“We know it’s hopeless, but we still looking for an exit.”
Tokyo Sonata (2008) Kiyoshi Kurosawa

Origami Around

tannertan36
$LAYYYTER

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Peter Solarz
tumblr dot com

roma★
"I'm Dorothy Gale from Kansas"

titsay
Stranger Things
noise dept.
PUT YOUR BEARD IN MY MOUTH
Not today Justin
Monterey Bay Aquarium
DEAR READER

Kaledo Art

#extradirty
One Nice Bug Per Day
i don't do bad sauce passes
Lint Roller? I Barely Know Her

seen from United States

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@mrjokou
“We know it’s hopeless, but we still looking for an exit.”
Tokyo Sonata (2008) Kiyoshi Kurosawa
Vive L’Amour (1994) dir. by Tsai Ming-liang
,,Spróbuję/ STRAŻNIK” to drugi singiel promujący płytę Króla ,, Przewijanie na podglądzie”, która ukazała się wiosną tego roku nakładem ART2 Music. Album Prz...
crucial viewing for a pole (like me)
October 9, 2018
Michael Shannon for Sharp: The Book For Men, Fall/Winter 2018.
She’s Gotta Have It (1986)
A Spike Lee Joint
Creedence Clearwater Revival eating at a Taco Bell in 1968 (in SLO, CA)
Pale Flower , Masahiro Shinoda , (1964).
We Won’t Grow Old Together (Maurice Pialat; 1972)
More of the best films screening in NYC this weekend.
The world is built on awall. Separates kind. Tell either side there’s no wall, you bought a war, or a slaughter… It’s my job to keep order.
Listening to this all day, every day ~
“Misaki at Nigh“ & “Cloudy Day in Mizuki, Ibaraki Prefecture“ de
Kawase Hasui 川瀬巴水 (1883 - 1957).
Me high as fuck at 4 AM giving my daily report to my inner demons
Lucky (John Carroll Lynch, 2017)
Visages, villages (Faces Places) (2017), a documentary film by JR & Agnès Varda
Agnès Varda and JR have things in common: a passion for and the exploration of images in general, and more precisely, for places and for ways of showing, sharing, and exhibiting them. Agnès chose cinema. JR chose to create open air photography galleries. When Agnès and JR met in 2015, they immediately wanted to work together, to shoot a film in France, far from cities, during a trip in JR’s photographic (and magical) truck. Through chance encounters and prepared projects, they reached out to others, listening to them, photographing them, and sometimes putting them on posters. This film also tells the story of Agnès and JR’s friendship, which grew stronger throughout the film shoot, between surprises and teasing, and while laughing about their differences.
“These warm and witty artists get each other, amuse each other, adore each other. Unlikely as it may look, they’re the picture of happiness” – Joe Morgenstern, Wall Street Journal
“Agnès Varda’s new documentary film, Faces Places, is a testament to her curious, generous, democratic spirit”. – A.O. Scott, The NYTimes
“While Varda and JR ply their trade as visual troubadours, they contemplate their own ideas of what constitutes artistic vision.” – Ann Hornaday, Washington Post
“Faces Places is a one-in-a-million crowd-pleaser that deserves to be seen by the widest audience possible.” – David Sims, The Atlantic
[Seen @ L’Epée de bois, Paris, on Monday 15 January 2018]