which of the three faces in this weird witch painting I saw in an Austin bed and breakfast is each member of your ot3
occasionally subtle
RMH
TMBGareOK. The Official They Might Be Giants tumblr
Cosmic Funnies
let's talk about Bridgerton tea, my ask is open
$LAYYYTER
almost home
Noah Kahan

tannertan36

Product Placement
Doug Jones
Interview Vampire Daily
Today's Document

PR's Tumblrdome
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pixel skylines
ojovivo
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❣ Chile in a Photography ❣
Sade Olutola
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@myladymother
which of the three faces in this weird witch painting I saw in an Austin bed and breakfast is each member of your ot3
She smiles quite a lot.
did you know that birds could smile?
MY HEART
Oh what a day, what a lovely day!
Harry, you wonderful boy, you brave, brave man.
cambridge, may 26th, 2015
what fresh hell
actually unfollow me if you don’t talk like this tbh
my personal favorite: y’all’d’ve
English is my first language and this is making my head spin, I congratulate anybody who has successfully learned this language from hell as a secondary language.
*Banksy’s wife returns home with the groceries*
Banksy: There she is! Miss capitalism with her bags full of products. What, did the media tell you buy those?
Chloe McCollum
mediocreativity.tumblr.com
Spice Girls
Birgitte Hjort Sørensen in Game of Thrones 5x08 “Hardhome”
Les Cités Obscures by François Schuiten
One note I tend to give almost universally when looking at portfolios (which I try to avoid doing up but sometimes people don’t take no thanks for an answer) is that figure work is good, and environmental work is good, and life drawing is good, but drawing figures that look like they belong in space, that have weight and density, that have mass that interacts with an environment that exists with its own weight, mass, and density, is really fucking hard. I can count on one hand with fingers to spare the work I’ve seen in a portfolio that had solid spatial work. Look at your work: is that space real? Is that guy really standing on a floor? That woman, does the mass of her coat have results on her posture? Is that room a space we enter or merely an array of visual codes that tell our brains “room” without actually earning it?
It’s the work of François Schuiten I’ll point to time and time again.
In art school we were made to draw a white bag of sand with its neck pinched tight by white tape, sitting on a sculpture pedestal, about 480,000,000 times. Aside from my own face it was the most educational thing I ever had to draw.
alt+j will never be able to make another song
i’m the guy eating crackers
being homophobic is queer because it subverts the societal expectation of politeness, thus ‘queering’ social interaction
do you ever kinda wonder how music is gonna evolve further? like where could music possibly go from here???? what new genres are gonna spring up that we’ve never imagined before???? do u think beethoven ever thought of trap music in his musty lifetime or