2025 ごみ出しチャレンジ
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if i look back, i am lost
d e v o n
Monterey Bay Aquarium
Keni
Jules of Nature
tumblr dot com
ojovivo

Origami Around
sheepfilms

Kiana Khansmith
𓃗
taylor price
$LAYYYTER

shark vs the universe

blake kathryn

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Aqua Utopia|海の底で記憶を紡ぐ
2025 on Tumblr: Trends That Defined the Year
RMH

seen from Malaysia

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@misanthropystuff
2025 ごみ出しチャレンジ
I scream, Oriana Ingber
“The human soul is part of the great cosmic stream that flows through all creatures. It is a single force, one motion, but when a person is born into a physical body, when he comes into the world as an individual being, that soul has to separate from the rest, otherwise a person would not be able to live — the soul would drown in the One, and the person would go mad in just a few instants. That is why such a soul gets sealed, that is, seals are stamped upon it that will not let it mix with that unity but will allow it to operate in the finite, bounded world of matter.”
— Olga Tokarczuk, The Books of Jacob
Es el traductor de las experiencias en rasgo sentido, el trato, el descuido, el amor, para consigo.
Consolarle y preguntarle "¿que tienes?" abrazarlo, tocarlo, apretujarlo un poco, a la par de un apretón de ojos.
hoy una parte de mi ha muerto, y no puedo parar de llorar. Porque he olvidado todos los sinónimos de la palabra “tristeza” ahora todo lo que puedo hacer sin ti, es reemplazarte.
“I would never write about that. It was enough I had wasted the time once. I would never waste more time by writing about it.”
— Elif Batuman, Either/Or
Gordon Cheung — "Gardens of Perfect Brightness” (Financial Times newspaper, archival inkjet, acrylic, and sand on linen, 2022)
David Shrigley Proposals for Record Covers Galerie Francesca Pia, Zürich December 3, 2022 – January 28, 2023
mi situación sentimental no está trazada, no es explicada. Está enredada, no se trata de una relación amorosa, va de mi lenguaje conmigo y los otros, mi actuación frente al estímulo y lo (in)soportable que puede ser vivir.
un tiempo escribí con el pecho apretujado, el cuerpo en las penumbras, las ideas en el lugar de mi muerte. El corazón rasguñado y los labios despellejados, mordisqueados por mis dientes ansiosos. Creyendo que la calma jamás volvería.
• 𝘛𝘩𝘦 𝘎𝘳𝘦𝘢𝘵 𝘋𝘪𝘴𝘨𝘶𝘪𝘴𝘪𝘯𝘨 𝘐𝘐 •
𝖻𝗒 𝖫𝖺𝗎𝗋𝖺 𝖡𝖾𝗇𝗌𝗈𝗇
Laura Benson (American, 1997) - Haunt (n.d.)
Yeon Kyung Park - Still Life, 2025 - Oil on canvas