WAS THERE EVER ROOM FOR ME IN YOU? (PART 1)
-Spider & Recombinant Miles Quaritch fic. Significant angst + my take on Spider as a character.
Spider is tall for his age, lean and weathered by sun and jungle, a body shaped by scaling mountains and running and surviving without permission. He carries himself with a feral confidence that makes it convenient to mistake him for something older. Something sturdier. Something that won't crack.
Strapped into the chair, that illusion collapses.
The restraints bite into his wrists and ankles, cold metal against overheated skin. Wires arc overhead, fastening to his temples, to his spine, the machine looming like a patient predator. The hum beneath him grows louder. Invasive, vibrating through bone. Spider's breathing turns sharp and uneven, chest hitching as panic outpaces control.
A female voice cuts through the room.
Spider swallows hard. His eyes flicker. Defiant, frightened, furious all at once.
Pain detonates through him. White. Consuming.
His back arches violently against the restraints as a scream tears free, raw and unfiltered. His body convulses, muscles locking, breath shattering into ragged gasps that refuse to steady. The sound of it fills the room. Too loud, too human.
Blood spills from his nose, dark against his upper lip. He doesn't register it. His vision blurs, the world narrowing to sensation and noise and the unbearable pressure inside his skull. He thrashes, teeth bared, breath slipping into a panicked stutter.
"Just form a picture in your mind. Is it one of the floating mountains?"
The room watches. Readouts flicker. Someone adjusts a dial.
"Let me out of here—I don't know!"
She doesn't stop. Persistent.
"Just form a thought, and we will see it."
It's beyond terrifying. The way her cold eyes bore into him. Ruthless. The eyes of someone who has done this many times. He keeps pleading.
"Look, I don't like this any more than you do. Which clans would be harboring him?"
It's unbearable. He cannot breathe.
"You're gonna have to kill me!"
The silhouette of her before him blurs.
"It's not going to stop until you give us something. Where is he?"
The current spikes again, and Spider's control finally snaps.
"I—I don't know, you buttholes, okay? I don't know!"
The words burst out hoarse and furious, juvenile in their simplicity, and that is what makes them devastating. For a fraction of a second, the room falters.
Not because of the insult. Because of what it reveals.
A kid. A terrified, hurting kid, lashing out with the sharpest thing he has left.
Quaritch feels it land like a blow. This time, it stops with a harsh press of a button.
The hum dies abruptly, leaving a hollow silence behind. Spider slumps forward, chest heaving, breath still skidding wildly as his body struggles to come back from the edge. Blood drips from his nose onto his chin. His hands tremble against the restraints, fingers curling as if bracing for pain that doesn't come.
Quaritch steps closer. He looks at the boy. Really looks at the too-small frame strapped into a chair built for adults. At the way Spider's shoulders shake, fury and fear tangled together. At how easily they all forgot what he was.
Just a kid who refuses to break quietly. And that refusal, loud, ugly, human, lingers in the room long after the machine falls silent.
The room doesn't empty so much as it abandons him.
The door seals with a hydraulic sigh, and Spider is left strapped in the chair, the air still humming faintly, like the machine hasn't quite accepted that it's done with him. His ears ring. Not loudly, just enough to blur the edges of thought, like the world has been wrapped in cotton.
He tests his hands. They shake. Not violently. Worse than that. Small, traitorous tremors he can't bully into stopping.
Breathe, he tells himself.
Like the forest taught you.
His chest refuses to listen.
Every inhale stutters halfway in, sharp and shallow, as if his lungs are afraid they'll be punished again for taking up space. His nose aches. Something warm slides over his lip, drying tacky against his skin. He doesn't bother wiping it away. It feels earned.
He stares at the far wall. Doesn't really see it.
The face comes back to him in fragments, because his mind can't hold it all at once without cracking. The stripes, the sharp yellow eyes, a mouth shaped the same way, even when it snarls. Even when it smiles wrong.
That word hits like a misstep on loose rock.
His father is dead. He knows that. He's known it his whole life. Known it the way you know gravity. Unchanging, brutal, absolute. Miles Quaritch died before Spider ever had the chance to hate him properly, before he could be anything more than a ghost and a warning and a name spoken with distaste.
So what does that make the thing wearing his face?
A copy, they said. A memory. Data poured into flesh that wasn't born, only built. A soldier grown like a weapon, fed with instincts and orders and rage. Just a lab monster cultivated from his Father's DNA.
Spider presses his tongue to the roof of his mouth, grounding himself in the dull copper taste there. The machine didn't just hurt him, it reached. It pried. It treated his thoughts like open terrain, like something that could be marched through and claimed.
And that thing, him, stood there and watched.
Not detached. Not clinical. Watching.
The worst part isn't the pain. Pain is loud; it burns and then it passes. The worst part is the knowing. The sudden, irreversible understanding that the man who shares his blood now exists again. And that he is looking at Spider not as a son, not even as a person, but as something useful.
A loose thread that could unravel Jake Sully.
His throat tightens, sharp and hot, and this time the tears do come. Silent, furious, humiliating. He turns his head as far as the restraints allow, as if there's anyone left to see. There isn't.
He hates that some part of him had hoped, stupidly, traitorously, that it might be different. That the resemblance might mean something. That the eyes might soften. That blood might count for more than orders.
Instead, he got a machine and a monster wearing a familiar face.
Instead, he got confirmation.
He thinks of the forest. Of roots and leaves and the way the ground never shocks you for standing on it. He thinks of warmth that doesn't hurt. Of hands that don't restrain. The companionship he had with Kiri.
And somewhere beneath the fear, beneath the anger, beneath the grief he never asked for, there is something smaller and meaner and harder to admit:
Just the terrible, human instinct to look at the thing that made you and wonder,
Was there ever room for me in you?
The device creaks softly as he slumps forward, exhausted past defiance now. His breathing finally begins to slow, though it never fully steadies.
Whatever that thing is out there—
alien, resurrected, weaponized.
Getting away from the scientists should have felt like freedom. Instead, it only traded one kind of suffocation for another.
The recoms moved around him like living walls. Too tall, too heavy, too quiet in the way soldiers get when they're relaxed but never truly at ease. Their presence pressed in on him, constant and inescapable. Spider hated the new helplessness that coiled in his gut, hated how easily his body had begun to adapt to it. Like an animal learning the limits of its cage.
The oxygen mask was the worst of it.
The thing that kept him alive was also the thing that made escape impossible. A leash disguised as mercy. The tracker embedded inside it might as well have been a brand. Wherever he went, they would know. Wherever he ran, they would follow.
He lived because they allowed it. That knowledge gnawed at him.
Spider had grown up Omatikaya-adjacent. Raised on their stories, their reverence, their understanding that life was not something to be taken lightly. Violence, when it came, was purposeful. Defensive. Necessary. Never indulgent.
He had never thought of himself as violent.
But the RDA had a way of carving new rooms into a person's mind.
Months of captivity, of restraints and machines and voices that spoke about him as if he were an object, had pushed his thoughts into darker territory. Places he'd never needed to visit before. Places a kid shouldn't have to know exist.
He thought about hurting them.
More than he wanted to admit.
It wasn't strategy. It wasn't planning. It came in flashes. Sudden, vivid, and horrifyingly specific. Hands at a throat. The sick give of flesh beneath his fingers. Teeth sinking in, desperate and animal, until breath cut off and resistance faded.
He imagined their eyes when they finally understood fear.
The ones who watched and did nothing.
The ones who hurt people and called it procedure.
He wondered, quietly, shamefully, if it would feel good. If the rage building in his chest would finally have somewhere to go. If killing them would make the screaming stop.
The thought made his stomach twist. Because part of him knew the truth.
It would just be damage, passed along.
And he hated himself a little for even wondering.
That was what scared him most. Not the anger itself, but how easy it had become to imagine it. How natural it felt to picture violence as release. As relief. The monster wasn't something the RDA had implanted in him. They had just taught him where to find it.
Spider kept his mouth shut around the recoms. Kept his hands busy. Stayed useful. Survival had always been about adaptation, and he was good at adapting, too good. Every day he lasted felt like both a victory and a betrayal.
He told himself this wasn't who he was.
That the jungle had raised him better than this. That the Omatikaya values still lived in his bones. But at night, when sleep came in shallow, fractured pieces, the thoughts waited for him in the dark—patient, feral, and sharp.
And he was terrified of how much they sounded like they belonged to him.
Despite all, there is something about Spider. Unintentional, almost treacherous, that makes him endearing. A quiet charm, the kind that slips past defenses before one realizes it has taken root. Cute, even, though the word feels insufficient. It is in his doe-brown eyes, the way they lift to meet another's gaze with a depth of perception that far exceeds his years.
Those eyes are not fragile, nor are they innocent. They are watchful. Calibrated. They read a room the way prey reads wind, always anticipating the strike, always guarding a fragile ember of hope without ever letting it show. They belong to a boy who lost his mother before memory could anchor her face, who carries her not in recollection but in bone and blood, in the warm hue of his skin and the quiet set of his mouth.
Spider is light. Built of sinew and tendon, engineered by circumstance rather than design. His body is made for climbing sheer faces, for running barefoot over stone, for vanishing into green shadow. He weighs little compared to a Na'vi, less still beside an RDA soldier, yet he occupies space with a gravity that defies physics: a small, breathing presence that insists upon being noticed simply by enduring.
Quaritch, by contrast, is mass incarnate. Engineered bulk and military intent. Shoulders like plated armor, a chest built to absorb recoil, hands that look capable of crushing stone without effort. When they stand together, the disparity borders on absurd. Like a housecat pressing itself against a panther, refusing to recognize the imbalance of power.
What makes it linger, what makes it unsettling, is that Spider is blind to his own softness. He does not recognize it, because he believes it burned away long ago. He assumes whatever gentleness once existed in him was stripped out by survival, leaving only sharp edges and instinct.
It shows itself when exhaustion steals his vigilance and his features loosen. In the way his lashes spill shadow across his cheeks when sleep finally claims him. In how his eyes, so like his mother's must have been—still seek an anchor when the world tilts and threatens to throw him loose.
Quaritch notices these things, much to his own irritation. The boy is a contradiction made flesh: resilient, adaptive, infuriatingly hard to break. Those qualities earn a soldier's respect almost by reflex. But it is Spider's quieter vulnerabilities that unsettle him. The hitch in his breathing when he thinks he's alone, the way his fingers curl tight when his thoughts turn inward, as if bracing against something unseen.
Colonel Miles Quaritch is never quite certain what he despises more: how much of the boy carries the echo of Paz, or how much of himself he sees reflected there. A child left behind. An outcast shaped by neglect and necessity. Forced to adapt to a hostile, impossibly green hell.
Not Na'vi enough to belong. Not human enough to return. Something in between. Something that survived.
It happens slowly enough that Spider doesn't notice at first.
At the beginning, Quaritch is just another threat. Bigger than the rest, louder when he chooses to be, quieter when he doesn't. A constant presence. A shadow that follows him through corridors and decks and briefing rooms, impossible to shake. Spider keeps his distance where he can, keeps his spine stiff, his mouth sharp. He tells himself that anything else would be weakness.
But weeks stretch. Days blur. And the human mind, starved long enough, begins to cling. Quaritch is predictable.
He doesn't flinch when Spider snaps. Doesn't rise to the bait when he mouths off. He corrects him when he's wrong, ignores him when he's being stupid, intervenes when things cross a line he's decided belongs to him. The rules are brutal, but they are consistent, and consistency feels dangerously like safety.
Spider hates that his body notices.
That it relaxes a fraction when Quaritch enters the room. That his breathing steadies when the colonel's voice cuts through the noise. That the fear he feels around him is no longer wild and formless, but contained. Manageable.
He tells himself it's survival instinct. And maybe it is. But it doesn't explain the ache.
The ache is new. Low and constant, settling somewhere beneath his ribs. It surfaces in quiet moments. In the long stretches between missions, in the hum of engines, in the weight of exhaustion that makes his thoughts go soft around the edges.
That's when the questions creep in.
Did you ever think about me at all?
Spider never asks them. He wouldn't survive the answers.
But Quaritch's presence pulls them closer to the surface anyway. Every time he gives an order that keeps Spider alive. Every time he looks at him like he's assessing a weapon and finding something else entirely. Every time he steps in front of the scientists, even briefly, even without kindness.
Especially then. Because Quaritch doesn't pretend to be gentle.
There's no softness in the way he talks to Spider. No false reassurance. He doesn't lie and say it'll be okay. He doesn't promise rescue or absolution or belonging.
And that does something to Spider's brain that he doesn't have the language for.
He grew up surrounded by Na'vi, by closeness, touch, shared breath and shared grief. Family was not a concept to them. It was an action. Something you did, over and over again, until it rooted itself into your bones. Being taken from that, cut off so completely, leaves a hollow that screams to be filled.
Quaritch doesn't fill it. He occupies it.
Spider catches himself watching him sometimes. The way he moves through space like it's already been cleared for him. The way the recoms orient instinctively toward him. The way his attention, when it lands on Spider, feels heavy, unavoidable.
There is something terrifying about realizing the man who should mean nothing to him... does.
Not because Spider admires him. Not because he trusts him.
But because the part of Spider that learned to survive by attaching, by latching on to whatever stayed has quietly chosen him anyway.
And Spider hates himself for it.
He hates the relief he feels when Quaritch returns from a mission uninjured. Hates the way his anger cools faster when Quaritch is the one delivering orders. Hates that, on the worst nights, when sleep refuses to come and the ship feels too cold, too loud, too empty, It's Quaritch's presence his mind reaches for.
Not Jake. Not the forest. Not the life he lost.
That's when the shame sets in.
Because Spider knows exactly what Quaritch is. Knows what he's done. Knows that this closeness isn't love and never will be. Knows that if the roles were reversed, the colonel wouldn't hesitate.
There are moments. Quiet, unguarded ones. A hand briefly steadying his shoulder. A wordless correction that keeps him from getting hurt. A look that says pay attention instead of shut up. Moments that feel dangerously like being seen.
Spider doesn't tell himself Quaritch is his father.
That would be a lie too big to survive.
But sometimes, when he's exhausted, when the ache in his chest is loud enough to drown out reason, he lets himself imagine what it would have been like if his father had stayed. If he'd been something solid. Something unyielding. Something that didn't leave. The human one.
The thought terrifies him.
Because wanting doesn't make it real. And wanting Quaritch, of all people, feels like the final proof that captivity has gotten inside him, rearranged him, taught his heart to settle for whatever heat it can find.
Spider tells himself this attachment is temporary. That once he's free, it'll fade. But deep down, where the truth lives, he knows better. Some bonds aren't chosen. They're forged under pressure. And they leave marks you carry long after the cage is gone.
The fires change something in him.
Spider smells it first. Salt and smoke, burning resin carried across the water. It crawls into his lungs and stays there, sticky and choking. The Metkayina villages glow on the horizon like dying stars, and every instinct in him screams the same truth it always has:
He doesn't argue. He doesn't plead this time. He goes quiet in that way Quaritch has learned to recognize as dangerous. Not for them, but for Spider himself. His shoulders hunch. His jaw locks. His eyes sharpen into something feral and familiar.
Regression isn't weakness. It's retreat. A mind crawling backward to someplace smaller because the present is unbearable.
Spider feels twelve again. Or younger. All raw nerve and loyalty and fury with nowhere safe to put it.
Quaritch gives the order to move. That's when Spider snaps.
It isn't calculated. It isn't brave. It's not even particularly effective. He lunges at Quaritch like a cornered animal, fists slamming uselessly against armored muscle, nails scraping blue skin, breath ripping out of him in a sound that's half-snarl, half-sob.
"Stop it!" he yells, hoarse and wild. "You said—you said you'd stop!"
He's not trying to kill him. Not really. He's trying to make it hurt. Trying to shove the fire back where it came from.
Quaritch stumbles a step. Not because Spider is strong enough to move him, but because he isn't expecting it. No one else touches him like this. No one dares.
Spider keeps swinging until his arms shake and his vision blurs, until all that rage finally burns through what little strength he has left. His fists thud uselessly against Quaritch's chest, his forehead knocking once, clumsily, into hard muscle.
He hates that it hurts him more than it hurts Quaritch. Hands close around his wrists. Not rough. Not gentle either. Just enough to stop him from tearing himself apart.
"Enough," Quaritch growls.
Spider thrashes once more, breath hitching violently, then stills. His chest heaves. His face twists. Nnot with fear, but with something uglier.
Because some small, traitorous part of him remembers. Remembers Quaritch turning away from the villagers. Remembers the order that wasn't given. Remembers the pause.
Spider refuses to sit with that thought.
Because if he acknowledges that, acknowledges that his voice mattered, that he had influence, that he changed something, then the rage loses its shape. Then the world becomes complicated in a way he can't survive tonight.
Spits venom with his eyes.
"I hate you," he snaps, voice breaking around the edges.
It's not true. Which is worse.
Quaritch studies him for a long moment, hands still locked around Spider's wrists, eyes narrowed. Not angry. Assessing something dark and conflicted stirring behind them.
"You're angry," he says flatly.
No comfort. No apology. Just a statement.
Spider jerks his hands free and steps back, chest still shaking. He doesn't look at the fires again. He doesn't look at Quaritch.
He curls inward, arms wrapping around himself like he can hold the pieces together by force. Later, much later, he'll remember this moment and realize something that terrifies him.
Quaritch let him attack him. Let him get it out. Didn't retaliate.
But right now, Spider is too young in his bones to handle that truth.
Right now, all he knows is that the world is burning again, and somehow, impossibly, the man standing in front of him is both the cause and the only thing keeping him from falling completely apart.
And he hates that more than anything.