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Fai_Ryy
"I'm Dorothy Gale from Kansas"
Lint Roller? I Barely Know Her

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The Bright Sessions
The Bowery Presents
Game of Thrones Daily
taylor price

ellievsbear
occasionally subtle

roma★
Cosimo Galluzzi

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bliss lane
Phantogram Three
Claire Keane
I'd rather be in outer space 🛸
The Stonewall Inn
PUT YOUR BEARD IN MY MOUTH
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@mysummerofbruce
photo by Lynn Goldsmith
Review: Bruce Springsteen and the E Street Band, Madison Square Garden, March 28, 2016
Bruce was in an excellent, jovial mood. He played to the back often and even acknowledged the fans up on the Chase Bridge seats in the rafters. The crowd also was engaged and energetic and the overall crowd energy was a million times better than the first Garden gig. They were loud. They sang in all the right places. The joint bounced from “Meet Me In The City.” You remember why you love seeing Springsteen at the Garden on nights like this.
Review: Bruce Springsteen and the E Street Band, Madison Square Garden, March 28, 2016 was originally published on Caryn Rose’s jukeboxgraduate.com
Trouble In The Heartland
Trouble In The Heartland
“I don’t know what you guys think about what happened last night, but I think it´s pretty frightening…”
It’s 1980 and Ronald Reagan has just won his first presidency. Bruce Springsteen is playing a show in Tempe, AZ. He’s only just begun using his music to explore the political and cultural climate of his times; “The River,” the…
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A Last-Chance Power Drive
A Last-Chance Power Drive [Thoughts on "Born to Run" in Sydney]
They tear straight into it, “Born to Run,” coming out of a cover of INXS’ “Don’t Change” in front of an Australian audience that was not just delighted to hear a local band recognized, but amazed at how well the cover came off.
Max is throwing in an extra back beat, or at least it sounds like he is, and maybe that’s what throws the enterprise off. After a first run-through of the riff, the…
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Ad for John & Yoko’s Some Time in New York City album, 1972.
Spins.
The Girls In Their Summer Clothes Pass Me By [Blog]
Every Bosshead has their own private list of songs they love that never get the attention they deserve from the guy in charge when it comes down to setlist-makin' time. "Girls In Their Summer Clothes" is one of mine.
It was a nightly staple during the Magic tour, then poofski. The most important mobile telephone app in the history of all times, BRUCEfanatic, reports that it's made only two appearances on the Wrecking Ball tour, and those were in mid-2012. It is still sometimes summer, and girls still frequently wear clothes designated for that season or balmy temperatures thereof, so what gives?
I don't know what gives. It's mystifying. I bet you believe the same to be true of your own personal Springsteen peccadilloes--why won't he play this song more often, or that song less often, or just do all of the above wearing far less clothing, AMIRITE LADIES
For me, "Girls In Their Summer Clothes" has the same kind of universal appeal as a "No Surrender" or (dare I say) "Waiting On A Sunny Day." It's a mild statement of purpose at best, but it sure is a great party song, with a midtempo swoony romance that fits perfect with the right setlist moment--maybe coming out of a long run of "America sucks we hate each other what is our problem" tunes, or kicking off an encore. It actually could BE a new "Waiting" if Bruce would only see things exactly my way just one time. I keep sending him letters. What gives?
Magic is a dark record, and it's been a dark era for our nation, our culture, our humanity. "Girls" is a little pinprick of light from behind black clouds; those girls pass you by, but they're still out there walking around, waiting to save a life. "Things been a little tight/but I know they're gonna turn my way" is a line that has put an unwarranted smile on my own face more times than I can count.
On that particular album, "Girls" is the bright side of a duality that reveals itself on "Long Walk Home," near the record's end. Those same streets that welcome the narrator with a flourescent warmth are shuttered and boarded, with a sign that just says "Gone." The girls in their summer clothes are suddenly rank strangers. Hey, pretty darlin', don't wait up for me.
Life flips between both sides of that same coin, but on my best days, I prefer the light. There's endless potential in a pretty summer night, and "Girls In Their Summer Clothes" perfectly captures that feeling of mildly desperate hope. It deserves better than its brief moment in the setlist sun.
Still a badass at 64. Happy birthday, Boss.
This is actually THE CUTEST PICTURE EVER!!! Awww Bruce and Roy!!!
E street.
Elvis Costello and The Roots performed their new single, “Walk Us Uptown” last night! Watch the musical goodness, here!
BRUCE'LL MAKE YOU WANNA JUMP, JUMP
jujianne
My Boss
"Everytime is Boss time" fan art poster by Daniele Benedetti
This is filthy, brilliant roadhouse music from a shithole bar at the end of the known universe. You will like it.
This Is My Confession
Bruce Springsteen writes about proud, defiant people, and that pride is both a virtue and a downfall. On "This Depression," he sings as a man who is feeling incredibly defeated, but lacks the capacity to process it. He's experiencing devastation beyond anything he's felt before. He reaches out from an abyss to the one person who can help rescue him through simple understanding.
There's something more bleak and naked about "This Depression" than most of Springsteen's other songs. These are raw, unprocessed feelings, none of them hiding behind language or metaphor. The narrator is in a bleak place but there's only the briefest moment of redemption in the lyrics. Even that is just a few fingers clawing onto the edge of a black pit. He's not pushing 'till it's understood; he's ready to collapse.
These feelings aren't packaged within a narrative, either. Within the context of the Wrecking Ball album, it's easy to imagine this narrator as someone who has been driven to a dark place by the pressures of a crumbling American society--by poverty, joblessness, and abandonment. It's also hard not to hear the song as relating to the reaction of Springsteen and his friends to the loss of Clarence Clemons.
But maybe it's not the words of "This Depression" that make the real impact. Maybe it's that Tom Morello guitar solo, elegaic and beautiful, tracing a complete emotional arc within its soaring notes. When words fail, let the music speak.