#MTNSEDGE multimuse, selective, low-activity ; canon-divergent & headcanon-based. penned by walter ( he/him ; EST ; 25+ ). featuring JACOB SEED of far cry 5; muses from cyberpunk 2077, dragon age. 〈 rules beneath the cut. 〉

titsay
will byers stan first human second
he wasn't even looking at me and he found me
$LAYYYTER

JBB: An Artblog!

izzy's playlists!
taylor price
Alisa U Zemlji Chuda
todays bird
Keni
wallacepolsom

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Stranger Things

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sheepfilms

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Jules of Nature

shark vs the universe
Mike Driver
Xuebing Du

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@mtnsedge
#MTNSEDGE multimuse, selective, low-activity ; canon-divergent & headcanon-based. penned by walter ( he/him ; EST ; 25+ ). featuring JACOB SEED of far cry 5; muses from cyberpunk 2077, dragon age. 〈 rules beneath the cut. 〉
♪ Miriam + Isaiah 🥺👉👈
send a ship and ♪ and I’ll post a mini playlist (2-3 songs) I think fits them
Final Girl — Eva Rose
So sure you could be reformed Yeah, of course those were the words I fell for And I swore I would mean more than the trophies You hide in your floor boards
I Threw Glass at My Friend's Eyes and Now I'm on Probation — Destroy Boys
'Cause you're scary as shit, dude! Like I don't really know what I can tell you You kinda freak me out, but we can be friends
Lotta True Crime — Penelope Scott
You're not special for winning a game With someone who you know was never playing She could've killed you She had every right
I’m so glad I stepped away from writing on here because then otherwise I’d have to interact with jobless losers posing as mensa candidates who follow blogs that say they contain transgressive and triggering topics and then get upset when those blogs indeed contain transgressive and triggering topics
Also I hope that all y’all who liked and reblogged that “callout” made sure to clean house before you did, considering there are those of you who actively encouraged/engaged with + positively interacted with the same content you’re now claiming to condemn. Clean the shit off your own boots before you worry about others tracking mud across your dash<3
I’m so glad I stepped away from writing on here because then otherwise I’d have to interact with jobless losers posing as mensa candidates who follow blogs that say they contain transgressive and triggering topics and then get upset when those blogs indeed contain transgressive and triggering topics
HE represents goodness to her. SHE clings desperately to it.
template || made by @hellweep !!
There's a little desert community out there that's got something to show you.
Miriam as the poster child of a different, more retro cult! (mutuals can rb!)
“Your side wound is so...vaginal.”
— @destineden on our discord call
x / Landscape With Fruit Rot And Millipede, Richard Siken
@mtnsedge : isaiah — "good luck taking care of yourself."
It's a desperate last stab. She's never heard his voice like this, so disjointed so heavy and unrefined. He grasps for each word with his tongue and like fingers on wet glass, it slips off. He can't fit the vowels in his slackening jaw. He would hate it, she thinks, if he knew how the illusion shatters in these final moments. The last weeks crawl like spiders up her spine, into her nooks and crevices and they nest there, laying eggs of subtle, chilling nausea. Every place where he touched her becomes inflamed in retrospect, rejecting the ghost of his proximity. Every memory sours and spoils in her gut like meat gone off.
His appearance froze her by the car but not enough so that she wouldn't lift the rifle. Isaiah stands in the door to their motel room, where his machinations slowly, futilely decay. Behind him, her other clothes lie in a small pile, next to his. Her half-finished bottle of root beer, her tooth brush and the body wash he got her that he said smells so good on her. All these things are disposable items, designed to be used and discarded, but now that she must so hastily divorce herself, she finds it hard to let go. As short as the time was, as scary as it's getting now, this was her life. Isaiah filled up every scene, blotting out the light. Miriam tries not to focus on that. She focus on the man himself, the threat she's sure he can't pose now.
He strikes a picture that she'd almost find funny. His usually so composed and arranged posture has slumped, crumpled. He leans in the door, one arm outstretched to hold onto the frame for balance. His head looks so heavy, like it's about to pop off its joint and roll down the hall. Silver hair hangs disheveled in front of his eyes, eyes she can't make out in the shadows. He looks like a bad copy of the man who offered her a ride, who offered her food and shelter and protection.
He looks like something with its mask torn off. He looks like he's about to drop.
"I'll manage, don't worry." She mutters back. It's a faulty impulse to assure him. She's supposed to be cool and sassy here, say something snappy and movie-heroine-worthy. But she can't. She can't think of anything but to appease him even now, trying to evade the ire she's already caused. Her childish, whining brain still begs for him not to be mad, to please not be mad at her!
With his gun trained on him, with him swaying dangerously and his brow lowering like an animal's, spittle in his beard that she thought looks so handsome and distinguished, she backs away towards the car door. The truck sits like a comforting beacon by her side, his beast that he handed her the reins to. The key is already in the ignition. When she reaches a flinching hand for the door handle, takes it off the rifle, off the trigger, he steps towards her, staggers strangely. It's a jolt that starts in his shoulders and carries him out into the light. He keeps trying to speak but the longer he waits, the harder the drugs hit him. She's never been all that great at guessing dosages.
What's rohypnol, anyway?
When he jerks forward, Miriam's body winces back into defense position and the finger flies to the trigger. "Stay!" She barks with her tiny voice, and she's never sounded so young and stupid. "Just. Just stay back. I swear I'll shoot if you don't. I'll shoot you!"
Not to sure who she's trying to convince here, him or herself. But as she says it, as she snaps her judgment, a strange calm settles in her chest. She says it and now it's true. She'll shoot him. As she stares at his wounded animal stance, his gibberish-dribbling mouth, she begins to feel inside herself a deep conviction that she could do it. She could kill him. All his kindness, his sweet words, his care and the heavy, warm hands on her shivering body, it all melts away into a painted target on his chest. She thinks of the zip ties, the drugs in his bag, the strange remarks, the knives.
Her warning seems to hit home, even in his addled state. Whatever he sees when he looks at Miriam, he believes getting closer to it will do him no favors. Miriam fumbles for the car door again and flings it open. Now there is no looking back. She thrusts the rifle into the passenger seat and kicks the truck in reverse to pull out of the parking spot.
"Sorry, sorry, sorry." She mutters even as the engine howls and her heart beats in her throat. Gravel screeches and sprays as she swings the truck around and urges it towards the open road.
She'll get as far away as the tank of gas will take her. And then she'll think. Then she'll finally think again.
did not anticipate adding a cannibalistic serial killer oc to my roster but lani sat me down the other week and got me to finally listen to preacher’s daughter so that’s the state of things over here on my end.
if you don’t like the themes commonly associated with cannibalistic serial killers, here’s your advanced warning 😅
GOD'S NOT WATCHING. DO WHAT YOU MUST.
multi-muse blog. written for far cry 5. nsfw. 21+ only. heavily triggering content. themes of familial horror, american gothic, guilt, indoctrination, cult & religious trauma. original and canon characters.
@propheresy unexpectedly creating new lore for Jacob by having Miri bite his hand, so now it’s infected and that’s why he’s so easy to kill when he should be able to one-shot the deputy. it’s actively rotting<3
@mtnsedge said : “ let’s see if your reputation is earned. ” to miri from her decaying uncle
His fingers dig into her cheeks, each dirty fingernail threatening to puncture her skin like a fish hook. There is nowhere to escape to, no way to evade his stare. There are no eyes like his. They drill into her skull, not because he expects to find anything of value inside her, but because he expects something to come crawling out. Pure expectation, pure calculation. Jacob is the backhand of every dismissive acknowledgment, the demand for perfection that nobody can reach. Under his gaze, she is too small, too soft, too weak. Perhaps that would stir some impulse in her, to please, to accommodate. It has for others. But when Jacob looks at her the hatred that lurks in his eyes is so absolute, it's almost praise again.
His face is totally calm, controlled. He is almost smiling when he speaks, scorn dripping from every word. He's god, here. With his brainwashed soldiers and his brainwashed wolves, chanting blindly for some age old chauvinistic bullshit. The strong survive. Stay soft, get eaten. His thumb presses against her clenched molars until they ache. She thinks about how she hasn't eaten in days. Jacob crowds her against the backrest of the chair, his sour breath creeping into her mouth. She can taste it. He stinks of stale alcohol and wolf. She wonders why no one else can smell it, or if they're just too scared to say anything.
Whatever her reputation is, she already knows she'll disappoint him. He sets her up to fail. He drains her focus, her strength, leaves her trembling and cold and hungry, and then calls her pathetic for stumbling. That's the drill. The knowledge of that, this rigged game, balls in her stomach like a hot fist. What's her reputation? That she's a fighter, that she's worth this effort? Miriam knows what she is and she knows Jacob can smell her as well as she him. He hates her for it, for what she's done, what she made others do. For the carnage she inspires, and for the carnage she doesn't. Ironic, isn't it?
As he holds her, clamps her head in place, she feels herself degenerate. She devolves into some grime-smeared animal. That's what he sees, something that's been left to decay and is now no longer useful. Spoiled meat. A mouthful of her will kill you. Jacob wants her dead for that alone. She would be lying if she said that it doesn't go down like honey that he doesn't get to kill her. There's a stronger hand, twisting the wrist that's turning the screw. He's not in fucking charge. That thought bubbles up in her like mania, through the haze of fear.
What's her reputation? She'll earn it.
Bitch, demon, snake, rabid animal, preacher's daughter gone bad. Bad like a dog.
When the rasping and hacking his speech subsides, she feels how the herald relinquishes his grip on her. His nails leave crescent marks in her soft skin. He pulls his hand away from her, but not fast enough. The mad spark in her gut jumps into her throat, into her jaw. She jerks forward and sinks her dull teeth into his fingers. One slab of meat to another. She breaks the skin and tastes the flesh. He winces back too fast for any reveling, though. It's enough for her, enough to see the drop of red blood oozing out along his nail.
It's only fair that the next thing she tastes are the knuckles of his fist.
and if i add roberto de niro and nicholas wolfwood from trigun stampede, what then?
@mtnsedge said : ❝ don't be afraid. do what i did. ❞
The wolf is carnivore incarnate. At night the wounded, famished howl of the packs gathers in the air, heavy as winter chill. Their song heralds butchery and the lesser creatures stiffen and wake to fear when they must suffer it. Wolves are not solitary animals. A large pack has moved in above the Moccasin River, some forty animals trudging single file down the snow-swept melt water channels. Soon the news will reach the valley and then stories will spill up the mountains in return, of the babies that were stolen from porches, the cannibalized dogs, the slaughtered cattle. Wolves like that, they will take what they want. They come in droves and turn blood blind. They cull entire herds and eat not a single animal. Some of these stories are nothing but tepid folklore, the memory of a memory. Others are prophecies. See, the old people will say, it'll happen again.
It'll happen again.
Beraiah seizes the wolf up as it circles in the pen. Its pelt shaggy and bleached, it stalks on long legs, claws digging into the gravel. He's got no clue if this male is from that new pack, if it came over the mountain pass and frightens the children. It's large, brawny in the way he's not seen the wolves here. This wolf is different from the others. It looks worse, mutated. In captivity, it started gnawing through its own hide, covering its hinds in sores. Its tail is docked; all it can communicate now is anxiety and aggression. Enforced submission. The wolf does not know this. It keeps circling, snarling at the intruder that circles with it.
Jacob's voice rises behind him like a monster out of a lake and chills the blood in his veins. Beraiah is some fifteen years old now. A man grown by some estimates, though mainly his own. He is old enough. That is all he ever says when asked about age. Old enough. Beraiah is old enough to train, old enough to hunt, old enough to kill, old enough to sacrifice. Like Isaac ushered up the mountain. But there'll come no absolving ram trotting from the bushes to still the jagged dagger. This is not that mountain.
Don't be afraid. That is the only commandment Ber has to obey right now. He is religious in his obedience. He carries more than trust in his commander. He carries faith. He throws himself to the wolves because Jacob told him to, because he believes wholly in the judgment of his betters. He knows he is safe because Jacob would not order him to do something he cannot accomplish. So when he is told to climb into the pen, Ber swings himself over the clattering gate with nothing but his hands in defense.
It goes against the laws of nature. Such is the power of the Father and the gifts he bestows through his Heralds. Every instinct in Ber's young body shivers with certainty at the impossibility of this task. And yet, the young soldier holds out his empty hand to the snarling, slavering wolf, its big head shaking angrily from side to side. He holds it out without so much as a tremor in his fingertips.
"Down." His voice cracks into a throaty bark. He imitates Jacob in this, a juvenile copy of bone-breaking authority. The Herald and the trainers watch on. Restless shuffling from the audience. Dead cold silence from the master of ceremonies. The wolf pulls back its chops into an eerie, needle-point grin and for the first time Ber can see its eyes. The pupils are slits, painfully fixed, each sitting in a white misty iris. It looks blind, focused on nothing. It snarls and whines and the fur on its back stands up into a formidable ridge. It readies to jump, the muscles in its legs tightening like spring coils.
"Down," Ber's voice drops to a guttural growl. It explodes out of his mouth like a gunshot. He gets the word in before the wolf can make up its mind. He snarls back, steps forward. There is nothing to fear. He did nothing wrong. He repeats this mantra to himself like a prayer. The shared glare between wolf and boy does not waver. Neither of them can afford to back down. There is more on the line than pride.
The wolf breaks first. It lowers its head and, all at once, drops flat on its belly. With ears pressed flat against its skull it crawls towards him, whining and whimpering. Ber watches in spellbound fascination, a surge of power all but sweeping him off his feet. It's like a drug in his system, a heady elated feeling. Control over another being. Control, for the first time. He feels his mouth water.
"Good. Roll him." Jacob's next command cracks like a whip. Unhurried, unimpressed. Ber doesn't dare to glance back, lap some trace of approval or praise from his expression. Instead, without thinking, he descends upon the deferential animal and sinks his hands into its pelt. Dogs have stronger jaws, anyway. He pushes the wolf over into a hard roll, presses down on it with his whole weight, a forearm cutting into its maned throat. No resistance. Nothing but abject defeat. Beraiah, fifteen, stares down at the drugged wolf that isn't brave enough to look him in the eye.
Something ill bubbles up inside him, disguised as sweet victory. He can feel it, the onset of a bitter taste, a sickness in the back of his mind. He stares down at the wolf, no more than a beaten dog, and his sense of accomplishment, steady and light, turns into something giddy, something itching and restless. Ber smiles back, dull teeth every part the equal to wolfish fangs. Jacob, merciful, releases them both: "That'll do."
Beraiah lets go.
Good dog.
The warning shot:
The killshot:
not a sexyman not a babygirl, but a secret third thing
some cunt