the letting go
paddy mayne x f!reader
part one + part three
masterlist
wc: 8.5k
summary: termoli, 1950. over the course of one night, two former lovers attempt to make sense of war, trauma, and the lives they never expected to escape with.
warnings: brief mention of domestic violence (itâs complicated); wartime violence; some medical gore; ptsd; mental illness; alcoholism; very minor spoilers for season two of SAS; slow burn-ish; hurt + comfort; friends to lovers to exes to âŚ?; french and italian poetry with english translations (i am trilingual and making it everyone's problem)
notes: part 2 of 2 with a happy ending, for my own sake. reader is addressed as female, but no specific appearance or ethnicity. if you feel moved to like, reblog, or comment, i will kiss you on the mouth !! anyway, go watch the before sunrise trilogy NOW
poems mentioned: 1944-1947 (Franco Fortini, 1963), Epitaphs (Countee Cullen, 1925), bon bon il est un pays (Samuel Beckett, 1949ish), and Da Dio mandata, angelica mia scorta (Vittoria Colonna, c.1538)
You discovered the sea at night, some places green, some wine-dark. A strip of seaweed floated midwater. A destiny can change like that, unseen.
The first time Paddy kissed her, the tank had only just stopped firing.
A grenade, thrown across the piazza in a desperate last attempt to stop the German advance, had rolled with divine precision under the Panzer just in time for detonation. In one moment, eardrums were burst and the vehicle erupted into smoking metal.
Y/N lay under the captain, who was shielding her body with his own and cradling her skull in the crook of his arm. The pair were strewn out behind a wall of sandbags already shredded to bits, with no guarantee of any protection against the shrapnel dislodged in the blast. And yet - by divine providence or stupid luck - the doctor and the captain were both untouched. For a moment, they stilled, breathing heavily and looking at each other in awe. The world was quiet, the enemy felled.
âI told you to stay in the church,â he mumbles, looking her over.
âYou were hurt,â she replies, still shaking.
Indeed, a bullet is currently lodged in his shoulder and the wound is spilling hot blood onto both of their uniforms. But heâs Paddy Mayne - it wonât kill him or likely even slow him down. And she isnât worried enough to crawl out from under him, to face the aftermath of this firefight.
He leans in to press his forehead against hers. Lingers there, as if to gauge her reaction. He knows the stillness will be gone soon, knows theyâll return to camp, back to all the clamour and chaos of a military operation.
Pulling away, his eyes fix on her mouth with a look of devastating want. Y/N knows, though, she knows he wonât move unless she does. He acts like such a deviant, such a barbarian and yet he really is just a tired poet who yearns for softness.
So she moves.
She cranes her neck up to brush noses. Hesitating for a moment, she breathes into his mouth, allows herself to savour this momentary intimacy. Anything could happen tomorrow but right now, Paddy Mayne has breath in his lungs and so does she.
He closes the distance and meets her lips with a kiss so gentle it nearly makes her cry.
âThere was one night, Paddy, the last night. You donât remember it, you were asleep. But I woke with your hands around my neck.â
Her words are a punch to his throat.
He moves to speak but she cuts him off with a soft hand.
âIâll tell you what happened, but you have to let me finish. Yeah?â
His gaze is haunted but he manages to nod.
âIâm alright. There was no hospital or anything. No lasting damage.â
He breathes out as a tiny sliver of relief blooms in his chest. Y/N wraps herself in a tight little hug, shivering despite the body heat and familiar cologne still clinging to the faded leather.
âYou were not there. I saw your eyes and they werenât yours. And I know you were looking down at me and seeing some little German boy. Maybe a face you recognized, maybe one that still haunts you, I donât know. Well, youâre very strong, you know that. I thought maybe I stood a chance if I could reach over and get you over the head with the lamp. I tried but it was too far. I accepted that I would die, then, that youâd be the one to kill me. You were sobbing. I tried to say something, I tried to wake you, make you understand it was me, that you were hurting me, but I couldnât. It felt as though there was nothing I could do. I just waited to die.â
His hands are shaking. Heâs crying - when did he start crying? - hot, incredulous tears rolling down his cheeks. His face is slack but he looks as though he is going to be sick.
âBut just before I passed out, I jabbed you in the eye, hard. I sâpose it hurt and you woke up. You were so lost, so disoriented and confused, you were still sobbing. I held you. I could barely breathe but I held you, I know you must have been so scared. I held you until you fell back asleep.â
In the privacy of her own mind, sheâs rehearsed these words so many times. Now that sheâs speaking them aloud, her voice takes on an emotionless tone as she recites them from memory. Words have power, they both know that. Paddy deserves the right ones.
She shuffles, digging her toes into the sand, face flushed.
âBut I had to leave, then, Paddy. You wouldnât talk to me, you wouldnât talk to the doctor, you were drinking three or four bottles a night just to fall asleep, starting all those stupid fights in town, and there was nothing I could do.â
Y/N looks him in the eye.
âI left. I didnât want you to see the bruises. You would have killed yourself, I think. I really do believe that wouldâve done it.â
He canât move. There is hot air blowing through where his thoughts should be.
Still, she continues.
âYou know I wouldâve died for you. You know, in any other case, that I wouldâve chosen your life over mine. But I needed you to want to get better and you didnât. So I left. Iâm sorry I did it like that, but I wasnât thinking. I just had to go.â
So there it was: the atomic bomb that had been rotting her from the inside for years.
Now it's in the air, corroding the both of them.
She pants, breathing heavy from the exertion. His eyes are screwed shut, arms hanging limp at his sides. They shake and twitch like he's finally understanding that his hands are still weapons.
âThe cigarette,â he mumbles. âYâjumped when I touched you.â His eyes open to reveal red vessels.
She nods slowly, sadly, hanging her head.
He falls like his legs canât support the weight of the revelation. His shaking hands float over her knees.
âCan I- I just wanta- please, can I hold you? You can tell me no, just tell me no, Iâll fuck off. Swear to God Iâll fuck off, please, I- fuck, please?â
After a beat, she nods, trembling not from fear but from exhaustion, from the interminable ache their discord has caused.
Slowly, he cradles her thighs in his arms, his touch gentle and featherlight. She runs a soft hand through his hair and it cracks him in half. Everything pours out. He sobs into her lap, choking out broken and desperate apologies, bordering on nonsense.
Y/N has never seen him like this in her life.
âI hurt you, I hurt my girl, I hurt you- I coulda killed you, Iâda followed you meself, I swear to God, if Iâd killed ya Iâda done it right there in our room, the moment I realized, Iâda fuckinâ followed ya, Iâd follow you anywhere, anywhere, I- Iâm so sorry, Iâm so fuckinâ sorry, Iâm sorry Iâm sorry Iâm sorry, I love you, I love you more than anything swear to fuckinâ Christ I love you more than life, fuck- Iâm sorry, I hurt my girl, I coulda killed you, my girl my girl my girl-â
She tries to soothe him, crying quietly, rubbing circles on his shoulder.
âIâm alive, Paddy. It is what it is.â
âI coulda killed you.â
âYou didnât.â
She kneels down to look at him.
His eyes are narrower, still wild, scanning her neck and shoulders as if seeking the evidence of his crime.
âIâm sorry, can I- could I hold you, properly? Sâokay if not, sâokay, sâall okay with meâŚâ
âYeah, Paddy. Itâs okay.â Her voice is quiet, shaky. Like she is allowing herself to grieve. He wraps her in an embrace, drawing her into his chest but leaving enough room for her wiggle out. Heâs still mumbling, just loud enough for her to hear.
âYer a smart girl. Smart girl. Hurt me like I taught you. You take care a yerself, always do, dontcha? Smart girl. Iâm so proud a you. You hurt me good, you saved yerself. Tough girl. Brilliant girl. But I shoulda been takinâ care a you. Shouldâve been my job. But I made it worse, didnât I?â
He babbles like he's trying to calm an injured animal.
âI scared ya. Youâdâve been so scared. My girl. So scared a me. Spent all those years lookinâ out for each other and I let you down, didnât I? Iâm sorry, dovie, Iâm so sorry. And yer apologizinâ to me like you did anything wrong. You never stepped a toe outta line, you know that? You donât ever say yer sorry again. You never say that to me again, you never apologize for a fuckinâ thing, yeah? Fuckinâ sweet girl scared out of her mindân still takinâ care a me. Shoulda killed me.â
She's crying now, too, sobbing into the crook of his neck as he presses desperate kisses into her hair and strokes her loose curls.
âKnow I needed help, yeah, know I still do. Know I needed thâdoctor. You knew it, didâyer best but you needed help. I shoulda helped you, shoulda helped myself. I was livinâ for you, still am. I love you. Fuck - love you so much it's killing me all over again.â
She leans back to look at him.
âPaddy, I-â
Y/N knows shell shock. Sheâs seen it in its nastiest forms, all empty gazes and tremors and hallucinations triggered by backfiring cars. Treated men who havenât slept in days, vomiting and shaking from the voices who wonât grant them rest.
Still, she is unprepared for the look in Paddyâs eyes when they meet her own.
âI donât blame you.â
His reply is quick, too sharp: âYou should. The fuck sâwrong with you?â
She narrows her eyes.
âFine. Maybe I resent you. A little. I suppose I think about it often enough. If youâd just listened to me, gone to the doctor, if youâd let me in, if youâd done it differently. âStead of being so fucking proud.â
He hangs his head low, nods in shame. He is too quick to anger. Men like him fall back on rage when the other emotions are too big to feel. He knows it. Knows better.
But she continues: âI donât know, though. Maybe it wouldnâtâve made it a difference. Maybe it wouldâve happened just the same. If I start to think about the what ifs - I mean, it doesnât really help.â
He gazes at her, absorbing the words.
âHe told me not to do that - the doctor in London, I mean. Said to not let myself get lost in what could have been instead of accepting what is. Makes everything so much worse.â
He makes a little sound of agreement.
âYou just end up torturing yourself.â
âBut itâs all torture anyway, though, ainât it? All thâtime.â
Y/N shakes her head.
âFine, sure. Maybe if youâd done all that, taken me seriously, then things would be different. But if I start down that path then where does it end? Like - I donât know - what if youâd dodged the draft? What if Iâd never signed up? What if weâd never volunteered for the SAS? Fuck it - what if the war had never started? What if Hitlerâd never been born? What if - ha! - what if they never shot Franz Ferdinand? What if the Russian Revolution never happened? Oh my god, and on and onâŚâ
Sheâs almost smiling now, head in her hands, laughing at the absurdity of it all.
âOh, everything couldâve been different. We couldâve been so different. Life couldâve played out in so many ways but it hasnât, and weâre here, and weâre tired and sad and hurt and a little drunk and weâre in Italy for a fucking wedding. It is what it is. Weâre alive and weâre here.â
She looks over at him. His eyes are shining with something like pride.
âAye. We are.â
-
The first time an SAS soldier had died under her care, Y/N did not sleep for three days.
For three agonizing hours she operated on his shredded torso, having recruited two officers to hold the man down as he thrashed and wailed. It was too late, though. The bullet had ripped through his lung and he died just after midnight.
In the aftermath, it was a combination of amphetamines, black coffee, and rum that kept her functioning well enough to look after the other survivors. She delayed writing the letter home to the manâs parents - her hands shook so badly that she could barely grip the pen. It was clear that the rest of the regiment lamented the loss, but it was far from the first time theyâd lost a comrade in the line of fire. After a song and a drink in his honour, they more or less carried on.
Paddy didnât know what to do with her.
Any other soldier, heâd deliver some harsh speech about death being the natural fate of an SAS man, that the only thing to do was to carry on and hunt down the cunts whoâd killed their brother. Oftentimes, that was the sort of thing they needed to hear. On occasion, the gruff captain could manage a little extra softness, offering up swigs from his personal stash of quality liquor or quietly approving an extra few hours of rest.
But Y/N was different.
He didnât know what she needed or how to provide it. Every instinct in his body screamed to show her kindness, to relieve her of her burden - frankly, to put in a call to GHQ and have her removed from the fight, removed from Italy, fuck, removed from the continent altogether. And even if it turned out that she responded best to harsh speeches barked out in anger, he could never bring himself to shout at her.
Without words, she asked so much of him, challenged him to be so much more. He was discovering, slowly, that there were secret parts of himself that had been lying dormant for as long as heâd been alive. Hidden nooks that were sweeter, more earnest, more human; crannies that activated in the presence of undemanding love. Suddenly, he was aware of a new imperative superceding all others, operating from a new set of rules: be everything for her.
So when he returned to camp a few nights later, Paddy made a beeline for the medical tent.
Only, it was empty. Bloody rags littered the dirt floor.
He tried the informal mess hall next, asking the men he passed if theyâd seen the doctor. No, they said, and come to think of it, itâs been a while since we have. Alarm bells began to ring in his mind. He jogged over to his own tent, nervous thoughts racing, planning to grab a torch and search the woods beyond.
But he found her, though, curled up on his bed, back turned to the entrance, sniffling quietly.
âAh, come on, then,â Paddy whispers, dropping his bags.
He takes a moment to still his anxious heart, takes a breath. Shrugging off his jacket, he crawls into the bed behind her. Instinctively, she curls into him, welcoming his touch and letting him wrap an arm around her. He presses a kiss to her shoulder and waits. Thereâll be time for talking, he thinks. Right now, let her rest.
For a good hour, she says nothing at all. Her eyes are closed but her chest still rattles. Paddy just waits, brushing the hair from her face and tracing patterns on her arm. Life in the camp is often so loud - so unpredictable, so messy.
In her presence, though, he worships the silence.
âIâm so fucking tired, Paddy,â she finally breathes, barely loud enough to be heard.
âKnow yâmust be, girl. How many nights you been up?â
âHavenât slept at all. Not once.â
âYou have to, sweet- no, donât cry, I know you know. I know yer tryinâ. I know itâs hard. Iâm sorry. I know.â
She sobs again, curling her arms over his own and drawing them into a desperate grip. He kisses her neck.
âI donât understand. I- heâs not the first person to die, I⌠Iâve lost so many, so many back home and they teach you to handle it. Why canât I handle it? Why him? Whatâs happening to me?â
He shakes his head.
âDonât know, dovie, I really donât. Only thereâs no sense in it. This hereâs the world of feelings, yeah? Not science. Sânot logical, sânot somethinâ to decode. It is what it is. Yâjust need to feel it.â
She inhales shakily, squeezing her eyes shut. He breathes into her hair for a long moment, rests his head atop hers.
âYou nâ I, weâre poets, ainât we? Seeinâ the world in a different way. Feelinâ it all too much.â
âYou think?â
âAye, we are. Not made fer killinâ. Not made fer war, us. Nah, weâre witnesses, sweetheart.â
âWitnesses,â she repeats, half-delirious.
âSâright.â
âWitnesses to what?â
âLife, I sâpose. Whichever form it takes.â
Slowly, her breathing grows steady. He matches her pace on the exhalations.
âI want a poem, please,â she asks, her voice soft as anything.
âYâthink you can just summon one on demand, like?â he murmurs, nuzzling her cheek. She nods.
âMy manâs a poet, apparently.â
His heart explodes at her use of the possessive.
âFair enough, sâpose he is,â he smiles. âDealerâs choice?â
âYeah, you have good taste.â
Oh, heâs grinning like a lunatic. He takes a breath, lowers his lips to her ear:
âMy days were a thing for me to live, for others to deplore; I took of life all it could give: rind, inner fruit, and core. [âŚ] To men no more than so much cover for them to doff or try, I found in death a constant lover; here in his arms I lie.â
Sheâs silent, considering his choice of poem and the words within, the depth of them. And then:
âI donât think I know that one.â
âSâan American. Cullen.â
âOh.â
She pauses.
âBut you canât stand Americans.â
He barks a laugh.
âAye, begrudgingly, I grant that they know a thing or two about arranging lines of verse.â
She giggles, cracking through the tracks of long-dried tears. He grins again, runs a finger down the bridge of her nose.
âAh, there she is.â
Still nestled on the sand, Y/N rests in Paddyâs arms. Theyâre tangled up in each other, indistinguishable, like two Romans twisted together for eternity in ash. Itâs so late in the night that itâs now early in the morning. Maybe thatâs a little hint of dawn on the horizon, or maybe itâs just her imagination.
âYâknow, Iâd always wanted to swim here properly.â
He peers down at her, amused.
âHow dâyou mean?â
âWell, I never had a swimming costume and the men were always around. Just wanted some privacy. A couple times they invited me to join, butâŚâ
âBut?â
âWell, Iâd seen enough of their anatomy already.â
He laughs.
âAye, so you want to go for a swim, now, sâthat it?â
âDidnât say that.â
âNah, yâimplied it.â
âOk,â she concedes. âYes. I could go for a swim.â
âNot shy anymore, râyou? âRound me?â
She mumbles something, grateful he canât see the bashfulness on her face.
âSpeak up, dovie, sâonly to make sure you donât mind catchinâ a glimpse of my ownâŚanatomy.â
Y/N barks an incredulous laugh, quickly sitting up from him.
âJesus, Paddy!â
He just cackles and sits up as well, leaning back on his hands. He watches with rapt attention as she stands, fumbling with the straps of her gown.
âDonât stare too hard, now.â
âCanât promise a thing, sweetness. I am, as you so coarsely implied back at the soirĂŠe, an animal.â
She snorts, letting the silk drop from her shoulders. To his credit, Paddy maintains eye contact.
âYâcoming?â she calls out, turning towards the surf.
ââCourse I am. Go on, girl.â
She steps into the water, hissing slightly at the cold sting of it. Behind her, she hears the sound of clinking metal and fabric dropping. Paddy follows her from a respectful distance and they walk until their feet fail to reach the bottom.
The poets float together in the shallows, letting the waves bob them like any one of the buoys or dinghies out there on the vaster sea.
She dunks her head under the surf, too dark to see anything, using the opportunity to scrub the sand from her hair. When she surfaces, Paddy is watching her. She canât decipher the look in his eyes and wonders how anyone who ever loved another this fiercely could ever turn them to a stranger.
There is one last question that still needs answering. She treads water, turns in circles, summong the courage to finally ask it.
âWhat happened after I left? I- um, what happened to the cottage?â she chokes out. Her voice is sheepish, guilty, and so soft he almost wonders if heâs heard wrong.
He purses his lips, blows out a long, slow breath.
âJesusâŚâ
âNo! I mean, itâs fine, you donât have to-â She shakes her head furiously, struggling back to where her feet touch the sand. âIâm sorry.â
âNo, nah, just caught me off guard there, sâall.â He floats beside her, his voice deep and calm. âNo, âcourse Iâll tell you.â
âI felt so awful. I still do.â
He looks her square in the eye, blue eyes burning.
âYouâll stop that, now. No apologizinâ. No guilt. None a that. You give that to me, yeah? Thatâs mine, now.â
âItâs not yours-â
âAye, it is. Mine to do with as I like.â
She pauses, a slight smile on her lips.
âFifty-fifty?â
âNah, dovie, Iâm just too greedy,â he grins. âCâmere, then, if you like.â
Y/N leans into him, folding her arms around his neck.
âYou tell me to fuck off nâI will, yes?â he repeats, low and gentle in her ear. She nods against him.
âSoâŚâ he begins. âWell, I sâpose I woke that morninâ with my head on fire. Worse than usual. Looked over at you and the bed was empty. Sâalways the way Iâd start my day, up before the sun, lookinâ at you, sleepinâ there tucked up into me, lovely as anythinâ. Only I didnât see you, figured you mustâve gone lookinâ for a glass a water.â
He draws a deep breath, steadies himself, begins tracing idle lines up and down the length of her spine.
âOnly, yâwerenât anywhere. Went down into the kitchen and nothinâ. I began to spiral, convinced meself youâd been stolen away in the night. And oh, I tell ya, not even the worst days a that war can even begin to compare to the panic I felt right then.â
Paddy laughs, no emotion.
âI was rantinâ and ravinâ in the dark, hyperventilatinâ like. Wasnât till I turned on the light and saw yourâŚhandiwork on the table that I came to understand the situation. Truth be told - not sayinâ it to be mean, mâsorry, girl - but I swear tâGod, when I understood youâd left on yer own, I almost wished youâd been taken. âLeast then Iâd have a hope of gettinâ you back.â
Her eyes well.
ââLeast then it wouldnâtâa been of your own volition, leavinâ me. Ah - but Christ, thatâs fucked, though, isnât it?â He digs his hands against his eyes, rubbing into them hard.
âPaddy, Iâm so sor-â
He blinks, shaking his head. âAh, yâdonât finish that sentence.â
She sighs.
âAnyhow, yâdonât need to know what I did next. Tâwasnât good for me, all Iâll say. Since then: been drinkinâ too much, mainly. Still go walkinâ sometimes. As fer the cottage, well, sheâs still there. Havenât touched her. Sheâs yours, too, yers and mine. Didnât feel right to sell her. Myself, I moved up north, middle a fuckinâ nowhere. Suits me just fine.â
âYeah?â
âYes, maâam. All that time in the desert had an impact, turns out: I hate civilization.â He says it proudly, matter-of-fact. She laughs.
âNo, you donât.â
âAu contraire, dovie, I find I cannot stand it.â
âOh, youâre so dramatic!â Y/N launches into a poor imitation of his Irish lilt: âO tortured poet, o Byronic hero, save me from the perils a plumbing nâhuman contact-â
He cackles, poking at her ribs. She shrieks in surprise. In a blink, heâs removed his hands completely, like theyâve burned her. She touches him lightly and he relaxes.
âSâthe worst accent Iâve heard in my life,â he mumbles.
âProbably.â
Y/N and Paddy float quietly a moment. She closes her eyes, brings her forehead to lean against his. The memory of that first kiss runs through them like a live wire.
âI miss home,â she whispers.
In Y/Nâs estimation, the only natural wonder to rival the blue of the Mediterranean is the green of Ireland.
Upon her first visit, sheâd discovered natural hues that seemed to exist nowhere else on this earth, every landscape a revelation. She could not believe that Paddy had grown up in a place such as this, a place as idyllic, as beautiful. Having only ever lived in large cities, Y/N had nothing to compare it to but the illustrated pages of a fairy tale.
âI understand you, now, Paddy. Living here, the only sane response is to become a poet or a painter.â
Theyâre huddled together on a dune overlooking the wine-dark sea below them, only a few hours from his hometown. The sky is grey but it doesnât matter - if anything, a blue sky would seem out of place here. There is an ease in this gloom, no pressure to seize the day or to make use of the daylight hours. No, today is a day for rest.
He laughs, drawing the wool blanket back over her shoulder from where itâd begun to slip.
âOh, weâre lucky, us.â
Y/N sips gingerly from her cup, the still-hot pekoe burning her tongue.
âI donât think Iâll ever be a tea drinker, though.â
âTrust me, mo chroĂ. You just give it time.â
She looks over at him, amused.
âYou call me that, sometimes. What is that?â
âMo chroĂ? SâIrish.â
She rolls her eyes.
âI assumed as much. But whatâs it mean?â
âMeans my heart.â
âAh.â
âRâyou blushinâ?â
âNo.â
ââLiar.â
âFuck off.â
âSo unladylike, yâare.â
She performs a rude gesture sheâd picked up in Naples. He barks a laugh and hands her a biscuit.
The gulls glide through the air above the lovers, soaring high and swooping low to snap at the surface of the sea. Roiling waves provide ambient noise, a constant hum against the shrieking of the birds. The stalks of the reeds flit softly in the breeze, kissing Y/Nâs cheek every now and again.
âOh! Reminds me,â she smiles, setting down the cup. âI have a new one for you.â
âYeah? Go on then, sweetness, see fâI can guess it.â
She sits up straight, serious, turns to face him. Clears her throat, miming an opera singer. He shakes his head and pokes at her cheek. She swats his hand.
âAlright. Ma solitude je la connais, allez, je la connais mal - jâai le temps, câest ce que je me dis, jâai le temps. Mais quel temps, os affamĂŠ, le temps du chien - du ciel pâlissant sans cesse, mon grain de ciel.â *
Y/N sits back, satisfied with her performance.
He grins, so hopelessly in love, and claps slowly. She pretends to bow.
âThank you kindly.â
He looks up, places a finger on his chin, pretending to ruminate.
âSâpose thatâs an Irish poem youâve memorized for me? Sâonly one Irish poet writes in French.â
She nods, sighing, sitting back on her hands. Knows heâs already got it.
âBeckett, then?â he asks. She nods again, rolling her eyes. He draws her in, kisses her deep. âGood girl.â
âYouâre too good at this,â she mumbles against his lips.
âYes, I am.â
âGosh, and so humble.â
-
The cottage they purchased in the hills was described by the estate agent as âin theoretically liveable conditionâ. Translation: four walls, a roof, and passable plumbing.
By SAS standards, a palace.
Neither of them had much of a talent for interior design, so they filled their home with anything that happened to catch their eye: mismatched furniture, a dusty Persian carpet rescued from someone elseâs bins, secondhand paintings of landscapes and people theyâd never seen, postcards from friends around the globe, and whatever else they managed to find along the way. There was always a fire going, always a warm cup of tea (for him) and coffee (for her), and they quickly found that they didnât need much by way of anything.
No, the simple, perfect luxury was this: delighting in each otherâs company every day, week after week, month after month, with no threat of violence, no demands on their time, nothing to do, nowhere to be. A warm bed to share, endless pleasures to delight in. Shelves upon shelves upon shelves of books, old and new and fiction and poetry and history and philosophy and even a few dirty romances. Dry clothes, freshly mended. Out the window, rolling green grasses as far as the eye can see.
What else would they need?
In the beginning, Y/N had been hopelessly optimistic. The war was over. Fascism had supposedly fallen. Her and Paddy were free. This, she thought, this was her old dream of escape coming true. No, it was even better: in the SAS, sheâd met her equal, the love of her life, the only person whoâd ever truly seen her. Together, they found themselves at the beginning of a new chapter, co-authored and co-enjoyed.
And it was good.
At first, there were no nightmares. Both she and Paddy found it odd to wake up every morning well-rested and at ease. They were nearly delirious with excitement at their newfound luck and took full advantage of it, filling their days with long walks, morning swims, construction projects, poetry readings, and journeys to the pub in town. It was good.
So good.
But then the voices returned.
Oh, it was gradual. A few times a week, one of them would wake in a cold sweat, crying out at some phantasmic act of violence. The unaffected party would soothe the other, coax them back to sleep. It wasnât pleasasnt but it was to be expected. As Dr. Y/L/N well knew, the lingering effects of war were well-documented.
Then, once the night terrors had sunk their teeth into each loverâs respective psyche, a race began to identify an efficient coping mechanism. Poetry never worsened the situation but it never cured it, either. Promenades in the fresh air werenât so bad, neither were cold plunges in the sea. Sometimes they ran up and down the hills for hours, or lifted heavy things until their muscles burned. They both tried so very hard to ignore the lure of the more dangerous strategies: the drinks, the drugs, the self-inflicted pain.
Paddy was the first to fall victim.
It was liquor, for him, like itâd been during the war years. He didnât touch it very often, not anymore, but there are only so many sleep-deprived press-ups a man can do before he gives up and tries something else. As it worsened, Y/N wanted to chastise him but found she couldnât, intimately familiar herself with the singular agony of going days without sleep.
She could only watch as he fell apart.
He resisted her every plea to visit the doctor - declined to stop drinking, failed to stay sober for more than a few hours at a time. Most days, he was a ghost: sleeping, rambling, smoking, imbibing, and fighting - then waking the next morning and doing it all over again. It became their evening routine: her, eating alone, reading alone, bathing alone; him, coming home and falling drunk into bed without so much as a hello, dovie.
All those years of medical training, all of the frontline work, all that grace under pressure, all her talk of feelings and absolution - all of it evaporated into dust where her own lover was concerned. She, herself, was becoming a ghost. Paling into the absence of a person. Every field surgery performed with jagged cutlery, every agonized confession from a boy-soldier barely eighteen years of age, every sleepless night hopped up on drugs and alcohol - that pain couldnât hold a candle to the fresh emptiness in her soul, to the rot and desperation in that cottage.
One night, after a raucous three-day binge, she forced him awake and dragged him into the bathroom.
âWe canât go on like this.â
She turns the handles of the tap. The old tub begins to fill with steaming water. As it runs, she turns to look at him. Paddy is wobbly on his feet, propped against the doorframe for balance. His clothes are rumpled - probably the same ones heâd worn the day before - and his hair is mussed. The bags under his eyes look like bruises. The real bruises are on his knuckles, though, the result of having done God knows what to God knows who. His beard is shaggy, his hair grown out. He looks every bit the desert bogeyman he used to be.
âSâfine,â is his measured reply. âSâall fine.â
Y/N scoffs, standing and stalking over to him. She brushes a hand over his cheek and he leans into the touch.
âItâs really not.â
Wordlessly, she begins the work of unbuttoning his shirt. She tugs it off, unbuckles his trousers, and lets them fall to the ground. He groans softly at the contact. She forces his arms up, pulling the faded wife pleaser off and over his head. He kicks his pants to the side. There is a throbbing purple bruise on his torso. Tenderly, she presses into it, assessing for damage. He winces, coughing, leaning into her for support.
âThat hurts?â
âWell, yes, when you fuckinâ do that,â he wheezes.
âGood,â she mumbles.
She unbuttons her own blouse, shimmying out of it and tugging her skirt down her thighs. He watches her. Once bare, she reaches for his hand and he gives it, no hesitation.
âGet in.â
âDonât think I want to.â
âYeah, you do.â
âSure, alright, I do.â
She steps in and leans back against the side of the tub. He follows suit, sitting between her thighs.
âSâposed to be the other way âround, I think.â
âIâm taking care of you. Sit still and take it.â
âYes maâam,â he mumbles in reply, no real mockery in it.
She drags the damp washcloth over Paddyâs body. Heâs so warm, and not just from the water. His body is flushed and pink. His head lolls back onto her shoulder as she hums quietly, lowly, just for him. Itâs an old tune, an Irish one sheâd learned one of those happier nights down at the pub. The one heâd grinned at, shouting at her over the din to express his fondness for.
She rubs rhymthic circles over his chest and arms.
âPaddy,â she whispers softly.
He makes a small sound of acknowledgement.
âWe canât both fall apart. We wonât make it.â
âI know, dovie.â
Y/N passes another cloth over his face, rubbing gently at the cuts, staining it with his angry blood.
âMy old colleague at the hospital in Mayfair wrote us yesterday.â
âWhatâd he want?â
âSays theyâve got a new program for veterans. Asked if Iâd consider it.â
He sighs, chuckling.
âSâa few days a drinkinâ, sweetheart, I donât need all that.â
âWell- no, actually. He was asking for me.â
Paddy turns abruptly, sending up a splash of hot water.
âWhy? Whatâs- are you well?â
She shrugs, drops the cloth, folding her knees and resting her arms upon them.
âDunno. No. Donât think so.â
He nods, sobering, sits back against the tub. Itâs like a switch has flipped in his brain. He grabs her hips and turns her body, coaxing her up against him, presses kisses to her wet hair. Wraps his arms over her chest.
âTell me, girl.â
Y/N blinks, tears stinging at the edges of her vision.
âSâjust nightmares, again, thatâs all.â
âGo on.â
âJustâŚthe ones who died. Like, sometimes the boys in surgery. A lot of times the kids. The, ah⌠the people in town. I see them every night, now, and I donât sleep. Havenât slept. Tried everything. Got into your stash of poitĂn.â
He nods solemnly. He remembers watching her out there, her fearless work, her singular dedication to saving as many lives as she could. Sheâd run out of medical equipment so many times, improvising aid in the field with whatever she had on hand. And at night, heâd hold her as she wailed about not doing enough, not being prepared enough, not being good enough.
âYâcanât be doinâ that stuff, dovie. Canât be livinâ how I do.â
She scoffs, temper rising.
âYouâre a fucking hypocrite,â she mutters.
âAye, I am. Donât care fâI live or die so long as yer well.â
âThatâs not fair, Paddy.â
âNo. Sânot.â
âWhat am I supposed to do, then?â
He thinks for a moment.
âCan I tell you somethinâ, dovie?â
âOkay.â Her voice is small.
âIâve never met anyone as brave as yerself. Yes, I do mean that. All that time I was terrified a you. Losinâ you. You were so devoted. Yâstill are. You are a caretaker, sâwhat you do. And because of that, because of that tender heart a yours, youâll never be satisfied in yer work. Youâll always imagine yâcoulda done more. Doesnât matter how much youâve done. Wonât ever be enough.â
He continues.
âBut I see what youâve done. I know the lads who saw their mothers again cause a you. Children in school. Fathers livinâ long enough to become grandfathers themselves. All a that- it means somethinâ, girl. Couldnât begin to guess how much good youâve done for the world if I tried.â
She sniffles, pressing a kiss to the inside of his wrist.
âIâm sorry, mo chroĂ. Iâve been in a bad way. Didnât even realize youâd been hurtinâ.â
âItâs alright, Paddy.â
âTâisnât, but donât you worry, dovie, Iâm here now. Never gonna leave you.â
âI love you.â
He tips her chin to the side, craning down to kiss her.
âPromise I love you more.â
The first rays of sunlight are finally breaking over the horizon. The clouds have cleared, and the daylight has sent the stars back into their hiding places. The world is turning golden before Paddy and Y/Nâs eyes. The sea appears as brilliant, roiling quicksilver, nearly impossible to look at without wincing.
Itâs a fine day for a wedding.
Y/N is sore from the night spent in the sand and surf. She stands, slowly, peeling Paddyâs arms from their place on her shoulders. Her hair is damp and frizzy. He watches her, silent, unsure of their new rapport. Like one wrong move could send her running. She brushes off her dress, shakes out her hair.
âWe should get moving,â she says simply. He nods, wanting to do literally anything else.
âSure.â He stands as well, grabs his jacket.
âWalk me back? Weâll go through the gardens, if youâd like.â
âDâlike that, yes.â
Paddy moves to walk behind her but she turns, offers him her soft hand.
He takes it like a lifeline, like itâs the most precious thing heâs ever held. She tugs him forward to walk at her side. They move in tandem, watching as the town flickers to life all around them. The fishermen have already cast off. The bakery is full of people, the scent of warm bread wafting out into the street. Clotheslines creak as mothers reel them in. The campane ring six times, letting everyone know exactly how much time is left before theyâre expected at mass.
âNever thought the worldâd recover,â he remarks, sounding almost awestruck.
âMe neither.â
âWe were so many of us, died here.â
She squeezes his hand.
âDonât even know how many a them did, too.â He nods at the throng of townspeople milling about in the piazza. âSâpose I should.â
âA lot more of them are alive, though. I guess we did that. At least.â
âAt least.â
They reach the gates of the little garden behind the old church. Paddy has made his uneasy peace with the Catholic establishment, agreeing to be on his best behaviour today only for Reg and Sofiaâs sake. Despite the accusations, he isnât opposed to God: he appreciates some version of Him, enjoys contemplating the meaning of life and the hidden forces that guide the workings of the world. And he loves nature - on that, himself and Y/N are agreed.
He believes that if God resides anywhere, in anything, itâs most likely in the quiet stillness of a garden. (As for Y/N, well - her feelings towards the sea are well-documented.)
He guides her to a little wrought-iron bench nestled between two trellises. Above and around them, bright pink flowers bloom into being. The fountain in the centre features a lively ring of cherubs, chubby-cheeked and shooting water out of their trumpets from the force of their blow. Y/N takes a seat, crosses her legs.
Paddy settles in beside her and awaits instruction. Taking his arm, she slings it over her shoulders. He breathes a heavy sigh, pulls her in close, brushes an errant curl away from her eye.
âI can see why Reg was so eager to come back here,â she says.
âAye, sheâs a fine girl, Sofia.â
She shakes her head.
âNot just her. This town is wonderful.â
He shifts in his seat, neither agreeing nor disagreeing.
âSâa lot of things to a lot a people.â
âI know, Paddy. I remember.â
He sighs, fidgeting with a lock of her hair.
âAt times,â he begins, voice low, âI sâpose I wondered if this world was even worth the salvation. What manâs done to his fellow man⌠futile, sâit not? Sâentire generations, gone.â He snaps his fingers. âThatâs families gone. Bloodlines gone. Half the world, it feels like. Gone.â
He continues, voice wavering: âAnd for what? Fer a few big men in capes nâcrowns unsatisfied with their considerable lot? They turned us to monsters. Turned those people -â he gestures in the direction of the piazza - âto cannon fodder. Turned humans up north to cattle. Why? The world went to war and weâre all the fuckinâ worse for it.â
She nods, eyes closed, running a hand over his thigh.
âWhat was the purpose? Sâall I need to know, sâthe one answer I need,â he mumbles. Points at the cross atop the chapel. âNeed that smug bastard to descend from his cozy castle in the heavens, look me in the fuckinâ eye and tell me the point.â
âI know. I get it. Sometimes, I feel the same way. But I think-â
Y/N is cut off by a gaggle of girls no more than six years old chasing each other into the garden. Theyâre matching in their white dresses and shiny shoes, gold jewelry clinking and glinting in the sunlight. They shriek and cackle, running around and around the fountain. One of them splashes another, causing the victim to cry out.
A stern shout from someoneâs exhausted grandmother ushers them all out of the garden and back towards the street.
The lovers sit, silent. Then:
âI think thatâs the point, Paddy.â
The wedding, Riley tells Y/N, is extravagant even by southern Italian standards.
The bride is resplendent in her gown. Sheâs adorned in delicate beadwork, heirloom pearls, and a permanent grin. The groom is awestruck, eyes fixed on his girl like he never imagined happiness so potent could exist on the same earth as him. The SAS fills most of the pews on the groomâs side of the aisle.
In the first row, the captain and the doctor sit side by side.
He rests a hand on her thigh, soft and reassuring. She cradles his hand with her own, rubs calming circles into the muscle of his palm. Her gown is a deep purple, nipped at the waist and spilling silk from her shoulders. His suit is dark and tailored, paired with polished shoes and hair properly slicked back.
That theyâd managed to bathe and get changed in time for the service was an absolute miracle. The pair had collapsed after returning from the garden, still caked in sand and reeking of wine and sea salt. Stopping in the lobby, Y/N had requested a three oâclock wakeup call from the front desk.
âĂ statâuna lunga notte,â she shrugs, grinning at the clerkâs confusion.
In the room, she threw open the windows, welcoming the afternoon breeze into the stuffy quarters. Then, they fell asleep almost immediately: she in his bed, he on the floor. (His idea. Heâd insisted.) When the phone rang at three, they sprang into action, the very picture of military precision. Once theyâd each had their quick baths, Y/N insisted on shaving Paddyâs stubbly beard.
âFuckinâ sit still, love.â
She stands between his open thighs, his tanned body reclined against the countertop. With one hand cradling the back of his head, she tilts his neck this way and that. His hands grip her hips, rubbing into the silk of her gown. His bare chest presses into her, sending a flush through her cheeks.
âCanât help it, girl. Sight a you between my legs is somethinâ sacred.â
She rolls her eyes, bites her lip.
âYouâre so excitable today.â
âIncorrect: sâall the time, mo chroĂ, wherever youâre concerned.â
âAt ease, Captain.â
âYes, maâam,â he mock-salutes, grinning madly.
She sets down the razor, inspects the skin of his chin.
âMissed a spot?â
She nods, leans in, runs her thumbs over his cheeks.
âYes. I think so.â
She kisses him and he melts.
-
The party carries on into the wee hours of the morning.
The music is loud, the wine is flowing, the food is endless, and the dancing is downright bacchanalian. Y/N loses count of the number of times she ends up in a strangerâs arms, spinning and twirling and swaying to some folk dance she doesnât know the steps to. Paddy watches her, always, smiling like he understands himself what Reg must be feeling.
When the music slows, everyone clears the way for the bride and groom. Their dance is tender, the song some old heartwrenching tune that Y/N swears she recognizes from somewhere, from some other time. Paddy finds his way to her, brushes her shoulder. She turns and smiles, takes his arms and leans into them. He rests his freshly-shaven chin on her shoulder.
Everyone watches as Reg and Sofia glide across the floor, lost in their bubble. Halfway through, a little boy in a cowboy hat - her brother? - interrupts them and lobs a spool of pink ribbon at the bride. He holds one end in his tiny hand and runs in circles around the couple, tying them together. The other partygoers take his bold transgression as permission and follow suit, weaving the lovers into an inpenetrable web of string and ribbon and laughing all the while. The couple struggles to move, laughing and shouting as theyâre linked tighter and tighter.
After the first dance, once the song ends and floor is littered with strands of confetti, Sofia calls for all the lovers to join them. The band begins a new ballad. Y/N feels Paddyâs grip stiffen on her hips. She snakes her hands over his own.
âYouâll dance with me, yeah?â
He breathes, laughing softly.
âThought youâd never ask.â
They take to the floor, ignoring the whispers of amusement and looks of utter confusion being thrown their way by the men of the SAS. Y/N snakes a hand onto Paddyâs shoulder, taking his other hand in her own. He draws her in close, pressing her into him. She scratches idly at the nape of his neck. They begin to sway, gently, moving in time with the tune, with the rhythm, with the bodies of their friends.
âOh!â she smiles, eyes sparkling. âIâve got a new one for you.â
He raises a brow.
âStill readinâ yer poetry, are you?â
âYes, sir.â
âGood lass.â
âBut you wonât know this one. Swear to God.â
âFixinâ to finally stump me, sâthat it?â
She laughs, nodding.
âWell, by all means then, dovie,â he smiles.
She launches into that old routine, clearing her throat, furrowing her brow, straightening her spine. He chuckles, clicks his tongue. Voice low, she cranes her head up to his ear.
âDa dio mandata, angelica mia scorta [âŚ] sicchâalle nozze eterne non sia morta ogni mia luce; con lampa ardente chiamata dal Signor saggia, prudente. Aperta al giunger mio trovi la porta. E perchĂŠ âl cor lâaspetti a ciascunâora per gli incontro lietamente armato di puro santo amor, di viva fede; poichâhai di me la cura, châei ti crede, mostrami i segni; quasi interna aurora, del venir del mio Sol chiaro e beato.â**
Y/N leans back and savours the look of confusion on his face.
âOld Italian,â he manages, after a long moment. âSâfitting, I sâpose, given where we are nâall.â
âOh, just admit it!â She points a finger at him, grinning. âYouâve got no idea.â
âMâsure itâll come to me,â he mumbles.
âNo it wonât!â
âNo,â he laughs, âit wonât.â
She presses a kiss to his cheek, thanking him for his concession. The thing between them, she knows, is still precarious, as if the seeds of what they once shared are struggling to take root anew. But with every step, every gentle touch, every tender glance, the world is righting itself.
The flower blooms.
They continue swaying. When the song picks up, he twirls and dips her, draws her back into him. It must be be a fever dream for the soldiers, seeing their old warlord of a captain softly cradling and slow-dancing with their former field surgeon.
âI feel I must apologize, mo chroĂ.â Paddyâs voice drops, low and cracked.
âI told you- you were asleep, I donât blame you.â
âSânot what I meant,â he protests, shaking his head. Pauses a beat. âThough, well. Sâpose I should say it again. Mâsorry for that, too.â
She nods, pressing her cheek into his chest.
âI should have listened, sâall.â
His words are simple. Too simple?
For a moment, he wonders if sheâll catch the depth and breadth of them, of just how much he has to be sorry for. But he realizes, with a sudden, familiar fondness, that he need not worry: she is a poet, like him, and the job of the poet is to know when to elaborate and when to let the small words breathe.
âYeah. You probably shouldâve.â
Paddy nods, letting his head fall forward against her own. He rests his arm on the small of her back, softly digging into the dimples there. Feeling the heat and substance of her in his hands. Luxuriating in the proximity he never imagined heâd enjoy again. The music shows no signs of winding down. The wine is still flowing. The air is suffocated with love.
âBut,â she mumbles, âthereâs still time.â
*my solitude I know it ah I know it poorly I have the time that's what I say to myself I have the time but what time famished bone the time of the dog of the sky ceaselessly paling my grain of sky (bon bon il est un pays, trans. by me, just now)
** Beside me is an angelic presence sent by God [âŚ] from our eternal bond this light may not die, that when when my Lord comes He may find me waiting at the door, a knowing wary woman, with my lamp steadily burning. I await him, tense, breathless, expectant. I arm myself joyfully with sacred love, absolute faith to meet this encounter, I feel you care for me and my soul trusts to you. So give me a sign, let dawn begin in me, and herald the coming of my bright glad Sun. (Da Dio mandata, angelica mia scorta, trans. by Ellen Moody, 2003)
















