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A 1:100 model of the church was constructed, accompanied by a series of scaled granite panels with different thicknesses and shapes. The aim of the model was to deduce what the limitations (and opportunities) of using granite as a “window” in allowing light to pass through. By doing these controlled tests I was able to rationalize the correct distribution of granite in each panel to allow a suitable amount of light whilst maintaining structural stability. Consequently, I was able to incorporate the most appropriate panel in my design allowing my spaces to achieving the initial goal of creating a unique experience involving light. Here I could clearly see the positive impact prototyping had upon my architectural design.
Ground Floor Plan of the Terminal showing where granite is used differently as G1 and G2.
This building as a whole represents technical study 2 (Thermal Insulation).
1:1000 Site Masterplan
The two areas of technical focus are indicated on plan (1 as THE CHURCH and light transparency) and (2 as THE TERMINAL and thermal insulation). Also, the 3 areas of where granite is used differently in the design are shown as G1, G2, and G3.
Construction sequence on site illustrating the sequence of events on the site before and during construction. This includes the insitu and prefabricated materials used, as well as temporary storage and on-site material loading.
A lighting/perforation study was designed, where eight examples were chosen to be used within different parts of the scheme.
Physical testing is used to evaluate the LUX/transparency levels and light quality of each example, helping me decide on their location based on the requirements of each space.
Photographic analysis of a granite Quarry in Vermont (A) and the corporate high rises of Canary Wharf.
As the granite is recycled from the facades of the high rises, this imagery suggests that Canary Wharf can be seen as a new type of quarry - a modern day quarry of buildings with short life spans
The total external surface area of the facades of each building using granite in Canary Wharf was measured, to calculate an estimation of granite used. As a business district, Canary Wharf spends a great amount in importing expensive, exotic stone from all over the world.
I will be recycling granite from the facades of these particular buildings, and repurposing it within the construction of my new community center. Therefore, knowing the quantity and types of granite used will be beneficial for my design.
Folkwang Library by Mux Dudler uses digitally printed glass panels with images of quarries, in order to diffuse direct sunlight into the building, protect the interior spaces, and create a particular light quality within the library.
I will be using the principle of translucent granite in the design and construction of the church in a similar way to achieve particular lighting effects.
The Woo Building at the Royal College of Art was analyzed, in order to design a form to maximize the Northern light entering the ceramic studios.
The angles of the roof and building orientation were taken into account when designing the studios within the community center, as well as the use of the steel frame to hang internal furniture and light fixtures. Ventilation openings are also considered in the design of this particular roof.
Green-minded architect and designer William McDonough asks what our buildings and products would look like if designers took into account "all children, all species, for all time."
07.04.16 | Technology Intercrit Board
Built by Jensen & Skodvin Arkitektkontor in Oslo, Norway with date 2002. Images by Jan Olav Jensen. The church is situated on the top of a small crest with large pine trees and some exposed rock. Geometrically speaki...
30.03.16 | Tech Intercrit Layout [draft]
- Privileging the integrity of materiality through light transparency
29|02|16 - Design Intercrit
Site Overview [draft]