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Songwriters on Songwriting, Paul Zollo
“It’s a very Greek idea, and a very profound one. Beauty is terror. Whatever we call beautiful, we quiver before it. And what could be more terrifying and beautiful, to souls like the Greeks or our own, than to lose control completely? To throw off the chains of being for an instant, to shatter the accident of our mortal selves? Euripides speaks of the Maenads: head thrown back, throat to the stars, “more like deer than human being.” To be absolutely free! One is quite capable, of course, of working out these destructive passions in more vulgar and less efficient ways. But how glorious to release them in a single burst! To sing, to scream, to dance barefoot in the woods in the dead of night, with no more awareness of mortality than an animal! These are powerful mysteries. The bellowing of bulls. Springs of honey bubbling from the ground. If we are strong enough in our souls we can rip away the veil and look that naked, terrible beauty right in the face; let God consume us, devour us, unstring our bones. Then spit us out reborn.”
The Secret History, Donna Tartt
Spirits Rebellious
I found Spirit's Rebellious on a book shelf when I was struggling with obeying the voice of my heart and soul vs. obeying the multitude of voices (both inner and outer) telling me what I should do. It's been years since I've revisited it, and I'm again awed by the sheer beauty and poignance of Gibran's truly timeless words.
“Are you contented, as sons of God, with being slaves of man? Did not Christ call you brethren? Yet Sheik Abbas calls you servants. Did not Jesus make you free in Truth and Spirit? Yet the Emir made you slaves of shame and corruption. Did not Christ exalt you to heaven? Then why are you descending to hell? Did He not enlighten your hearts? Then why are you hiding your souls in darkness? God has placed a glowing torch in your hearts that glows in knowledge and beauty, and seeks the secrets of the days and nights; it is a sin to extinguish that torch and bury it in ashes. God has created your spirits with wings to fly in the spacious firmament of Love and Freedom; it is pitiful that you cut your wings with your own hands and suffer your spirits to crawl like insects upon the earth.”
I think the biggest obstacle for people with their creativity is that they feel they have to sit down and create this finished, polished product. Especially nowadays, it’s so easy to have a library of two thousand CDs, books and records. So many things. We’re used to having all of these finished works of art in our life that seem to arise out of nothing. I think that so much of the creative process is a fragmentary one, and then it’s about just allowing your intuition to put it together for you. It’s funny how you create something and you think you’re going in a million different directions, and then the thing you end up with is the thing that you wanted to create your whole life, but you’re just as surprised by it as anybody else.
Jeff Mangum (x)
This book is brilliant. The Language of Emotions by Karla McLaren. It's like a handbook for how to be a human. Very helpful.
Bliss.
"Cohen approaches his work with extraordinary doggedness reflecting the notion that work ethic supersedes what we call “inspiration” — something articulated by such acclaimed and diverse creators as the celebrated composer Tchaikovsky (“A self-respecting artist must not fold his hands on the pretext that he is not in the mood.”), novelist Isabel Allende (“Show up, show up, show up, and after a while the muse shows up, too.”), painter Chuck Close (Inspiration is for amateurs — the rest of us just show up and get to work.”), beloved author E.B. White (“A writer who waits for ideal conditions under which to work will die without putting a word on paper.”), Victorian novelist Anthony Trollope (“My belief of book writing is much the same as my belief as to shoemaking. The man who will work the hardest at it, and will work with the most honest purpose, will work the best.”), and designer Massimo Vignelli (“There is no design without discipline.”).
You must not fear, hold back, count or be a miser with your thoughts and feelings. It is also true that creation comes from an overflow, so you have to learn to intake, to imbibe, to nourish yourself and not be afraid of fullness. The fullness is like a tidal wave which then carries you, sweeps you into experience and into writing. Permit yourself to flow and overflow, allow for the rise in temperature, all the expansions and intensifications. Something is always born of excess: great art was born of great terrors, great loneliness, great inhibitions, instabilities, and it always balances them. If it seems to you that I move in a world of certitudes, you, par contre, must benefit from the great privilege of youth, which is that you move in a world of mysteries. But both must be ruled by faith.
Anais Nin
So beautiful it hurts!
I’ve recently joined Blood and Dust. Here we are rehearsing “Forget Me Not” by The Civil Wars.
My 2+ month bout of pneumonia is waning. I was so sad, and now I’m so happy.
It's scary to need something so much.
Place Holders
Diary, 1/25/2015
I had a strong urge to get rid of everything in my room last night, with the exception of instruments, books, plants, and a few particularly significant pieces of art. I even wanted to get rid of things that serve a direct purpose (lamps, computer, printer, speaker, air purifier). If an object didn't feel precisely like love, I wanted it gone. Anything else felt like an increasingly irritating pebble in my shoe. I scanned the room with my heart and realized that even some of the things I thought felt like love, don’t.
I’ve always enjoyed sleeping “like a princess,” with a comfortable bed and fluffly blankets and pillows. As a child, I’d sneak away to my room when the slumber party fell asleep. I’ve viewed this desire for sleep-related luxury as a funny outlier of my personality, and though I’ve long wished I could be content and well rested sleeping blanketless on the ground, I accepted it.
I must remember again and again that everything I’ve ever sought to change begins changing the moment I notice it. Suddenly, all of these pillows and the fluffy blanket and even the rug that at first gave me the sense that things were getting so much cozier in here - so much homier, are making me feel sick in a skin crawling sort of way. A gross, gross, YUCK! feeling. I hate this stuff! And the clothes! There’s too much of it! I am itching and seething. I don’t know exactly what seething means, but if it’s anything like it sounds, it’s what’s happening to me.
I want to rip down the tapestry generously bought for me by a friend to help me feel more at home. It worked so well for months - I'd look at it, and at the tiny little beaded purple chandelier meant to hold a tiny little candle, and I'd feel some sort of ease in my heart. When my meditation app would ask what I was grateful for, my room was high on the list, consistently, for months. But suddenly, these things are DETESTABLE to me. Depthless, detestable kitsch. Ich!
I’m afraid of tearing down everything and feeling the emptiness. I’m afraid of the stark, quiet, tan walls. My room is going to feel like leafless winter branches. It’s going to feel like me. But I can’t have things just to have things - to make the room feel more bright, warm, “homey.” It’s the same thing I’m learning, mourning, about people. The things create a false sense of home; they are place holders that occupy the space where my authentic Home may otherwise settle.
I will keep only what feels precisely like love.
————
Update: The emptiness is still frightening, but the rug is out - the little dangling chandelier, the tapestry, gone. The room feels brighter.
The tapestry was absorbing light.
————THIS ARTICLE:
http://www.daniellelaporte.com/how-to-make-space-for-quality-to-show-up-in-your-life/
If I had not created my own world, I would have certainly died in other people’s.
Anais Nin