nurse she's out again @mycoolworld - Tumblr Blog

amoeba - a jaeseulgi fic!

ongoing, going to be long

slow burn, first love, friends to lovers, coming of age, internalized homophobia

canon divergence

when seulgi first saw jaeyi, she looked like a god. her skin was tinted warm, and the setting sun behind her gave her silhouette a golden haze.

as they grow older, and grow closer, feelings get muddled and lines get blurred. soon, the two develop a bond that is somewhere beyond friends, a bond both are too scared to name. will they figure it out? FIND OUT! :P

chapter 1 is out now!

An Archive of Our Own, a project of the Organization for Transformative Works

#friendly rivalry #jaeyi x seulgi #yoo jaeyi #woo seulgi #jaeseulgi #jaeseulgi fic #jaeseulgi fics #ao3 #fanfic #friendly rivalry fic #f/f fanfic #wlw #yoo jaeyi x woo seulgi #fic

swordbymyside

catalysmic

itsscrapblogging

seal figurines

maaarine

Water Lilies (Naissance des pieuvres, Céline Sciamma, 2007)

#film #water lillies #naissance des pieuvres #céline sciamma

not-with-you-but-of-you

HOWL’S MOVING CASTLE ハウルの動く城 (2004) Dir. Hayao Miyazaki

everyframeapainting20

Miyazaki’s visual storytelling thrives on a sense of flatness that doesn’t diminish but rather enriches his worlds. By compressing the layers of his compositions—merging the foreground’s details, middle ground’s action, and background’s context—he crafts images that feel like living illustrations. Take the Warawara swarming with dishes in "The Boy and the Heron" or the jubilant feast scene in "Spirited Away" : both are packed with vibrant details, yet the visual plane feels collapsed, like a tableau unfolding all at once. This "flatness" isn't a flaw but a deliberate technique, pulling us into the frame as if we’re unrolling a scroll of visual wonder. It’s not depth that Miyazaki aims for—it’s a sheer density of storytelling in every frame, a reminder that 2D animation’s strength lies in its ability to immerse without imitating.