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Sylvia Plath, The Unabridged Journals of Sylvia Plath
Foxhole 2009 Hölzernes Bettende und Acryl 108 x 77,5 x 7,5 cm
white wedding
Chris Burden. “Prelude to 220, or 110”. Still from Performance. 1971.
— Burden lay bolted with copper bands to a concrete floor, near two buckets of water in which live 110-volt lines had been submerged. Had anyone visiting the gallery chosen to spill the water, Burden would have been electrocuted. Such performances created a context in which it was possible (though not probable) that the artist would die. Fear or pain, Burden said, “energize the situation,” and that energy was his subject. [ from C. Carr, «On Edge. Let’s Make an Ordeal - Young Artists Recover the Conceptual ‘70s in the Material ‘90s» ]
Christian Scharfetter, Ego‐fragmentation in Schizophrenia: A Severe Dissociation of Self‐experience