Untitled

Age: 45 6'5" 217lbs

[musicluvherjay]

Satan just know I’m washed in the blood.

Washed in the covering of Jesus Love.

You try to block something sent from above.

A gift explained in “The Song of Songs”.

You try to mock and threaten death.

I will fight you to my last breath.

Not only me but also my beloved.

You use all of your tricks and things you can think of.

I’ll fight you on the phone and in out loud talk.

Mad because with my savior and King I humbly walk.

You can never tear my Heavenly Father, Jesus, and my beloved apart.

I’ll Love them 4 ever in the End and from Start.

You use our passion to say it’s only about sex.

But the Truth is a Our Natural Love is your biggest threat.

It’s written in his word I know you know.

We trust in Jesus 4 our Love will always grow.

Stronger and stronger with the Heavenly Father by our side.

With trusting in Jesus through rough storm tides.

Beloved don’t worry though our hearts are bleeding.

There is no Soul tie when the Heavenly Father is the reason.

[arichrevenge]

[supremefleadon]

[sunflowerlovergirl]

[veryboringca]

[musicluvherjay]

Good morning

[sunflowerlovergirl]

[sahlesummerhill]

[nicocota]

[steezylad]

[vintage-tigre]

The story of the Akai MPC begins in 1988, when Japanese company Akai partnered with drum machine pioneer Roger Linn to release the Akai MPC60.

Technically, it was a sampler, sequencer, and drum machine in one. Culturally, it became something else entirely. The MPC transformed music production from a studio process into a physical performance.

What followed was less a product cycle and more a cultural shift. The MPC arrived at the exact moment hip hop was evolving from turntables and drum breaks into a fully formed production language. Its 4x4 pad grid allowed producers to slice fragments of vinyl records and rearrange them into new compositions, turning sampling into an art form of its own. Suddenly, a bedroom could function like a studio, and someone with a stack of records could build entire worlds from fragments of sound.

Over the following decades, the MPC became the quiet engine behind some of the most influential music ever made. Producers like J Dilla, DJ Premier, and Kanye West turned the machine into an instrument with its own personality.

Dilla famously disabled the quantization on his MPC to create loose, human rhythms that reshaped how beats could feel, proving the machine was not just a tool but a new kind of musical language.

[iamheavymeta-lll]

[futuremissingperson1]

[jetix]

2025-07-03

[dapperseoul]

[grilledpeachh]

[sunflowerlovergirl]