Matthew Barney, Drawing Restraint (2010)
AnasAbdin
Today's Document
let's talk about Bridgerton tea, my ask is open

★
Game of Thrones Daily

Love Begins

Janaina Medeiros
No title available
Sweet Seals For You, Always

PR's Tumblrdome

❣ Chile in a Photography ❣

No title available

izzy's playlists!
almost home
I'd rather be in outer space 🛸

oozey mess

Product Placement
NASA

#extradirty
Alisa U Zemlji Chuda

seen from Poland

seen from Denmark
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seen from United Kingdom

seen from Belarus

seen from United States

seen from United States
seen from T1

seen from United States
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seen from Italy
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seen from Malaysia

seen from Aruba
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seen from Türkiye
seen from United States
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@moodgored
Matthew Barney, Drawing Restraint (2010)
Polly Borland
Gretchen Bender
Urs Lüthi
tim hawkinson, pink bike, 2010, inkjet prints
LOUISE BOURGEOIS NATURE STUDY // 1986 [pink marble | 29 1/2 x 34 x 29 1/2"]
"Since the fears of the past were connected with the functions of the body, they reappear through the body. For me, sculpture is the body. My body is the sculpture." —L.B.
“Our perceptions of the external world are habitually clouded by the verbal notions in terms of which we do our thinking. We are for ever attempting to convert things into signs for the more intelligible abstractions of our own invention. But in doing so, we rob these things of a great deal of their native thinghood.”
— Aldous Huxley, The Doors of Perception
"In order to become a political subject in the modern State, each body must submit to the machinery that will make it such: it must begin by casting aside its passions (now inappropriate), its tastes (now laughable), its penchants (now contingent), endowing itself instead with interests, which are much more presentable and, even better, representable. In this way, in order to become a political subject each body must first carry out its own autocastration as an economic subject. Ideally, the political subject will thus be reduced to nothing more than a pure vote, a pure voice."
- Tiqqun, Introduction to Civil War
Iris van Herpen Fall Couture 2018 lensed by Bryan Huynh
The only consistent factor connecting the otherwise desultory succession of consumer products and services is the intensifying integration of one's time and activity into the parameters of electronic exchange. Billions of dollars are spent every year researching how to reduce decision-making time, how to eliminate the useless time of reflection and contemplation. This is the form of contemporary progress—the relentless capture and control of time and experience.
Jonathan Crary, 24/7: Late Capitalism and the Ends of Sleep
©Philomena Famulok
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The huge portion of our lives that we spend asleep, freed from a morass of simulated needs, subsists as one of the great human affronts to the voraciousness of contemporary capitalism. Sleep is an uncompromising interruption of the theft of time from us by capitalism. Most of the seemingly irreducible necessities of human life . . . have been remade into commodified or financialized forms. Sleep poses the idea of a human need and interval of time that cannot be colonized and harnessed to a massive engine of profitability, and thus remains an incongruous anomaly and site of crisis in the global present.
Jonathan Crary, 24/7: Late Capitalism and the Ends of Sleep
tricks of the light: essays on art and spectacle - jonathan crary