
izzy's playlists!
noise dept.
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taylor price
Noah Kahan
cherry valley forever
I'd rather be in outer space 🛸
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ojovivo

bliss lane

Love Begins
TMBGareOK. The Official They Might Be Giants tumblr
EXPECTATIONS
The Bowery Presents
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almost home
Cosimo Galluzzi

Discoholic 🪩
Monterey Bay Aquarium
Claire Keane

seen from Ecuador

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seen from Lithuania

seen from Lithuania
seen from Iraq

seen from United Kingdom

seen from Türkiye

seen from Argentina

seen from United States
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seen from United States

seen from United States

seen from Argentina
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seen from Bangladesh
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seen from Argentina
@morozbogdan
“the wind is playing” “вітер грає” not knowing/don't understanding series (USB fan, microphones, fabric.)
Performance within the framework of "Condensate" exhibition The total duration of the performance is 1.5 hours, including expectation for the beginning of the performance. Parts of the Ukrainian folk song "Plive Kacha po Tisini ...". (The duck floating on the swamp) were used. Operator - Valya Kalyuzhna Art-Pier (“Condensate” exhibition) 4.10.2017 (Kyiv)
“Arena №3″
multimedia installation, performance (Wooden slats, agro fiber, video projection, soundtrack) Third and last installation of “Media circus” series, which combine two previous works “Round and Round” and “The winner”. «МИСТЕЦТВО МОЛОДИХ, REVISION» “THE ART OF YOUNG, REVISION” Gogolfest 2017 (ВДНХ) 09.09.2017 - 10.09.2017 (Kyiv, Ukraine)
Stoyitʹ hora vysokaya (The mountain stands high) Стоїть гора високая Intervention in the area of new buildings. During which I sing two different songs with the same name «Stoyitʹ hora vysokaya» (The mountain stands high). The first Ukrainian folk song (lyrics by Leonid Glebov) was popular in the USSR, the second - an authentic song of the Sumsky Polissya. In both songs, the first words are "stands a mountain", then in the first (The green grove, generous, as the paradise) changing to (There's no one there, There nothing flies, except for the falcon). Інтервенція в район новобудов. Під час якої я співаю дві пісні с однаковою назвою (стоїть гора високая). Перша українська народна пісня на слова Леоніда Глібова (популярна в СРСР), друга - аутентична пісня сумського полісся. У обох піснях перші слова «стоїть гора», далі у першій (зелений гай, густесенький, неначе справі рай) змінюються на (ніхто там не літає ніхто там не буває окроме сокола).
Why? Чому? Interventions in the Regional Psychiatric Hospital in the Semenivka (Slavyansk), Donetsk Oblast (which was destroyed during the military conflicts of 2014) and on the territory of the remnants of the «Khimprom» (Chemical enterprises) association. Within the framework of the project "MEZHA" (Borderline) implemented by "GARDEN-CITY" NGO. Song by JAMALA (Eurovision winner 2016) - Chomu kvity mayutʹ ochi? (Why flowers have the eyes?), lyrics by Victoria Platovа Інтервенції в обласну психіатричну лікарню в селі Семенівка (Слов'янськ), Донецька Область (яка була зруйнована під час військових конфліктів 2014 року) та на територію залишків виробничого об'єднання «Хімпром». Які відбулася в рамках проекту «МЕЖА», реалізованого ГО "Місто-сад. Була використана пісня Джамали (переможеці Евробачення 2016) - Чому квіти мають очі? (текст пісні - Вікторія Платова)
Fitting / Примірка
happening, 2017, Kyiv The description is formed by comparing two author's texts: Attempt of compatibility. Fighting for limited financial resources, upward movement, need to survive - A goal that affects any age, gender or racial bias. Neutral territory for "game", where two have their translatable role, function, purpose. Everyone infinitely slipping, screwing, and capturing a piece of space. Re-thinking of yourself as part of a hierarchy. Traditional values of the patriarchal way of life are spreading, exposing endless competition without the ability to straighten out and "get out of the game". Fitting duties, Fitting behaviour, Fitting a position, Fitting responsibility. Alyona Mamay, Bogdan Moroz Опис сформований зіставленням двох авторських текстів: Попытка совместности. Боротьба за обмежені фінансові ресурси, просування “нагору”, потреба вижити — ціль, що заступає будь-які вікові, гендерні чи расові упередження. Нейтральная территория для «игры», где двое имеют свою транслируемую роль, функцию, цель. Кожен чи кожна, на своєму рівні, безкінечно ковзає, сповзає, борсається, захоплює ще шматок простору. Переосмысление себя как части иерархии.Традиційні цінності патріархального укладу життя розповзаються, оголюючи безкінечну конкуренцію без можливості випростатись й “вийти з гри”. Примерка обязанностей, примерка поведения, примерка должности, примерка ответственности. Альона Мамай, Богдан Мороз
"the winner"
multimedia installation (Wooden slats, agro fiber, video projection, soundtrack.) Why do we need the existence of a winner and who is this abstract character? «The winner" is a permanent act of a сontinuous rewarding. The ceremony, from which its main elements were removed. The only thing left is an announcement. No winner as well as the show host and passionately audience. Illusory victory and empty arena with decorated visuals on it. The victory itself, as well as the pathos of the ceremony, are levelled, only the fact that "the winner is he/she" is remained. Voice by Yana Galchuk “20.18. Thinking about Tomorrow” Cultural space AkT Platform art factory 08.06.2017 - 2.07.2017 (Kyiv, Ukraine)
“Google search” Collages that made from pictures that were found by random searching in Google, and personal archive. “True underground exhibition” Black rabbit 2015 (Kyiv, Ukraine)
“Chalk“
Children's chalk drawings on the asphalt, in the capital city of a country that is going through a war.
“Raft and a broken synthesizer” happening, soundtracks Heritage, it's something that does not depend on you. All that we can do is to take an absolutely random set of culture phenomena of people that have remained from former times. During the happening, I'm singing the folk song, and as an assembly, I took a broken synthesizer that created absolutely random sounds, every time I played it.
Happening participant - Anastasia Putilovskaya
click to listen
“Adaptation”
happenings, installations Series of improvisation in a total installation studio space. The participant had an opportunity to use any object, sound or move to develop any kind of narrative during the session. Happenings lasted from 5 minutes to 4 hours, without breaks, periodically for about a six months. A major part of happenings hasn't been recorded.