Mary Oliver, from "Starlings in Winter"
let's talk about Bridgerton tea, my ask is open
š
Sweet Seals For You, Always
Sade Olutola
ojovivo

No title available

titsay
occasionally subtle

No title available
Claire Keane

gracie abrams
"I'm Dorothy Gale from Kansas"

izzy's playlists!
tumblr dot com
Fai_Ryy

Origami Around
EXPECTATIONS

ellievsbear
YOU ARE THE REASON
cherry valley forever
seen from United States
seen from Venezuela

seen from Singapore
seen from Australia
seen from Germany
seen from United States

seen from Malaysia
seen from United Kingdom

seen from United States
seen from Malaysia

seen from Syria
seen from Malaysia
seen from United Kingdom
seen from Spain

seen from United States
seen from Denmark

seen from United States
seen from United States

seen from United States

seen from United States
@naturedust
Mary Oliver, from "Starlings in Winter"
William Morris, from a poem titled "September," featured in Poems by the Way, originally published in 1891
20 Compelling Positive-Negative Trait Pairs
Here are 20 positive and negative trait pairs that can create compelling character dynamics in storytelling:
1. Bravery - Recklessness: A character is courageous in the face of danger but often takes unnecessary risks.
2. Intelligence - Arrogance: A character is exceptionally smart but looks down on others.
3. Compassion - Naivety: A character is deeply caring but easily deceived due to their trusting nature.
4. Determination - Stubbornness: A character is persistent in their goals but unwilling to adapt or compromise.
5. Charisma - Manipulativeness: A character is charming and persuasive but often uses these traits to exploit others.
6. Resourcefulness - Opportunism: A character is adept at finding solutions but is also quick to exploit situations for personal gain.
7. Loyalty - Blind Obedience: A character is fiercely loyal but follows orders without question, even when they're wrong.
8. Optimism - Denial: A character remains hopeful in difficult times but often ignores harsh realities.
9. Humor - Inappropriateness: A character lightens the mood with jokes but often crosses the line with their humor.
10. Generosity - Lack of Boundaries: A character is giving and selfless but often neglects their own needs and well-being.
11. Patience - Passivity: A character is calm and tolerant but sometimes fails to take action when needed.
12. Wisdom - Cynicism: A character has deep understanding and insight but is often pessimistic about the world.
13. Confidence - Overconfidence: A character believes in their abilities but sometimes underestimates challenges.
14. Honesty - Bluntness: A character is truthful and straightforward but often insensitive in their delivery.
15. Self-discipline - Rigidity: A character maintains strong control over their actions but is inflexible and resistant to change.
16. Adventurousness - Impulsiveness: A character loves exploring and trying new things but often acts without thinking.
17. Empathy - Overwhelm: A character deeply understands and feels others' emotions but can become overwhelmed by them.
18. Ambition - Ruthlessness: A character is driven to achieve great things but willing to do anything, even unethical, to succeed.
19. Resilience - Emotional Detachment: A character can endure hardships without breaking but often seems emotionally distant.
20. Strategic - Calculative: A character excels at planning and foresight but can be cold and overly pragmatic in their decisions.
These pairs create complex, multi-dimensional characters that can drive rich, dynamic storytelling.
---
+ If you find my content valuable, consider Support This Blog on Patreon!
5 Tiny Writing Tips That Arenāt Talked About Enough (but work for me)
These are some lowkey underrated tips Iāve seen floating around writing communities ā the kind that donāt get flashy attention but seriously changed how I write.
1. Put āhe/she/theyā at the start of the sentence less often.
Try switching up your sentence rhythm. Instead of
āShe walked to the window,ā
try
āThe window creaked open under her touch.ā
Keeps it fresh and stops the paragraph from sounding like a checklist.
2. Donāt describe everything ā describe what matters.
Instead of listing every detail in a room, pick 2ā3 objects that say something.
āA half-drunk mug of tea and a knife on the tableā
sets a way stronger tone than
āThere was a wooden table, two chairs, and a shelf.ā
3. Use beats instead of dialogue tags sometimes.
Instead of:
"I'm fine," she said.
Try:
"I'm fine." She wiped her hands on her skirt.
It helps shows emotion, and movement.
4. Write your first draft like no one will ever read it.
No pressure. No perfection. Just vibes. The point of draft one is to exist. Let it be messy and weird ā future you will thank you for at least something to edit.
5. When stuck, ask: āWhatās the most fun thing that could happen next?ā
Not logical. Not realistic. FUN. It doesnāt have to stay ā but chasing excitement can blast through writerās block and give you ideas you actually want to write.
Whatās a tip that unexpectedly helped with your writing? Let me know!! š
Charles Wright, from "A Journal of the Year of the Ox", The World of Ten Thousand Things: Poems 1980-1990 [ID'd]
just learnt the word sobremesa ā the time after a meal when the plates are empty but the conversation is still spilling across the table. i think about how many of our lives are made of this: not the feast itself but the after, the lingering, the not-yet-leaving.
The older I get, the more I find that you can only live with beings who liberate you, who love you with an affection that is as light to bear as it is strong to feel. Life today is too hard, too bitter, too debilitating for us to suffer new bondages, new captivities from those whom we love. This is how I am your friend: I love your happiness, your freedom, your adventure, in a word - and I would like to be, for you, a companion you can be sure of, always.ā
ā Albert Camus, (to RenĆ© Char, 1957) in "Camus-Char: Correspondence 1946-1959) (Gallimard, 2007) (via Alive on All Channels)
āA poemā¦begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness.ā
ā Robert Frost - from a letter to Louis Untermeyer (1 January 1916)
Rainer Maria Rilke, from a diary entry featured in Diaries of a Young Poet
About the dark matter holding together the universe, poet and astrophysicist Rebecca Elson writes, āItās as if all there were, were fireflies / and from them you could infer the meadow.ā I saw so many fireflies today; I marched and chanted and wept with 150,000 of them. In my head: At least we are many, at least we are many, at least we are many. We are making a light that proves the existence of a meadow you canāt yet see. Itās a green bright place where children everywhere are allowed to grow old. You can join us there if you like.
ā Kaveh Akbar, At Least We Are Many: Resisting the Drums of War
Hereās a video so you can hear the water and the thrushes. I took it for you because you couldnāt be there. <3
richard siken new afterword to crush 20th anniversary edition. will text ID it later i just wanted to yoink this from twitter his formatting was ass
huge shout out to this little kid for writing my favorite poem
anis mojgani, for a girl who likes the word wow / ina colliander, little easter angel
The longer I live, the more deeply I learn that love ā whether we call it friendship or family or romance ā is the work of mirroring and magnifying each otherās light. Gentle work. Steadfast work. Life-saving work in those moments when life and shame and sorrow occlude our own light from our view, but there is still a clear-eyed loving person to beam it back. In our best moments, we are that person for another.
-James Baldwin