicia Arados AR Drachm 164 BC
above: this depicts a symbol of a turtle, I think it was Egyptian
above: Ancient Chinese money, with plate
above: tool used as ancient chinese money
Image above: Tupaia, bartering a lobster perhaps? A native of Raieatea, fled to Tahiti to escape attacking forces from Bora Bora island. A man of clear intelligence, he acted as intermediary, translator, and explicator of Polynesian society for visiting European vessels. On Cook's arrival in 1769, Tupaia went on board Cook's voyage to New Zealand, Australia, and Java, where Tupaia eventually died after falling ill
What happened to Bartering?
According to the Silk Road Foundation, a form of paper currency called “flying cash” by the Chinese (since the wind could blow the paper away) was first used in the Tang dynasty (618-907 AD) in China in the form of certificates which could be converted into copper or silver currency on demand at the capital. Real official paper currency was adopted early in the Song dynasty (9601279 AD, is that a real date?) when it was used in Szechuan Province where printing was first invented.
Marco Polo was impressed by the use of the paper money in China and mentioned it in his book, which is the illustrated below.
This may have helped to carry the idea to the West. He described the issue of paper money in China thus: “All these pieces of paper are issued with as much solemnity and authority as if they were of pure gold or silver; and on every piece, a variety of officials, whose duty it is, have to write their names, and to put their seals. And when all is duly prepared, the chief officer deputed by the Khan smears the Seal entrusted to him with vermilion, and impresses it on the paper, so that the form of the Seal remains printed upon it in red—the Money is then authentic. Anyone forging it would be punished with death.”
Many incongruencies remain about the origins of money. There was a substantial period in human history when bartering was the dominant force of exchange. The shift from barter towards the use of currencies was a gradual one I suppose, as it still is seen today. Anyone who has traveled outside of the US, is familiar with the bargaining between buyers and sellers in modern street bazaars across the world.
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some lyrics about the current economic situation from Ghost Face himself:
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Rich man, poor man, read the headlines Nigga getting murdered for sport and bigger dimes Jobs and drug wars Living by gun law Jailcats come home and want to take yours As the young one, growing up broke me and my people as the self, huh, I guess we all in the same boat Think it, plus drinkin that 90-proof Playin' on the roof sayin' we need a next man to shoot...
"Motherless Child" (feat. Raekwon the Chef)
The Architecture of the Moon: Domes, Spheres, and the shadow hidden by the earth
A kind of unexplained beauty lies in connecting the shape and image of the half shaded moon with sphere shaped dwellings throughout time and humanity. It's as if, like the moon, the dwellings exist as spheres themselves that are half shaded by the surface of the earth. It's one of those things that makes me feel small but also vast at the same time-- it somehow connects me to something greater than this planet.
But there is another kind of shade that I am referring to here. Shade, meaning our ability to be blind to the past.
The geodesic dome has other names, one such name could be wigwam.
The English word wigwam derives from Eastern Abenaki wigwom, from Proto-Algonquian*wi·kiwa·ʔmi.[3][4] Other Algonquian languages have similar names for the structure:
wigwôm in Abenaki
wiigiwaam in the Anishinaabe languages; syncoped as wiigwaam
wiigiwaam in the Algonquin language can vary as miigiwaam (with the nX prefix m-instead of n3 prefix w-)
ookóówa in the Blackfoot language (without the possessive theme suffix -m)
mâhëö'o in the Cheyenne language (with the nX prefix m- instead of n3 prefix w- and without the possessive theme suffix -m)
wiikiaami in the Miami-Illinois language
wikuom in the Mi'kmaq language
ȣichiȣam in the Nipmuc language
wikëwam in Unami
wickiup (perhaps a variant of wikiwam without the possessive theme suffix -m combined with ap(i) "sit"):
wiikiyaapi in Fox
mekewāp in Cree (with the nX prefix m- instead of n3 prefix w-)
mīciwāhp in Montagnais (with the nX prefix m- instead of n3 prefix w-)
wikiop in Menominee
wekeab in Saki
I have looked at Galileo's early drawings of the moon for so many years. I return to them often. I am not sure why. Maybe because, for me, they mark the beginning of something for all humanity.
Domes have historically, especially in more religious architecture, come to symbolize a connection to the sky, possibly to god or the heavens. Although I do love Buckminster Fuller, acknowledgement is due to the original geodesic domes, whose technology many cultures employed. These builders knew about "sustainability", (maybe by another name, common sense?). They knew about the economy of design, and they knew about temperature regulation, as well as mobility and lightness, etc....Many of his other designs really emulated Mongolian Yurt technology as well. Technology is a way of building off the past, but too often, its seems the past is also stomped on.