spacciatoredicelluloide

“Il lieto fine dipende dal momento in cui fai finire la tua storia.” Orson Welles https://twittacinema.blogspot.com/ sideblog http://movie-gate.tumblr.com

[mtonino]

The Consentement (2023) Vanessa Filho

[twittacinema-archive]

TwittaCinema Archive - Le Consentement (2023) Vanessa Filho

[rrrauschen]

Karel Doing, {2003} Rêve Rive

[aleprouswitch]

Charlotte Moorman and Nam-Jun Paik, "Art by Telephone", 1969.

Just in case you ever wondered what noise shows in the 60s looked like.

[hollywoodgems]

Sophia Loren enjoying a picnic, photo by Alfred Eisenstaedt, 1961.

[blondebrainpowered]

New York City, late 1930s - early 1940s

Photographer: Helen Levitt

[cosmonautroger]

Solaris, Andrei Tarkovsky, 1972

[wineandvelvet]

[mtonino]

Creature Marie

[atomic-chronoscaph]

She Mob (1968)

[mtonino]

She Mob (1968) Maurice Levy, Harry Wuest

[totallyfuckd]

Kate & Mario c. 1991.

[twittacinema-archive]

Never Look Away (2018) Florian Henckel Von Donnersmarck

TwittaCinema Archive - Never Look Away (2018) Florian Henckel Von Donnersmarck

[roseillest]

東京フィスト// TOKYO FIST (1995) dir. SHINYA TSUKAMOTO

[foxeia]

Villa Cozzano

[regardintemporel]

Soen

[sowhatifiliveinfukuoka]

Ellen von Unwerth

Kiko Mizuhara (2014)

[ortodelmondo]

Sally Mann Untitled from the "At Twelve" Series, Theresa and the Tattooed Ma, 1983-1985

[negyart]

HENRY MATISSE (1869-1954): SLEEPING WOMAN (1942)

https://hu-hu.facebook.com/george.nemeth.blog/

[fashionlandscapeblog]

Another Kind of Love (1988) - dir. Jan Švankmajer