eva-nerd

eva-nerd

[sandflakedraws]

Reigen stared at him, his expression stern in the way Serizawa had learned it was when he didn’t have to keep up his customer service pleasantries. He stepped close to him and rested his forehead against his shoulder, hiding his expression. His quiet words, however, Serizawa could hear loud and clear.

read here 

[sandflakedraws]

@serireizine has been kickin it with all these great art pieces. hhhhhhere’s my bit : a small tag-on post chap 100

[c-shou]

i am LOSING it

[namorass1]

kaiba

[namorass1]

my work for an unofficial yugioh fan event in Korea

[namorass1]

[havocmachine-deactivated2015122]

I said i wanted to draw comics again and by golly i’m gonn a do it!!!

what r backgrounds

[paopufruit]

[paopufruit]

[visualpunker]

Visual Style 15: Machines and Mechanic Motion in Anime

[space-samurai]

[type2052]

[swaggneto]

eyes are the windows to the soul

[um-fanam-and-stuff]

Just when I thought this episode couldn’t get much better

[moistghoul]

Get in the fucking robot, Urawa-kun

[thekimonogallery]

Set A: Hana Moyō (Patterns for Flowers), by Kobayashi Kiyochika (1847-1915), is a series of triptychs published in 1896, each one of which features a beautiful woman from a specific historical era set against a distant background scene.  The Keichō Era (1596-1615). The print at the top design is often described as being a picture of a male actor; the subject is actually a woman. As we are so accustomed to the fact that men play both the male and female roles on the kabuki stage nowadays, and have done since 1629, it may surprise you to learn that kabuki’s creator was in fact a woman. Her name was Okuni and she is the woman depicted here. She is shown dressed as a man, taking part in a performance which took place on the third day of the sixth month of 1606.  Middle print: The Kan’ei (1624-1643) and Shōhō (1644-1648) Eras. A beauty reading a scroll, wearing her hair in the shimada style.  Bottom print: From the Jō-ō (1652-1655) to the Manji Era (1658-1661). A beauty wearing her hair in the karawa style, seated in a boat on the river, with another pleasure boat passing behind in the distance.  Text and image via Gina Collia-Suzuki. 

[zeitwanderer-deactivated2018011]

Uchouten Kazoku ED 「Qué Será, Será 」 by fhana

[don-treblog]