Sweet Seals For You, Always
⁂
Misplaced Lens Cap
d e v o n
Jules of Nature
wallacepolsom
DEAR READER
occasionally subtle
hello vonnie
Game of Thrones Daily
Show & Tell
No title available
Origami Around
PUT YOUR BEARD IN MY MOUTH
2025 on Tumblr: Trends That Defined the Year
izzy's playlists!
Lint Roller? I Barely Know Her
Discoholic 🪩
will byers stan first human second
blake kathryn
seen from Egypt
seen from United Kingdom
seen from Türkiye
seen from Guernsey
seen from Canada
seen from United States
seen from Germany
seen from United States
seen from Türkiye
seen from Netherlands
seen from Nigeria
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
@nailsoeltjen
Here's a timelapse video of me installing my piece for Space Invaders at the National Gallery of Australia, Canberra. The whole process stretched over four days (note the costume changes). Thanks to John at the NGA for the photos, and Nick, Georgia, and Jaklyn. Also thanks to Elbone for the video.
Space Invaders Timelapse
# Obfus Pen and ink on paper.
# MMII Pen drawing on paper under perspex *** A piece referencing [nondualism](http://en.wikipedia.org/wiki/Nondualism). The glow is created using fluro perspex and frame.
# Untitled (SI) Spray paint on paper *** This piece was shown in the National Gallery of Australia's [Space Invaders](http://nga.gov.au/Exhibition/SPACEINVADERS/) exhibition. The works in the nationally touring show were primarily sourced from the NGA's archive of works on paper, and this piece was commissioned to bridge the gap between my archived work and contemporary practice. Photos generously provided by the NGA.
# Owatotl Various recycled materials *** Wooden Foundations is a collective made up of [Bonsai](http://www.akabonsai.com/), [Oh54!](http://www.flickr.com/photos/24127619@N06/), [Twoone](http://twooneelephant.com/), and myself. We created an installation that aimed to explore our artistic collaboration as an extension of our street-based collabs, and the convergence of personal mythology into the group scenario. As collectors of miscellany, and users of recycled material in our work, we committed to creating the installation almost entirely out of recycled, reclaimed, or re-used material. [Installation view](http://i.imgur.com/3Iop9.jpg)
# Subgaimus Various recycled materials *** Wooden Foundations is a collective made up of [Bonsai](http://www.akabonsai.com/), [Oh54!](http://www.flickr.com/photos/24127619@N06/), [Twoone](http://twooneelephant.com/), and myself. We created an installation that aimed to explore our artistic collaboration as an extension of our street-based collabs, and the convergence of personal mythology into the group scenario. As collectors of miscellany, and users of recycled material in our work, we committed to creating the installation almost entirely out of recycled, reclaimed, or re-used material. [Installation view](http://i.imgur.com/3Iop9.jpg)
# Uzdeinidum Various recycled materials *** Wooden Foundations is a collective made up of [Bonsai](http://www.akabonsai.com/), [Oh54!](http://www.flickr.com/photos/24127619@N06/), [Twoone](http://twooneelephant.com/), and myself. We created an installation that aimed to explore our artistic collaboration as an extension of our street-based collabs, and the convergence of personal mythology into the group scenario. As collectors of miscellany, and users of recycled material in our work, we committed to creating the installation almost entirely out of recycled, reclaimed, or re-used material. [Installation view](http://i.imgur.com/3Iop9.jpg)
# Vepronim, Echibozm, Omocursis, Ciprovivix Various recycled materials *** Wooden Foundations is a collective made up of [Bonsai](http://www.akabonsai.com/), [Oh54!](http://www.flickr.com/photos/24127619@N06/), [Twoone](http://twooneelephant.com/), and myself. We created an installation that aimed to explore our artistic collaboration as an extension of our street-based collabs, and the convergence of personal mythology into the group scenario. As collectors of miscellany, and users of recycled material in our work, we committed to creating the installation almost entirely out of recycled, reclaimed, or re-used material. [Installation view](http://i.imgur.com/3Iop9.jpg)
# Uzdeinidum Various recycled materials *** Wooden Foundations is a collective made up of [Bonsai](http://www.akabonsai.com/), [Oh54!](http://www.flickr.com/photos/24127619@N06/), [Twoone](http://twooneelephant.com/), and myself. We created an installation that aimed to explore our artistic collaboration as an extension of our street-based collabs, and the convergence of personal mythology into the group scenario. As collectors of miscellany, and users of recycled material in our work, we committed to creating the installation almost entirely out of recycled, reclaimed, or re-used material. [Installation view](http://i.imgur.com/3Iop9.jpg)
# Quameo Fisax Various recycled materials *** This piece is a further exploration of the visual possibilities I explored in *Biolume*. Again I wanted to explore natural form and glyphic imagery, in this case creating a dispersion of images reminiscent of diagrams of ecosystems.
# Vowinem A,B Digital prints on paper with laser cut edges *** For *Biolume* I devised a visual vocabulary based on diverse influences including graphic design, mechanical form, and deep-sea life. Conceptually this show explored visual language as sourced from the written form, modularity, and sympathy between the natural world and manufactured goods. The title is a reference to deep sea life, a subject that has intrigued me since childhood.
# Artozeph B Digital print with fluro tube and custom pins *** For *Biolume* I devised a visual vocabulary based on diverse influences including graphic design, mechanical form, and deep-sea life. Conceptually this show explored visual language as sourced from the written form, modularity, and sympathy between the natural world and manufactured goods. The title is a reference to deep sea life, a subject that has intrigued me since childhood.
# Artozeph A,B Digital print with fluro tube and custom pins *** For *Biolume* I devised a visual vocabulary based on diverse influences including graphic design, mechanical form, and deep-sea life. Conceptually this show explored visual language as sourced from the written form, modularity, and sympathy between the natural world and manufactured goods. The title is a reference to deep sea life, a subject that has intrigued me since childhood.
# Gemezis Wood pieces and disco ball motor *** For *Biolume* I devised a visual vocabulary based on diverse influences including graphic design, mechanical form, and deep-sea life. Conceptually this show explored visual language as sourced from the written form, modularity, and sympathy between the natural world and manufactured goods. The title is a reference to deep sea life, a subject that has intrigued me since childhood.
# Xetif Wood beads and wood pieces *** For *Biolume* I devised a visual vocabulary based on diverse influences including graphic design, mechanical form, and deep-sea life. Conceptually this show explored visual language as sourced from the written form, modularity, and sympathy between the natural world and manufactured goods. The title is a reference to deep sea life, a subject that has intrigued me since childhood.
# Velifero A,B,C,D Fluro light tubes and wood pieces *** For *Biolume* I devised a visual vocabulary based on diverse influences including graphic design, mechanical form, and deep-sea life. Conceptually this show explored visual language as sourced from the written form, modularity, and sympathy between the natural world and manufactured goods. The title is a reference to deep sea life, a subject that has intrigued me since childhood.