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LUCIFER (2016-2021) - 3.24, 'A Devil of My Word'
When reading gets sexy - Tom Ellis edition
Stumbled upon (or should I say, fallen hard for?) the Lucifer TV series while idly exploring on Netflix, one rare quiet evening. The irony is Iâd always been aware about Lucifer from years back, but never checked it out as Iâd mistakenly thought it was a rather superficial occult show about the devil on earth, deviating too much from the version that Neil Gaiman conceived or the origin story from Genesis in the Bible. I know, I deserve to be punished for that đż
But ⊠after seeing the pilot and subsequently binge watching these past few weeks, how wrong I was! And I love that underneath all that surface irreverence is actually a thought provoking, gut wrenching and at times, humorous retelling of the worldâs oldest and most dysfunctional family đ with its share of supernatural liberties and LA jokes. Plus, the storyteller in me appreciates how each episode cleverly links the case Luciferâs own circumstances. And the music, oh! I could just watch Bloody Celestial Karoake Jam over and over again.
I am now crushed that it all ended after six seasons. So many untold stories! What led to Lucifer/Samaelâs rebellion in the first place? What were his first few moments / years in hell like? How did his relationship with Mazikeen evolve? Did Michael ever find redemption there? Why did God banish his Goddess to hell, and what have they been up to in retirement in their new universe? How was Chloeâs life on earth with her daughters without Lucifer, and how is she taking to her new eternal partnership with him? âYoungerâ Lucifer, Michael, Lilith and Eve back in the garden? Do Charlie and Rory ever swap notes about their crazy celestial family and arch-angel-turned-ruler of Heaven and Hell-dads?
Also, fan fiction links below. A virtual Pentecostal coin for anyone who sends good recs over! đȘ
The other side of giving in by ViolettaMondarev
gravitational collapse by AlexiaBlackbriar13
Love, or the lack thereof by lucimoment
My word is my bond by PerpetuallyCold
To Hell and back by RadRanz. Alternate series ending.
Caging the Devil by Hircine_Taoist. AU after season 3. Warnings: hurt!Lucifer and really bad!Cain.
Bigger plans by Ermmm67
The Fallen Shall Rise by HarmonyWhitlock. Added bonus crossover with Rush!
Rushed Job by Kat_d86. Another Rush crossover alternate ending.
Ta Biblia by Allicat9 (so many great ones by this author, go check them all out!)
Rational Creatures by Allicat9. Bridgerton AU.
Theogony by Allicat9. AU after episode 324. Constantine crossover and significant OCs.
Detonation by MightBeAWriter. AU after episode 209. (Similarly, go read all of this authorâs works)
Rebehold the Stars by MightBeAWriter. Deckerstar season 3 AU. Conflicted!Dan and bad!Michael.
The Perils of Dealing by stickdonkeys. Warnings: Hurt!Lucifer with bad!God series.
Shifting Patterns by waiting_for_the_rain. AU after season 2. Warnings: hurt!Lucifer, good!Cain and bad!God.
Lucifer fanfic collection
A video about Luciferâs journey from darkness into light including powerful moments with those closest to him.
https://youtu.be/nuBtn5Ds8fs
Edited by Kristin Harris Music by Joel Robertson
After hearing so much about the Apple TV+ Original series Slow Horses, I finally had a chance to catch this while on a work trip. (Didnât help that in flight entertainment is so boring nowadays in our era of Video On Demand).
Anyways, I love this British spy thriller where the underdogs prove everyone wrong and save the day! Itâs also one of the few times where a great TV series adaptation actually led me to the discover the original books. And what a treasure trove it is! Apple has so far only released the first two seasons (creatively adapted from the first two books) and is in production with the next two seasons, while there are THIRTEEN stories (8 novels + 5 novellas) in Mike Herronâs âThe Slough Houseâ book series that you can already read so far.
Donât be fooled by the name, the pacing is hardly slow. The dialogue and action are witty, gritty, and some times, unexpected and wonderfully NOT PC, but never over the top and out of character. The books themselves have a lot more depth to the characters, world building and plot twists, but each format has its own appeal. What Iâve enjoyed most is that you have a spy thriller featuring everyday downtrodden joes; and not the best, brightest or strongest heroes.
STAR WARS + THE 7 LIGHTSABERS FORMS
THE LORD OF THE RINGS: The Fellowship of the Ring (2001) dir. Peter Jackson THE LORD OF THE RINGS: The Rings of Power, 1x08: Alloyed (2022 -) dir. Wayne Che Yip
âThe thing we were all hoping to happen has indeed happened!â When @neil-gaiman hinted at the âfamily mealâ ahead, I thought of this scene. Canât wait to see this dysfunctional get together next season đ
I read that the first season of LOTR: The Rings of Power cost Amazon $462M with a second season already committed, and potentially up to five in total. As a Tolkien fan, I found the world building breathtaking but the pacing was tedious. I hope it gets better over time as I even nodded off several times đ„± In contrast, estimates put the Netflix Sandman budget at $15M per episode (~$170M for season 1) which is expensive for sure, but a much better overall production with superb execution and storytelling, IMHO.
That said, kudos to Amazon for their commitment to bring the vision for the series to life, when the execs at Netflix canât see what a gem they have with The Sandman! No wonder Morpheus is so upset đ
Itâs a good time to be a sci fi and fantasy fan â with House of the Dragons (HBO Max), The Rings of Power (Amazon Prime), Star Wars: Andor (Disney+) airing this month. And Iâm STILL rewatching scenes from Sandman (Netflix) while rereading the corresponding comics issues because thereâs so much more to the story!
The TV show left out a major event between Morpheusâ encounter with the rogue Corinthian and his imprisonment by The Order of the Ancient Mysteries. Recently I read that Neil still kept this continuity from Overture for the TV adaptation even though it wasnât scripted and shot. So ⊠go read the comics to know:
- How one as powerful as Dream of the Endless, could end up so weak and naked, succumbing to a crude âhedge magicâ ritual
- Why âHopeâ has such a special meaning with Morpheus; adding to his later face off with Lucifer
- What he meant by telling Rose about his regret when âan entire universe was lostâ when he failed in his duty to kill the last dream vortex
Even if they couldnât include the entire backstory from Overture here, these missing scenes are just so beautifully illustrated to bridge that moment:
If a âbare thousand of usâ dreamed about Season 2, we can make it happen! Come on fellow dreamers, keep watching (and get others to watch) it all on Netflix. Weâre almost at the one month mark â time for renewal?đ€đââŹđđœ
It's amusing that this dude seriously thought mOnEy would somehow placate this obviously otherworldly being who just said he's not calling any "human" agency.
I loved this too. And how the sound effects were perfectly timed with each withering takedown from Morpheus. Your heart literally stops.
I just re-read Dream Country to fill this Sandman-sized hole in my brain all week. And Netflix drops a bonus episode with not one but two stories from that third volume today? See, Desire and Dream can come true!
Anyways, first impressions after watching Episode 11. Spoilers ahead.
1) Oh, Calliope â youâre too good for all of them. Loved her dignity despite her circumstances, and how the TV adaptation empowered rather than victimised her. We didnât need to see the actual abuse as the implications were clear and impactful. Morpheus acknowledged this with âMy suffering was nothing compared to yours.â And respectfully fulfils all her wishes, even extending âmercyâ to Madoc who had âheld captive for more than 60 years. Demeaned, abused, defiled. And you will not set her free because you need ideas?!â
2) âYou have changed, Oneiros.â How many times does Morpheus need to hear this before he admits it to himself? Just like with Hob on their friendship, he didnât respond well in Episode 6 âPlaying Houseâ where Lucienne tells Morpheus: âWe all change, sir. Even you, perhaps. One day.â The same points are made later by Gault, and even Fiddlerâs Green â⊠his time there appears to have changed him as it has changed me.â
3) âWhen I heard you call me, even after all this timeâŠ. Let me help you. Please. I owe you that much.â âI have learnt much in recent times and ⊠no matter.â Aaaah, what a tease! So much backstory, unresolved conflict and words left unsaid. While I loved Morpheusâ righteous anger and protectiveness for her, I was so frustrated at his inability to truly change and love in return. What a stubborn, arrogant, romantic fool.
4) âWithout forgiveness, wounds will never healâ ⊠âI will not forgive him for what he has done, but I must forgive the man. Not for him, for me.â Sheâs talking to you, Morpheus. Go back to Hell to forgive Nada soon, ok?
5) âYou have met Morpheus, he was once my husband and the father of my son.â In this one episode, he is also called Oneiros, Morpheus, God of Dreams, The Dream King, The Shaper of Form, Dream, Endless. He collects names as often as he shuns ex-lovers.
6) âOne day, perhaps butâŠâ I had wanted them to reconcile in the original comics and finally in this TV series, Morpheus seems less cruel though still painfully aloof. Loving this creative choice because it opens up the door for richer storytelling and for this very strong, diverse cast to flex their characters even further. Maybe Calliope will finally have an adult conversation with Oneiros, mend old wounds and grieve their son together! (But then, that also means Death would be near âŠ. IYKYK)
A guide for reading The Sandman: Part 2
So⊠You have read the full Sandman series. You went from issue 1 to issue 75. From beginning to end. You had all the ten volumes. Congrats!
But I am sorry to tell you, you donât actually have the full Sandman story. You see, Neil Gaiman wrote and created much more than just the numbered issues. He created a lot of side-stories, side volumes and âspecialsâ whose presence are either exciting and thrilling additions to the Sandman mythos, or key elements needed to understand the plots and happenings of the main story. Donât get me wrong, if you just read the numbered issues youâll get the full story without problem. But youâll still be missing the second part of the full Sandman world. The âspecialsâ. In French we have a clever word for that: the âhors-sĂ©riesâ (literally meaning âoutside of the seriesâ, it is still part of the world but not inside the numbered series).
Given there is a lot of those specials, Iâll classify them by âpublishing orderâ. Youâll get what I mean.Â
I) The Sandman library
After being released as a series of numbered issues, The Sandman was collected in the ten volumes I described previously. Out of these volumes, one included actually more than just the numbered issues: volume 6, âFables and Reflectionsâ, added two Sandman specials.
# âFear of Fallingâ was originally a story published as its own for a one-shot issue called âVertigo Previewâ whose function, as the name indicates, was to serve as a big preview for most of the Vertigo titles. As a result the issue contains previews and half-stories for most of the Vertigo titles: Hellblazer, Doom Patrol, Swamp Thing, Shade the Changing Man⊠It also includes previews for two specials I will talk about later, Death: The High Cost of Living, and Sandman Mystery Theater. But these are all just previews. There is only one full, complete story, which is precisely âFear of Fallingâ, conceived originally as a way to give a taste of Sandman to newcomers.
# The Song of Orpheus. Originally it was published as its own as âThe Sandman Specialâ, but it was included into this first collection of Sandman issues due to how important the story is : for you see, it gives the complete backstory of Orpheus, who is an important character in The Sandman. And while just a retelling of the myth, it is still very precious to understand the full impact of the character.Â
II) The 30th anniversary edition
After publishing those ten volumes, DC celebrated the 30th birthday of The Sandman by reprinting them⊠WITH FOUR BONUS VOLUMES!!!
# The first added Volume, Volume 11, is called âEndless Nightsâ. This specific volume was originally published as its own under the name âThe Sandman: Endless Nightsâ. Published in 2003, so long after the end of The Sandman, it is a set of seven stories, each centered around a different Endless sibling, and their whole purpose is just to further expand the world of The Sandman, and flesh out more the other Endless by showing stories from THEIR perspectives. It is technically as a result an âanthology volume / expansion volumeâ that is not needed to understand the full story, but makes a nice addition to better understand the scope of the world and the working of the Endless. It does however contains spoilers for âBrief Livesâ and further, so⊠it is at its right place as âVolume 11âł.Â
# The second added Volume is NOT called Volume 12 as you would expect. It is rather called⊠Volume â. Of its full name: The Sandman: Overture. This volume was originally a six-part limited series created by Neil Gaiman in 2013 (so LONG after the end of The Sandman and well after Endless Nights). This is the latest and final work by Neil Gaiman in The Sandman world so far, and it was designed as a sort of âgrand finaleâ. Some people will tell you âIt is the first work in chronological order so you should begin hereâ. DO NOT DARE! THESE PEOPLE ARE LYING TO YOU! Beginning here is the WORST idea you can have. If you want to begin The Sandman, you begin at issue 1, like Neil Gaiman himself.Â
For you see, âOvertureâ is a dual story, two series of events tied together that happen, one after the end of The Sandman (so after issue 75) and the other before the beginning of the Sandman (so before issue 1). Overture is both the prologue to The Sandman AND its epilogue. Beginning and end, alpha and omega⊠Hence the â symbol. It is without a doubt the best way to end the series.
# The two other volumes are both unumbered and called âThe Sandman: The Dream Huntersâ. And they both tell the same story. So why are there two volumes? Because one is an illustrated novel, and the other is a full comic book issue.
Originally, Neil Gaiman published âThe Dream Huntersâ as a novel/novella in 1999 (so three years after the end of The Sandman, but before the publication of Endless Nights). It was a fictional story he invented based and inspired by Japanese folklore and Japanese fairytales. Illustrated by Yoshitaka Amano, it takes place in The Sandman world, though it is not part of the main plot and you can actually read the story with no prior knowledge of The Sandman. It became so popular that for the 20th anniversary of The Sandman, in 2008-2009, the novel was adapted into a comic book, a four part mini-series that became its own Sandman volume.Â
Fun fact: when Neil Gaiman published the story, he wrote in it a fake âoriginâ claiming he was just adaptating a part of Ozakiâs famous âOld Japanese Fairy Talesâ. It was a lie as Neil Gaiman had entirely invented the story, but it fooled a lot of people who sincerely believed it was some sort of secret or missing story from Ozakiâs book. (He notably had to clear up the matter in âEndless Nightsâ).Â
III) The Absolute Sandman
Now you probably think: wow⊠this is a lot. But I got everything, right? NO YOU FOOL! DC, seeing the enormous success of The Sandman, decided to reprint a new edition of the compilation: The Absolute Sandman, even bigger than the 30th Anniversary edition. Not ten or twelve volumes, but rather six (five numbered volumes plus Overture), containing everything I talked about above (The Sandman Special, Endless Nights, Overture, The Dream HuntersâŠ). Plus more specials not yet included in compilations! Resulting in five volumes + The Absolute Sandman: Overture + one special volume called âThe Absolute Deathâ.Â
# The Vertigo: Winterâs Edge comics. Vertigoâs Winter Edge was a limited series published from 1998 to 2000 celebrating, every winter, the different lines and series of the Vertigo imprint with special stories. It ran for three issues, and each of them has one story created by Neil Gaiman tied with or part of The Sandman universe. One will maybe ring familiar to the viewers of the show: âA Winterâs Taleâ, published in the second issue (1999). This story is actually a description of Deathâs backstory, answering many questions about her âlifeâ before the events of The Sandman (and also revealing answers to some questions raised in âEndless Nightsâ, even though it was published AFTER this story). Parts of it were adapted in the first season of The Sandman tv show.Â
The other two stories of Winterâs Edge are âThe Flowers of Romanceâ, from Winter Edge 1998 and âHow They Met Themselvesâ from Winter Edge 2000. These stories are fascinating because they actually depict Desire as the protagonist and âheroâ. You see, as Gaiman points out, Desire plays an antagonistic role in The Sandman merely because Dream is the protagonist. But here he decided, why not show the reverse, the world where Desire is the protagonist, the âniceâ side of Desire: the result are those two stories.Â
[ The Vertigo: Winterâs Edge issues also contain stories belonging to âThe Dreamingâ, a spin-off of The Sandman, but given Neil Gaiman was not involved in those Iâll keep it for a later post]
# âThe Castleâ. This story was originally published in âVertigo Jamâ, which is basically quite similar to âVertigo Previewâ and âVertigo: Winter Edgeâ, just a one-shot issue that was an anthology of various stories, each taking place in a different series of the Vertigo imprint.Â
# The Death mini-series. In 1993, the same year as The Dream Hunters, Neil Gaiman wrote a mini-series with Death as the main protagonist. It was called âDeath: The High Cost of Livingâ. This Death-centered story had three years later a âtwin mini-seriesâ: âDeath: The Time of Your Lifeâ in 1996 (coupled with the return of Hazel and Foxglove from âA Game of Youâ). These two were then gathered here as a duo in a special volume of The Absolute Sandman called âThe Absolute Deathâ and centered around, you guessed it, lot of Death material.Â
# The âeducationalâ Sandman. This âAbsolute Deathâ volume also contains two âPSA materialâ or âVery Special Episodeâ issues. One is a story centered around Destruction and called âThe Wheelâ, which was originally part of a very special DC volume: 9-11: The worldâs finest comic book writers and artists tell stories to remember. You can safely guess what the story is about. The second story is not actually a story, but a Death-centered AIDs pamphlet called âDeath Talks About Lifeâ. It had been originally coupled with several other issues of DC comics: it was found in the issue 32 of âShade the Changing Manâ (the 1990 series) ; it was also found in the 62nd issue of Hellblazer, and finally in the 46th issue of The Sandman. But it also existed as its own, unique pamphlet distributed in schools to raise awareness of HIV and AIDS.Â
# Sandman Midnight Theater. The last of the specials created by Neil Gaiman, and one of the last pieces to The Sandman puzzle. Now long story short⊠There were several âSandmanâ super-heroes in the DC Universe. In fact, Neil Gaiman began âThe Sandmanâ as his own personal take on the several Sandmen super-heroes of the DC world. The very first of those Sandmen was Wesley Dodds, a Batman-like vigilante of the 30s that was part of the Golden Age of comics. In fact, Wesley Dodds himself appears in the first issue of Neil Gaimanâs The Sandman, and is part of The Sandman universe. After the end of Neil Gaimanâs series, the popularity of Wesley Dodds increased again and so in 1993 was launched a ârebootâ of the original adventures of the Sandman, a new series around Dodds called âSandman Mystery Theaterâ.Â
Sandman Midnight Theater is precisely a crossover issue between Sandman Mystery Theater and Neil Gaimanâs The Sandman.Â
# âThe Last Sandman Storyâ. This is actually not a comic book story. It was a prose story, semi-autobiographical, written by Neil Gaiman for âDustcovers: The Collected Sandman Coversâ, which as the name says compiled all of the covers of Dave McKean (plus I think he also illustrated this specific story?). It a sort of confession story, a text by Neil Gaiman about real-life and his relationship with The Sandman series and the character of Dream. And as the name says, it was written to be released at the conclusion of the main series, post-issue 75.Â
 And there you go! These are all the specials created by Neil Gaiman and that are part of the canon and official Sandman series. Of course there is more bonus to talk about: Neil Gaiman gave a lot of interviews about The Sandman in which he reveals all sorts of details and secrets, and they can be found across various books - the Sandman Companion, the Absolute Sandman editions, the Omnibus Sandman editions, thereâs plenty of places to look at.Â
So⊠is it done? Is it over?
Yes and no. With this, you have covered everything in The Sandman world made by Neil Gaiman. So this is basically all the âcanonâ.Â
But The Sandman created a lot of spin-offs and side-stories that were not created or that are not linked to Neil Gaiman⊠as with many comic book worlds, it expanded beyond its original creator. So maybe I will cover all the non-Neil Gaiman Sandman stories in a third part. Maybe. If I have time.
Thank you, Mr Gaiman đ đ đ
"There's lots of other books I've written," @neil-gaiman continues, "lots of awards, but Sandman totals 3,000 pages and pretty much each of those pages took four pages of writing to describe to an artist. So, you're talking 12,000 pages that I wrote over 33 years. I want this thing done right and beautiful and so far it is."
Just read this article on BBC on what a painfully hilarious journey of roads not taken, which thankfully DID NOT result in this:
âhuh? Puny mortals, as if your foolish weapons could harm me, the mighty Lord of Dreams, the Sandman'. đ€ź
But rather, culminated in a beautiful creative process which led to this faithful adaptation on Netflix:
The Sandman | 1x04Â