no role modelz

lana. nineteen. witch bitch.

[versacethotty]

[daisymondays]

Disney don’t know where to point their snipers, they thought they had john boyega and oscar isaac on lock down but then sebastian stan said, over here u stupid mouse

[toastbutteregg]

5/20/2020

[mephistia-arts]

[hentired]

As much as I love cinema I've never seen a graphic sex scene that made me think "yeah that was necessary, the movie really needed that to be good"

[whitepeopletwitter]

[theehorsepuss]

[butternaan]

it drives me crazy how humans are just meant to hold each other. how come when you hold someone's hand, your fingers just perfectly lock with theirs? how is it that when you hug someone, your face fits just right in the crook of their neck? how can your hands cup someone's face like that's their only primary function? it cannot be coincidence that our bodies are fully capable of holding another... we were designed to love

[wsz]

i dont even remember why i blocked half the people in my blocked list but i trust past me

[lmaonade]

I am posting from princess peach’s castle 

[theweirdwideweb]

[unintendedsblog]

The Joker and Batman were born at the same time and that is so iconic.

[transienceflowers-deactivated20]

SUGAR // BROCKHAMPTON

[alwaysagem]

[dcmultiverse]

During one of Birds of Prey’s fight sequences, Harley Quinn (Margot Robbie) identifies a teammate’s vulnerability and provides a critical assist — by lending her a hair tie. This small act of sisterhood is as familiar in an everyday context as it is surprising in the DC Extended Universe. It’s one of the many ways that Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) differs from its superhero movie forebears: It not only stars women, it was made by them, too. “There’s more women in front [of] and behind the camera than any movie I’d worked on, which is pretty incredible,” says Robbie, who also produced the film. “It was partly a conscious decision, but it also always felt like the organic, right choice to make.”

—Entertainment Weekly: How the R-rated, women-powered Birds of Prey flips the bird — and the script — in high-flying style

[seashellronan]

half of me is a hopeless romantic and the other half is just hopeless

[unfortunately-awake]