Stretch
styofa doing anything
Alisa U Zemlji Chuda

★
i don't do bad sauce passes
Claire Keane
DEAR READER
NASA

titsay
Show & Tell
Today's Document
todays bird
Jules of Nature
One Nice Bug Per Day
$LAYYYTER
Cosimo Galluzzi
cherry valley forever
Sweet Seals For You, Always
KIROKAZE
occasionally subtle
Three Goblin Art

seen from Indonesia
seen from United States

seen from Italy

seen from United States

seen from United States

seen from United States

seen from Türkiye

seen from Türkiye
seen from Netherlands
seen from Oman

seen from United States
seen from Germany

seen from Netherlands
seen from United States

seen from Austria

seen from South Africa

seen from United States
seen from Japan
seen from United States

seen from United Kingdom
@monnke
Stretch
Crumple
Layering
Entropy
To Distill
Friction
Technical Exercise 4
Reflection
Project 3
This video attempts to contrast the ridiculousness of Scott Stapps musical talent and its intrinsic relationship with not just the extreme financial market surrounding a game as silly as baseball, but entertainment as a whole as it pertains to the overstimulation and overproduction of mind deadening content. I also think it's hysterical.
Christian Marclay's "The Clock"
Command Performance
Vito Acconci
1974, 56:40 min, b&w, sound
Excerpt from Desniansky Raion by Cyprien Gaillard Shot by Noé Nadaud, Hnt & Sexi
Super Mario Clouds - Cory Arcangel
CC BY 2.0-licensed photo by CEA+ | Artist: Nam June Paik, “Electronic Superhighway. Continental US, Alaska & Hawaii” (1995).
Video Art Reading 3
Thinking of light and obstructing light as the first art form gives a different perspective of the way we express ourselves. As that interacts with our contemporary view of video art we certainly have a different perspective. Oftentimes video art can come across as confusing and in many ways video is the optimal form of critique for the modern distribution of media. Nauman makes a direct reference to historical representation of humans in art with his Contrapposto within a small designated moving area. Critique of modern media consumption can be seen in Nam June Paik, Specifically Zen for Film, 1964 the immersion of screens in a highly saturated color format along with foliage adds a context from our origins to gather in the wild. The implication being our modern gathering for survival is through the screen. One of the biggest questions I have for video art is the interaction between display and consumption. There are many artists who display their work in curated spaces as well as on internet spaces like youtube. In the comments you can see the interaction between pop culture fans and those who saw the art in person and describe a very different experience. This can mostly be seen by Cory Archangel whom some say is a great modern video artist. The question I have for some of his work is the parameters of acceptance for video art. For example a hacked Video Game like Mario, or having two programs play chess in the comments of various instagram comment sections. Further questions I have are can simply the recording and redistribution of a screen be expanded upon for the future of video art?
The Loop Artist Statement
This project is a loose attempt to visualize the continuous darkening of the future of humanity, and the constant development upon the cruelty and, evil that has been apart of our country since its inception and continues to permeate and determine modern life. With this project I gave considerable thought to the evolution and devolution of consciousness.
Wet Ink Gifs
Dry Ink Gifs
Project 2: The Loop