âWe know itâs hopeless, but we still looking for an exit.â
Tokyo Sonata (2008) Kiyoshi Kurosawa
One Nice Bug Per Day
sheepfilms
hello vonnie
𩵠avery cochrane đŠľ

Product Placement
art blog(derogatory)
đ
KIROKAZE
The Stonewall Inn

Andulka

#extradirty
I'd rather be in outer space đ¸

titsay
NASA
RMH

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let's talk about Bridgerton tea, my ask is open

tannertan36
Aqua Utopiaď˝ćľˇăŽĺşă§č¨ćśăç´Ąă

if i look back, i am lost

seen from Bangladesh
seen from Colombia
seen from India
seen from United States

seen from Italy
seen from United States
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seen from Ukraine
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seen from United States

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seen from Germany
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@mrjokou
âWe know itâs hopeless, but we still looking for an exit.â
Tokyo Sonata (2008) Kiyoshi Kurosawa
Vive LâAmour (1994) dir. by Tsai Ming-liang
,,SprĂłbujÄ/ STRAĹťNIKâ to drugi singiel promujÄ cy pĹytÄ KrĂłla ,, Przewijanie na podglÄ dzieâ, ktĂłra ukazaĹa siÄ wiosnÄ tego roku nakĹadem ART2 Music. Album Prz...
crucial viewing for a pole (like me)
October 9, 2018
Michael Shannon for Sharp: The Book For Men, Fall/Winter 2018.
Sheâs Gotta Have It (1986)
A Spike Lee Joint
Creedence Clearwater Revival eating at a Taco Bell in 1968 (in SLO, CA)
Pale Flower , Masahiro Shinoda , (1964).
We Wonât Grow Old Together (Maurice Pialat; 1972)
More of the best films screening in NYC this weekend.
The world is built on awall. Separates kind. Tell either side thereâs no wall, you bought a war, or a slaughter⌠Itâs my job to keep order.
Listening to this all day, every day ~
âMisaki at Nighâ &Â âCloudy Day in Mizuki, Ibaraki Prefectureâ de
Kawase Hasui ĺˇçŹĺˇ´ć°´ (1883 - 1957).
Me high as fuck at 4 AM giving my daily report to my inner demons
Lucky (John Carroll Lynch, 2017)
Visages, villages (Faces Places) (2017), a documentary film by JR & Agnès Varda
Agnès Varda and JR have things in common: a passion for and the exploration of images in general, and more precisely, for places and for ways of showing, sharing, and exhibiting them. Agnès chose cinema. JR chose to create open air photography galleries. When Agnès and JR met in 2015, they immediately wanted to work together, to shoot a film in France, far from cities, during a trip in JRâs photographic (and magical) truck. Through chance encounters and prepared projects, they reached out to others, listening to them, photographing them, and sometimes putting them on posters. This film also tells the story of Agnès and JRâs friendship, which grew stronger throughout the film shoot, between surprises and teasing, and while laughing about their differences.
âThese warm and witty artists get each other, amuse each other, adore each other. Unlikely as it may look, theyâre the picture of happinessâ â Joe Morgenstern, Wall Street Journal
âAgnès Vardaâs new documentary film, Faces Places, is a testament to her curious, generous, democratic spiritâ. â A.O. Scott, The NYTimes
âWhile Varda and JR ply their trade as visual troubadours, they contemplate their own ideas of what constitutes artistic vision.â â Ann Hornaday, Washington Post
âFaces Places is a one-in-a-million crowd-pleaser that deserves to be seen by the widest audience possible.â â David Sims, The Atlantic
[Seen @ LâEpĂŠe de bois, Paris, on Monday 15 January 2018]