❝ I do not have friends. ❞
Ariel chooses to focus on his second statement, rather
than the first. There is no such thing as happiness for a
loveless mermaid. Every night, her tearless wails come
in the form of song, bruised throat pushing out the most
beautiful melodies heard to the ears of man. Oh, her
sorrow brings such sweetness, no one wishes her happy
again. She sits on the rocks, human feet still there even as
she dips her legs into the water, and sings her heartbreak.
At least when she was nothing but the foam on the sea,
S H E
H A D
H E R
H O M E .
However, she can respect his careful, quiet, avoidance of a
name. It only makes her all the more curious, but she stays
silent. He may call her whatever he chooses too, then. She
almost wants to elaborate, tell him that once upon a time, she
had a best friend in the form of a fish, one who lessened her
sorrow, shared her burden. She had sisters, she had happiness
in her smile, in her eyes. There were no scars. She was
beautifully unmarred, a porcelain figurine with strings of red for
hair, marbles of the sea for eyes. She was a sight, a doll turned
into a marionette by a witch, greedy and dead.
❝ I’m afraid to inform you that there
is nothing treasured about my smile.
You might be wasting your time. ❞
That is not his story, however—-he is not in her story. Ariel will
not add anymore people; her chapters are finished, lesson
learned, fable explained. He does not belong in her world of
bubbles and sad songs, even if he is the first to speak to her
as if she were a friend. She has not had one in so long.
Ariel does not take his hand. Aches to, perhaps; touch is exactly
how she remembered. Solid. Warm. She is not air, anymore.
But she does offer him another smile, kinder, even, in its nature.
Perhaps, with the way he offers touch, he is used to it, used to
skin on skin. Perhaps he enjoys it, indulges as much as he can.
Perhaps, even, her refusal will confuse him. The man before her
is attractive. Long ago, she believes Arista, had she come to the
surface as much as Ariel did, would have swooned.
Ariel does not. She has learned.
Follows after him with soft steps, though, pressed up onto toes
to get a better look at the children, at their apparent glee, but
the music is enough for her, still. Eyes slide closed, and without
thinking, a soft hum falls from her throat. Nothing lavish, nothing
like the songs she sobs during the night; this, perhaps, is more
sweet, less bitter. The little child does not deserve sadness.
❝ You have a good ear. For something
such as this, I would make time out of
my day to listen, as well. It’s both a
shame and a gift not many people
visit. Beauty, I’ve found, does not
want to be shared. ❞
He does not have friends, either. Not truly. He has men whom
he commands, and those he shares drink with but he has n-
ot known f r i e n d since the age of a little boy, and he cannot s-
ay this absence has left him crippled. The heart he bears is va-
st and wild. The pain which comes forth from a f f e c t i o n ca-
n be . . . devastating. He suffers interest for starlight in human
form, but his warmth is jaded at its core. Rotten, perhaps. It s-
mells like b l o o d , often enough.
With head still cocked, blue eyes wander o'er her face like ghos-
ting fingertips, warm light like sapphires, but cool on the surface.
His smiling lips twitch deepen at the well-wrought corners of
his mouth, and elegantly dent the skin of his cheeks. "Then I fe-
ar I must likewise inform you, you are wrong. I treasure all smil-
es." And so he does not begrudge her this ignorance of his han-
d, for it comes too with gentled smile. It seems a sweeter thing
offered than any hand clasped. He savours it like wine.
Pleasurable in its flavour also is her melody, more so th-
an the shell. The sellsword does not look to the children
anymore, for he finds her now the most interesting spec-
tacle by this riverside. If his ear be good, then it is bless-
ed again by her grace of s o n g , and he is happy to bas-
k in it for these few long instances. He is only average of
tone, and for that he mourns himself he would be prou-
d indeed to share in her t a l e n t .
"And yet you share beauty with me," he says, an-
d a smile creases his mouth once more. "You
speak of such sad things, but prove yourself wr-
ong in your a c t i o n s . That is a fair curse to
bear."
He listens placidly to this music surrounding him take-
s the red maid in through his blue, blue eyes and then
he states with great warmth, "Do you feel it? Beauty is all
around us. We need only l i s t e n , and it will guide us
to its h e a r t ."