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Sweet Seals For You, Always
Cosimo Galluzzi

tannertan36
Aqua Utopia|海の底で記憶を紡ぐ
d e v o n

★
Stranger Things

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ellievsbear

shark vs the universe

Origami Around
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ojovivo

blake kathryn
Show & Tell

oozey mess
we're not kids anymore.

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he wasn't even looking at me and he found me
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@mostly-frogs
Before you say “that looks like AI art”, this is the legendary John Berkey whose art has been scraped and pumped into the sewers of AI apps like Midjourney, Dall-e and others to create the AI art you think you create by typing in a few lines of text into a computer.
ISHIMURA Masayuki(石村 雅幸 Japanese, b.1965)
精魄 Japanese painting via
Gilbert Hernandez spot illustration.
THE X-MEN CHRONICLES 1981, FantaCo Enterprises
it’s so stupid but a Beto run of X-Men comics around this time would have been the greatest X-Men comics ever
We lost Jack Kirby 29 years ago today. Which always makes me think of this line from Monster Magnet’s “Melt”:
“And I was thinkin’ how the world should have cried/On the day Jack Kirby died"
BONUS 1979-1990 Anime Primer Riding Bean (1989)
Bean Bandit, a.k.a. the titular Riding Bean, runs an illegal courier service in the heart of Chicago. With his sharp-shooting partner Rally Vincent riding shotgun, he’ll transport you and/or your goods wherever they need to go, no questions asked. A consummate professional and master at the wheel, his services cost a literal fortune. He only has two rules: no messing with kids, and no dissing his badass customized car, the Roadbuster.
Riding Bean is a 45-minute OVA based on a short-lived manga by Kenichi Sonoda (Bubblegum Crisis, Gunsmith Cats). It contains some of the most meticulous, well-animated car chase sequences in the history of anime, reflecting Sonoda’s compulsive attention to detail. The action is Riding Bean’s biggest draw, but its humorously gritty tale of intrigue and the ludicrousness of Bean’s Invincible Hulk-esque attributes are also great fun. If there’s one flaw, it’s that the script can’t help but include some of the fetishy excesses Sonoda would become better known for in his Gunsmith Cats manga; while there’s nothing explicit, a prolonged early sequence is bound to make you squirm in your seat. Still, that’s only five out of forty minutes of high-octane awesomeness. Riding Bean is available on DVD from AnimEigo.
Marvel UK house ad for Captain Britain
Star-Lord Marvel house ad by John Byrne
Dash Shaw writes about curating the pop-up shop at the Metrograph theater in New York City, where his film My Entire High School Sinking Into the Sea opened on April 14th 2017 - on The Comics Journal.
The shop carries “rare DVDs, film-related books, and issues of Cahiers du Cinéma. They asked me to pick books and DVDs that felt related to my movie, or that a cinema-going audience would be interested in.” Included in the selection is Frank Santoro’s Incanto (above).
Dash Shaw writes that Frank “painted the key exterior background paintings in High School Sinking. This particular zine by Santoro is lovely and poetic, and also, to me, utterly hilarious, because a section of it comes from a Speed Racer episode. Santoro told me that this was drawn after working as Francesco Clemente’s assistant. Clemente would often interpret preexisting old drawings, so that inspired Santoro to adapt a two-second Speed Racer moment. It’s perfect – like seeing something you’ve seen before for the first time. He captures the stillness of those Speed Racer cartoons with their minimal background paintings.”
Read about the rest of Dash’s picks for the shop HERE. Be sure to catch My Entire Highschool Sinking Into the Sea in a city near you soon!
50 notes and i’ll throw his backpack in the dumpster
reblog to honor this persons sacrifice
Marvel house ad for the Longshot Limited Series by Art Adams (1985) remastered by The Marvel Project with digital colors by Gerry Turnbull.
Millie the Model
Millie the Model was Marvel Comics’ longest-running humor title, first published by the company’s 1940s predecessor, Timely Comics, and continuing through its 1950s forerunner, Atlas Comics, to 1970s Marvel.
The series ran 207 issues (cover-dated Winter 1945 to Dec. 1973), a 28-year span that included one of the first Marvel Comics annuals (in 1962), and spin-offs including A Date with Millie, Life with Millie, Mad About Millie, and Modeling with Millie. Initially a humorous career-gal book about New York City model Millie Collins, it very quickly evolved into a broader, more slapstick comedy – though for a time becoming a romantic adventure series with all the same characters (#113–153, March 1963 – Aug. 1967) before returning to humor.
The character was created by writer-artist Ruth Atkinson, one of the pioneering women cartoonists in comic books. Following this first issue, subsequent early stories were drawn mostly by Timely staffer Mike Sekowsky.
The character’s essential look, however, was the work of future Archie Comics great Dan DeCarlo, who would later create Josie and the Pussycats and other Archie icons. DeCarlo’s 10-year run on the series, from #18–93 (June 1949 – Nov. 1959), was succeeded by the team of writer Stan Lee and artist Stan Goldberg, a.k.a. “Stan G.”, the main Atlas/Marvel colorist at the time. Goldberg mimicked the house style DeCarlo set, and later went on to work with him at Archie, as did occasional Millie artist Henry Scarpelli. Al Hartley and Ogden Whitney provided an occasional cover.
Millie became part of the Marvel Universe with Fantastic Four Annual #3 (1965), which chronicled the wedding of Reed Richards and Susan Storm. Fellow humor-comic stars Patsy Walker and Hedy Wolfe, among the sidewalk crowd outside, talk about wanting to catch a glimpse of celebrity Millie, whom they’ve heard is on the guest list. Alex Ross depicted her at the ceremony when he revisited the wedding in the 1990s miniseries Marvels.
She reappeared in the 1980s as an older character running her own modeling agency and minding her niece, the titular star of writer-artist Trina Robbins’ Misty (Dec. 1985 – May 1986), from Marvel’s children’s-oriented Star Comics imprint. Millie has also appeared in the superhero comics The Defenders #65 (Nov. 1978); Dazzler #34 (Oct. 1985); The Sensational She-Hulk #60 (Feb. 1994); and in the kitschy flashback series The Age of the Sentry #3 (Jan. 2009).
Millie starred alongside Patsy Walker and Mary Jane Watson in a 23-page story “Un-enchanted Evening”, by writer Paul Tobin and artist Colleen Coover, in King-Size Spider-Man Summer Special #1 (Oct. 2008). Millie stars in the four-issue miniseries Models, Inc. (Oct. 2009 – Jan. 2010).
excerpted from https://en.wikipedia.org/wiki/Millie_the_Model
Black Panther #12 (1978) // Marvel Comics
Story: Jack Kirby, art: Jack Kirby
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