Character who gets asked why they wanna kill a villainous character for killing/hurting their loved one even if it wont bring them back:
KIROKAZE
NASA

Love Begins
The Stonewall Inn
d e v o n

tannertan36

titsay

PR's Tumblrdome
Aqua Utopia|海の底で記憶を紡ぐ
The Bright Sessions
sheepfilms
art blog(derogatory)
noise dept.
Color Me Curious
almost home
Cosimo Galluzzi
𓃗

blake kathryn
I'd rather be in outer space 🛸
One Nice Bug Per Day

seen from Dominican Republic
seen from United States
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seen from United States

seen from Spain
seen from Colombia

seen from United States
seen from United States
seen from United Kingdom
seen from Indonesia

seen from Thailand

seen from Argentina

seen from Jamaica

seen from United States
seen from United States

seen from United Kingdom

seen from Colombia

seen from Venezuela

seen from United States
seen from Brazil
@mq358
Character who gets asked why they wanna kill a villainous character for killing/hurting their loved one even if it wont bring them back:
so annoying that some had to have an episode from jules’ pov to understand she is complex... not complaining about the content because its what I’ve wanted but DO YOU PEOPLE NOT UNDERSTAND SUBTEXT?????????? HELLO????
anyway, if you have anything bad to say about jules vaughn you have to get through me first. especially now.
east coasters: i drove through 17 states on the way to work
west coasters: i have been traveling in this desert for 49 years. generations have died. children have been born. when will i make it to the promised land
I wrote a college paper once about gender dynamics in Disney films, and part dealt with the emphasis of androgyny in this film. Mulan is an outsider and unsure of her position of the world when she is adhering to both a total feminine role (the matchmaking scene) and a total masculine role (disguised as a male soldier) and it’s only when she’s able to embrace both sides that she is able to fully showcase her abilities and ultimately save the day.
The entire climax, from climbing the poles using sashes, counting on Shan Yu’s complete dismissal of women to get the Emperor to safety, to this scene where she literally uses a symbol of womanhood (within the movie at least) to disarm the villain of his symbol of masculinity and beat him at his own game, shows Mulan relying on the aspects of her femininity that she has grown up adhering to and adapting the tactical knowledge and fighting skills that she learned disguised as a male soldier to those aspects. The result is a unique and innovative view of the world and her course of action that leads her to save the day when the male soldiers failed and the women wouldn’t even have been allowed to try.
This commentary is so curious to me because it’s such an excellent example of white/western cultural bias in portrayals of other cultures. Because fans by themselves are a gender neutral object in Ancient China, especially the large type that Mulan uses in this particular scene is actually masculine if you must code it historically, and in Chinese hands would be used as a tool to support her masculinity and not the other way around. These paper fans are used in general by (male) scholars and artists who decorate its surface with art and calligraphy. It is a symbol of (masculine) intellectual power and the intellectual elite. And if you look to Asian martial arts films, they are a common and almost exclusive weapon of men.
Yet the movie takes this deeply cultural object and either willingly or ignorantly makes it an object of womanhood or femininity. To the extent of my knowledge, this is mostly reflective of western social history. And draws from the coquettish ways Georgian? Ladies would use the fan to signal their romantic interest and all the history and influence around it. The equivalent object for the Chinese lady would in fact be the handkerchief, or a hairstick if you want something pointy.
And it’s all the more curious because at the end of the day it’s a western depiction of a foreign story made for western consumption. It is not a story made by and for Chinese little girls, but to empower and inspire those in the West. Which provides the context for the above (excellent) analysis. It does not need to fully take Chinese history into context because it was never made for us, despite being explicitly about us.
so obviously hamilton was staged and choreographed and lit to be best enjoyed by a theater audience
but I must say that the dynamics of the “rewind” segment at the beginning of Satisfied where the cameras were able to move around and show Angelica centered while everything rushed past her at different angles was truly spectacular from a cinematic visual standpoint
you gonna dive and get it? AHKFHSJD
THE DEATH AND LIFE OF MARSHA P. JOHNSON (2017)
History isn’t something you look back at and say it was inevitable. It happens because people make decisions that are sometimes very impulsive and of the moment, but those moments are cumulative realities. — Marsha P. Johnson
Queens started being filed out and being put into police cars, and guns had been drawn. Molotov cocktails were flying. And I’m like, “Oh my God, the revolution is here. Thank God. You’ve been treating us like shit all these years? Uh uh. Now it’s our turn.” — Sylvia Rivera
THE FIRST PRIDE WAS A RIOT HAPPY PRIDE | BLACK LIVES MATTER
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Boot lickers man
“I will stand by you.”
If anyone wanted to know my origin story of becoming "the Chosen One" . . . . . #soccer #quarantine #quarantinelife #photography #fieldphotography (at Moreno Valley, California) https://www.instagram.com/p/CAYp91vlHK9/?igshid=6kja6bvtt34i
Apparently Alice Wu wrote ‘The Half Of It’ as a way to deal with the heartbreak of losing a friendship and now I’m sad
I stan ONE Karen
That is a pretty woke Karen. Protect her at all costs.