Emma is not here for NB’s shit (x)

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Aqua Utopia|海の底で記憶を紡ぐ
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The Stonewall Inn
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YOU ARE THE REASON
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EXPECTATIONS
PUT YOUR BEARD IN MY MOUTH

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@momentofzen
Emma is not here for NB’s shit (x)
When a video game boss has multiple forms:
A woodpecker hitched a ride on the side of this man’s car during a rainy day in Chicago.
me: feels sad for literally 5 minutes
me: doesn’t go to school, calls into work, impulsively buys shit i don’t need, ruins all my relationships
you and you and nothing but YOU
marvelous novelist you
isn’t he WONDERFUL
just twenTY-EIGHT
THE SAVIOR OF WRITING
me walking onstage at an academic conference: [taps microphone] Is this thing on? Oh, good. Hi. Hello. I just wanted to say that if Magic Mike is about exploring the intoxication, danger, and ultimate moral degradation wrought by American capitalism, personified in the form of Dallas (named to evoke a certain particularly masculine and individualist form of Americanness), who presents as seductive and flattering but is ultimately revealed to be mercenary, self-interested, manipulative, dishonest, and avaricious, then Magic Mike XXL, it made me a new person, is about the importance of imagining a joyful and egalitarian space beyond the reaches of capitalism. Magic Mike XXL opens with Tarzan saying, Dallas is gone, and although we learn that this was a joke and Dallas, like any successful corporate empire, is merely busy expanding his enterprise overseas, the movie encourages to consider the value of living, if only temporarily, as if Dallas is gone, that is to say, as if the strictures that bound us into roles for which we were not suited and which we did not enjoy performing (e.g., the fireman routine, bestowed upon—this is crucial as an example of the cruelty of the ownership class—someone who in fact is afraid of fire) have evaporated, replaced by a fundamentally different organizing force (symbolized by foreign-named and female Rome and Paris). and we are now free to imagine ourselves and our relationships as they might be if created wholly of our own design (e.g. maybe we want to erotically dance in celebration of our admiration for romantic commitment and our free-spirited intensity in the moment of sexual consummation instead of being a fireman). The fact that it is functionally a sports movie with no stakes further points to the film’s desire to undermine the artificial elevation of competition in American culture, suggesting that the humanly deigned possibility of “loss” could, in a post-patriarchal utopia—
!!!!!!!!!!!!!!!!
FUCK YEAH MARA SPILL THAT TEA
I adore things that give me a silent hill vibe. Follow me for all your dark aesthetic needs.
Methods of Death & How They Feel
Drowning: When victims eventually submerge, they hold their breath for as long as possible, typically 30 to 90 seconds. After that, they inhale some water, splutter, cough and inhale more. Survivors say there is a feeling of tearing and a burning sensation in the chest as water goes down into the airway. Then that sort of slips into a feeling of calmness and tranquility. That calmness represents the beginnings of the loss of consciousness from oxygen deprivation, which eventually results in the heart stopping and brain death.
Heart Attack: The most common symptom is chest pain: a tightness, pressure or squeezing, often described as an “elephant on my chest”, which may be lasting or come and go. This is the heart muscle struggling and dying from oxygen deprivation. Pain can radiate to the jaw, throat, back, belly and arms. Other signs and symptoms include shortness of breath, nausea and cold sweats.
Bleeding to Death: Anyone losing 1.5 litres – either through an external wound or internal bleeding – feels weak, thirsty and anxious, and would be breathing fast. By 2 litres, people experience dizziness, confusion and then eventual unconsciousness.
Fire: Burns inflict immediate and intense pain through stimulation of the pain nerves in the skin. To make matters worse, burns also trigger a rapid inflammatory response, which boosts sensitivity to pain in the injured tissues and surrounding areas.As burn intensities progress, some feeling is lost but not much. 3rd degree burns don’t hurt as much as 2nd degree burns.
Decapitation: Very quick. Consciousness is said to continue for a few seconds after decapitation. It’s thought to be painless. But the separation of the spinal cord and brain may cause severe pain.
Electrocution: Higher currents can produce nearly immediate unconsciousness. The electric chair was designed to produce instant loss of consciousness and painless death, but that’s debatable. It’s been proposed that prisoners could instead be dying from heating of the brain, or perhaps from suffocation due to paralysis of the breathing muscles instead of electrocution itself because the skulls of the wall are a thick and powerful insulator.
Falling from a height: Another instantaneous death. Survivors of great falls often report the sensation of time slowing down. The natural reaction is to struggle to maintain a feet-first landing, resulting in fractures to the leg bones, lower spinal column and life-threatening broken pelvises. The impact traveling up through the body can also burst the aorta and heart chambers.
Hanging: The rope puts pressure on the windpipe and the arteries to the brain. This can cause unconsciousness in 10 seconds, but it takes longer if the noose is incorrectly sited. Witnesses of public hangings often reported victims “dancing” in pain at the end of the rope, struggling violently as they asphyxiated.
Lethal injection: . First comes the anaesthetic thiopental to speed away any feelings of pain, followed by a paralytic agent called pancuronium to stop breathing. Finally potassium chloride is injected, which stops the heart almost instantly. Eyewitnesses have reported inmates convulsing, heaving and attempting to sit up during the procedure, suggesting it’s not always completely effective.
Vacuum (In Outer Space): When the external air pressure suddenly drops, the air in the lungs expands, tearing the fragile gas exchange tissues. This is especially damaging if the victim neglects to exhale prior to decompression or tries to hold their breath. Oxygen begins to escape from the blood and lungs. Human survivors from NASA often report an initial pain, like being hit in the chest, and may remember feeling air escape from their lungs and the inability to inhale. Time to the loss of consciousness was generally less than 15 seconds.
(Source & More Information)
this year’s teen vogue most read article list is amazing and a work of art
Hillary 2016
WOMEN HAVE SEEN THIS COMING FOR YEARS
BOBBY NEWPORT HAS NEVER HAD A REAL JOB IN HIS LIFE
But I keep rollin’ on…
[insp]
An interesting thread about the discursive function of “waslike”.
Technically speaking, I wouldn’t say that this construction is really a compound verb “waslike”, because it still conjugates like you’d normally conjugate the verb “to be”. (I’m like, you’re like, s/he’s like; I was like, you were like, s/he was like - not I waslike, you waslike, s/he waslikes.)
The linguistic term for it is quotative “like” and there have been several academic papers about it, including this early one from 1990 and this extensive survey of functions of “like” by Alexandra D’Arcy.
there’s literally no doubt in my mind that the entirety of the San Junipero episode of Black Mirror was based on this picture and that is….fine tbh
Justin go back to your seat this is a nuclear summit not junior high study hall you can’t just sit with your crush there are assigned name tags and you are decidedly not Nigeria
reblog this while you still can