Sunlit Interior, 1942, Henri Matisse
The Stonewall Inn
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Sunlit Interior, 1942, Henri Matisse
Bill Saylor, Drifters, 2019
Jean-Michel Basquiat (American, 1960-1988), Ultra-violet, 1984. Acrylic on canvas, 155 x 185 cm.
Event #247 by Edmondo Bacci, 1956, Guggenheim Museum
The Solomon R. Guggenheim Foundation Peggy Guggenheim Collection, Venice, 1976 © Edmondo Bacci Medium: Oil with sand on canvas
https://www.guggenheim.org/artwork/287
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Walter Swennen
Need, 1897, Kathe Kollwitz
https://www.wikiart.org/en/kathe-kollwitz/not_detected_235963
Oscar Tuazon
Model in Backligh, 1908, Pierre Bonnard
Medium: oil,canvas
https://www.wikiart.org/en/pierre-bonnard/model-in-backligh-1908
White Cross by Vasily Kandinsky, 1922, Guggenheim Museum
The Solomon R. Guggenheim Foundation Peggy Guggenheim Collection, Venice, 1976 © 2016 Artists Rights Society (ARS), New York/ADAGP, Paris Medium: Oil on canvas
https://www.guggenheim.org/artwork/1916
Cecily Brown (British, b. 1969), Untitled, 2013. Oil on linen, 77 x 97 in.
David Salle (American, b. 1952), A Couple of Centuries, 1982. Acrylic and oil on canvas, in two parts, overall: 280 x 406.5 cm.
A Page from the Drawing Papers Archive
This page from Drawing Papers 124 features Untitled (Hospital), an oil on canvas painting made by Jennifer Bartlett in 2012.
The Drawing Center’s 2016 exhibition “Jennifer Bartlett: Hospital” was the first museum exhibition of a series of ten pastels made in 2012. The works are based on a series of photographs that Bartlett took during an extended stay at Greenberg Pavilion at New York-Presbyterian Hospital / Weill Cornell Medical Center in New York. With Hospital, Bartlett continues her long-established practice of close observation and responsiveness to her environment, and mine the liminal experience of “hospital time,” characterized by long periods of waiting interspersed with highly organized routines of treatment, medication, and physical therapy. This combination of boredom and activity often heightens one’s awareness of details, and Bartlett exploits these sensations to create images that eschew sentimentality while remaining indelibly poignant.
The Drawing Papers are a series of publications documenting The Drawing Center’s exhibitions and public programs and providing a forum for the study of drawing.
-Kara Nandin, Bookstore Manager
John Singer Sargent (American, 1856-1925), The Birthday Party (Fête Familiale), 1887. Oil on canvas, 24 x 29 in.
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black paradox - junji ito
The Pink House in Montmartre - Marko Stupar