SWEET MOTHER I CANNOT WEAVE

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@mygendertodayis
SWEET MOTHER I CANNOT WEAVE
when two musicians sing into the same microphone and lean in very close to each other… like omg are you guys gonna kiss now to relieve the homoerotic tension?😳
THIS IS NOT ABOUT ONE DIRECTION I DON’T KNOW WHO THIS “HARRY” PERSON IS GO WATCH BRUCE SPRINGSTEEN AND CLARENCE CLEMONS KISS ON STAGE RIGHT NOW
op is the only valid person i’ve ever met. everyone else needs to come to the light
Okay, but this is really important: Bruce Springsteen occupied this really weird place in music history. His songs were all from this pessimistic, nihilistic view of an America that had let him down:
Just like the anti-Vietnam War protest songs that we associate with the 1960s, or the early nihilism that spawned punk music in the 1970s. But he didn’t *sound* like a punk anarchist; he sounded like a country rock singer. When he released Born in the U.S.A. people completely misinterpreted (or possibly ignored) the lyrics in favor of the tone of the music.
Politicians used his music to promote their ‘Murica Yes! brand, and he had to literally explain that that was not what he was about. He’s over here asking when we’re going to have jobs and heathcare, not stanning the politicians who weren’t helping the people.
It was also kind of a big deal that he had an integrated band, because even as late as the 1980s music was still kind of segregated and MTV was straight up racist. They refused to play and promote black artists and then claimed that were no black artists in the first place. Michael Jackson’s record company had to threaten a boycott of their white artists to get MTV to play his Thriller video.
Plus, the first black/white interracial kiss on TV was in 1968 (OG Star Trek). Also it took us until the 70s to get sympathetic gay characters on screen, and the 90s to get gay characters to kiss onscreen. And all of those firsts were met with outrage.
So keep that in mind when you see Bruce Springsteen not just playing with an interracial band, but engaging in an interracial, gay kiss on stage repeatedly.
Passages from American Popular Music by Larry Starr and Christopher Waterman
I used to think that Bruce and Clarence kissing onstage was exuberance, showmanship, and telling racist homophobes to fuck off. Like, they picked up a certain kind of audience and went “Racist homophobes? Not in our house!” And started the kissing then but then I actually looked it up and
https://www.gq.com/story/this-fucked-me-up-bruce-springsteen-singing-about-clarence-clemons
It was a story where… we remade the city. We remade the city, shaping it into the kind of place where our friendship and our love for one another wouldn’t have been such an exceptional thing. - Bruce Springsteen
It wasn’t about showmanship or rejecting bigots or anything it was just. Damn right that was one of the loves of his life and damn right he was going to kiss him onstage
It gets me a little that Bruce has had a divorce, that he’s been married twice, but he loved Clarence for the rest of Clarence’s life and will presumably love him the rest of his own
Clemons said in one interview. “Bruce and I looked at each other and didn’t say anything, we just knew. We knew we were the missing links in each other’s lives. He was what I’d been searching for.” In another version of the story, Clemons says “He looked at me, and I looked at him, and we fell in love.”
I’m having some emotions about it!
“He was elemental in my life,“ Springsteen adds, “and losing him was like losing the rain.”
Not just! I love you pure and deep and true but! I am going to love you like that in front of the whole damn world!
We have fewer narratives about taking risks and making statements for platonic love rather than romantic and supposedly it would be easier to downplay this onstage than romance and! They refused! They fucking refused! In front of hundreds of thousands of people, over the course of years! In the spotlight, in word and deed, I love you!
God I’m not okay about it
Now I’m mad that this is not among any of the things I was ever told about this artist.
I knew about this in general (& via all those fabulous photos), but this just adds even more beautiful context <3
Just to add to the pile: this was the cover of Springsteen’s break-through album Born to Run, in 1975:
I mean, will you LOOK at this:
This was the pic chosen for the album cover from an extensive photoshoot, too. A few others:
There’s a lot more online if you search. They’re all pretty amazing. But the photographer is right, the one chosen for the album cover just pops.
my corner store guy is a 50 year old man who's my best friend in the world and recently he was like "you're too pretty to be single I have some nephews you should meet. very handsome!" and I was like "a niece might be more up my alley" and he just got more excited and said "ah even better! I was overselling my nephews but my nieces are very beautiful"
OP the tags!!
Apparently my favorite picture books as a child were written by queer authors. This brings me joy.
Look, most of the queer people I know, myself included, had pretty rough childhoods (for a variety of reasons, but being recognizably queer was part of it) and as a result, we are fiercely protective of kids. Not protecting kids in a walled-garden sense the way conservatives want, but celebrating the wonder and whimsy and weirdness of being a child, and treating children as people - people who might need more supervision and care, but people with opinions and thoughts that really do matter. So of course the most beloved children's books of the last 40 years are written by queer folx. It makes perfect sense.
the white suit tho
Great thought, but for those unaware, Kate Mulgrew’s gorgeous tux from The Killing Game was 100% a reference to Dietrich’s suit in Blonde Venus (1932) with Cary Grant, a pre-Code film directed by Josef von Sternberg. It’s hard to tell in Killing Game, but Mulgrew’s lapels are also sequined. So is the stripe in the trousers. It is basically a replica of Dietrich’s suit, no question.
Okay, so I have a PhD in queer fashion and media. So this is something I happen to know a lot about. So let me explain a few things.
For starters, You cannot get a more explicitly queer-coded woman than Marlene Dietrich.
Cary Grant (another closeted Queer in Hollywood) is also in Blonde Venus, and although their chemistry is great, their romance is unbelievable because it’s very clear that they are both absolutely queer. Hattie McDaniel appears in this film, another Queer in Hollywood (and the first Black person ever to win an Oscar). In both Blonde Venus and Morocco (1930), Dietrich flirts with both men and women. Dietrich was considered a Drag King in her day. She famously proclaimed, ‘I am a gentleman at heart.’
Dietrich often refused to wear anything but trousers, and openly declared that she had plenty of women lovers. She is an iconic staple for queer sexuality even today. She famously kissed a woman in Morocco whilst wearing a tuxedo- with an audience watching and cheering. She then kisses a man, the audience applauds, and she exits. This scene (below) was added at Dietrich’s own behest. The scene was extremely controversial, and they had to defend it against the censors for months.
A short segment featuring Quentin Crisp and Susie Bright talking about the significance of women wearing male attire in film. Features clip
This very scene is one of the many reasons The Hays Code was enacted (rules from a super-Catholic man who bribed his way into Hollywood and forced the religious ideologies onto the screen), and this scene was one that The Hays Code often pointed to as ‘immoral’ and ‘perverted’ and ‘sexually explicit.’ You can thank the Hays Code for the split beds Lucy and Ricky had, for rules that a kiss must not last longer than a certain amount of time, that, absolutely, NO queer ANYTHING could be acknowledged to exist. Everything had to be subtext, and that’s why so many old black and white films feel really queer.
But Dietrich openly proclaimed herself queer, dressed in men’s clothing, kissed women on screen- and became a Queer icon not just in fashion, but in sexuality, decadence, and identity. The so-called famous ’Dietrich’s Sewing Circle’ (of which Hattie McDaniel was a member) was essentially every Queer woman in Hollywood who all had affairs with each other. Books have been written on this. Here’s a brief article about one of those books that goes through some of the basics.
Okay, Queer Fashion Film Academic, what’s your point?
The point is that by wearing a duplicate of a Dietrich suit- one where she openly flirted with women, no less–Janeway is 100% coded as queer in The Killing Game.
Especially with that tuxedo scene and the way she’s talking to Seven. In fact, most of the scenes in those episodes where she is talking to Seven, you will notice that Mulgrew plays Janeway with a bite- her eyes linger on Seven just a bit longer, her body language is just a bit more open and fierce than usual.
Even in Paris, for a woman to wear what Mulgrew/Janeway is clearly coding herself as a Queer person through that specific outfit. She is wearing a giant billboard that says I AM QUEER.
By putting Kate Mulgrew in a replica of a Dietrich 1940s tuxedo, Janeway is visually coded as queer through replication and imitation of one of the most Queer icons in cinematic history. That suit is too famous, too iconic, too specifically loaded with subtext and text of queerness through Dietrich.
I am convinced that the costume department 100% knew what they were doing, and part of me wonders if Kate Mulgrew herself had pushed for that suit. Why? Because Kate Mulgrew herself was the one who pushed for Janeway to have a same-sex relationship. According to Screenrant, anyway):
Above quote from this article.
(Anyway, regardless of whether Screenrant is correct or not, the point still stands without that.)
Watch Blonde Venus. Watch Morocco. Then, watch Kate Mulgrew in The Killing Game. She imitates Dietrich’s body-language, her mannerisms, the smirk, in that opening scene. There is no question- Janeway has been possessed by Dietrich’s characters.
Funnily enough, for the rest of those two episodes, Kate Mulgrew is also very clearly imitating another Queer woman through her voice intonation and mannerisms, general fashion and hairstyles: Katharine Hepburn.
Because of her absurd visual and voice similarity to Katharine Hepburn (another Queer in Dietrich’s sewing circle), Mulgrew once played Hepburn in Tea at Five.
Like Dietrich (bisexual), Hepburn was very clearly Queer coded. Evidence suggests that she was a lesbian and that her relationship with Tracy was set up by the studios, but it is possible that she was bisexual as well. Like Dietrich, she was also famous in Hollywood for her male-coded attire, though she preferred regular suits to Dietrich’s tuxedos.
She, like Dietrich, had the same problem whenever they teamed up with Cary Grant- watch Philadelphia Story and tell me that the real ending of that movie is not Hepburn’s character, Grant’s character and Stewart’s character all ending up in a thruple together. The movie makes no sense if that’s not the real ending.
Hepburn wore trousers on film sets and this upset the studio so much they literally stole her trousers, trying to force her into a skirt. Hepburn just walked around in her knickers, refusing to wear the skirt. Eventually, the studio gave her back the trousers.
Okay, I’m going off tangent. Here’s your takeaway:
Kate Mulgrew, (because she’s an absurdly amazing talent), is very heavily is influenced in mannerism, voice, accent and appearance by two of the most Queer-Coded women in cinematic history in The Killing Game. Through fashion and performance, she embodies Dietrich’s Blonde Venus and Morocco characters, and through appearance, voice and body language, she gives that image an additional layer of of Hepburn’s fierce, Queer persona.
Conclusion: Arguably throughout all of Voyager, but specifically In The Killing Game, Kathryn Janeway is visibly Queer.
By the way, although she never got credit for it, the person who wrote Blonde Venus was Dietrich herself. Both she and von Sternberg were suspended for several months because the movie was considered too salacious by the Hays code, and it caused production problems for over a year.
The BFI has a great write-up on Dietrich’s queerness and fashion, you can read it here: https://www.bfi.org.uk/features/my-best-girlfriend-queer-dietrich-screen
That white suit means so much more than you thought.
@frommybookbook
i think trans people need more fun stereotypes. so many groups get at least one that is like, offensive but also kinda baffling, like "gays walk fast" or "germans are obsessed with efficiency." all we get are like "evil sex predator" shit
we need to convince transphobes that trans women love to fish. so much that we will destroy our lives to go fishing. we will lose our jobs for the sake of a good reel. this is not based on anything but i think it would be funny
when i leave my family reunion i want my slightly shitty uncle to turn to me and go "hey, see ya by the riverbank," with a wry laugh that makes me have to awkwardly chuckle in return. i think this would be a fun reality to live in for a few weeks before i get tired of it
this is everything to me. this is my light in the dark. This is why I am still alive. If you want to find your local trans scene. Check out the independent fish stores. I have been given a new main story objective
local woman alarmingly quick to throw herself in the face of danger if it means she might get to kiss a werewolf
you miss 100% of the shots you dont take
Just in case!
Here is a link to Pride Plans where you can get this stuff started.
If you have children together, you BOTH need to be on the birth certificate/adoption papers. Some states don't automatically put both parents on there, and you may have to adopt your own child. This is REALLY important.
the only reason cops are at pride now is to intimidate gay people into not making it a riot again and i will stand by that fact until the day i die
If the occasion should arise and I attend a pride festival, I would also like it to not become a riot.
imagine being this guy
arent they there? to stop any attacks from the anti lgbt groups?? yknow the ones that ALWAYS gather there???
contrary to what this newer generation of lgbt people think, cops are a new addition to prides. only within the past 10/20 years have they actually started “protecting” pride. aka standing around and intimidating the general public. historically, lgbt people have protected ourselves and eachother during pride events. from police in a lot of cases actually. ive been to pride events where the anti lgbt protesters were the ones being “protected” from the pride crowd… the cops arent there for us. theyre there to boost the image of the police force and make us think they care. the only people who feel safe around cops are the classes that they are meant to protect and people who are uneducated about police. (theres a heavy overlap as well.) you may feel safe around cops but many people do not. theyre literally dogs to the upper class.
In hamilton ontario the cops let neo nazis attack people and said they didnt help because people didnt want them there
I was at NYC Pride a couple of years ago and a massive section of the main route was completely dedicated to cops. The sight of a prison bus driving by with rainbow flags on it made me sick. That was the year that Toronto Pride asked the police not to bring guns to pride. And so the NYPD invited them to our parade, marching through and proudly brandishing their guns. Back at the Stonewall Inn, people who were protesting the commercialization of Pride were beaten by police. I used to buy some of what the commenters above are saying about protection, but after seeing all of that Pride needs to be anti cop.
they literally just showed up and arrested pride participants like a handful of days ago after being told they weren’t welcome
[Image description: The image right before the above link is of the linked article. It’s a Vice News article titled, “Cops Were Banned from NYC Pride. They Showed Up With Riot Gear.” The subtitle says, “Eight people were arrested on Sunday after skirmishes between the New York Police Department and people celebrating Pride in New York City.” The article has a photo of cops harassing civilians. One cop is pulling the arm of a pride attendee while other attendees try to stop him. Another cop has cuffed someone on the ground. End ID.]
what do y'all pro-cops-at-Pride people think the zeroth Pride, the Stonewall Riots, were about?
spoilers: it was police brutality against the queer community
My gender today is back on my bullshit (the dishes)
My gender today is npc librarian
My gender today is an overworked peasant woman from a monty python
My gender today is lemon
My zine in the lineage of Fucking Trans Women by Mira Bellwether, about my anatomy as a trans woman who's had nullification surgery. It started as a user manual for a partner but I believe it has value beyond that.
NeogenitalsEvangelion. Contribute to Crythedral/Doll-Parts development by creating an account on GitHub.
this github link no longer works, thankfully op has left an updated link in the replies!
That is not the link uwu
This is
A user manual to a transfem with no genitals
I see a lot of ‘cis’ women say they wish they were androgynous in the way men were or they wish they were pretty in the way men were. This is your sign to go try to do that. You may find you enjoy being an androgynous woman. You may find you no longer identify as a woman. You may find you don’t like androgyny. You will not know until you try. Cut your hair if you’ve always wanted to but have been afraid to. Shop in the men’s section if you’ve been too nervous to. Wear clothing with an androgynous  silhouette. Experiment with binding, take baby steps with compression bras if you want. Wear unisex scents. Live life. Try things you want to try. A lot of cis women do not understand the joys of mens pants and mens deodorant. I think everyone should try both of those things.
(via @monimolimnion)
[screenshot of tags which read:
#much more comfortable being a woman when I realised it literally doesn’t have to mean anything #unlock cis+ it’s good for you]
Trans people don't own gender. We stole it the way Prometheus stole fire, so it would be available to everyone.
I'm on my second read of Empire and listen...my first read thru I noticed somewhere Papa and Sister Imperator talking about the new album and he said he hoped she didn't look too hard into the lyrics...
My second readthru I decided to look too hard into the lyrics and AYO ITS SO FITTING???
Like Hunter's moon??? Yes please? Darkness at the heart of my love??? Even Twenties??? I'm just quietly losing my goddamn mind over here I need to write a dissertation immediately ^^
Anyway great job, it's changed my brain chemistry!
AAHHHHH I want to take this ask and frame it! I am so delighted!
Copia really was getting his feelings out in musical form and hoping that she wouldn't notice.