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INTERPOL The Rover
The Ghost Session – 16th November 2018 - ARTE Concert
Paul Banks, Interpol
The Ghost Session – 16th November 2018 - ARTE Concert
Interpol performing If You Really Love Nothing for Late Night With Seth Meyers, 9/25/18 (x)
I find that a really fascinating dynamic, the fact that there are people, one in a billion or whatever, that want to assume that role and then the fact that people can react to the cult of personality like that and sort of just follow someone who’s sort of unhinged. And I think especially that idea of the sort of the cult of personality and people buying a line of BS or get people rallied up - I guess that happens small scale in sort of cults and, maybe because it’s smaller scale, it can be even more idiosyncratic and strange but it also obviously happens, as history will show, with great numbers of people. (x)
Interpol: Turn on the Bright Lights XV (2017)
Paul Banks: Turn on the Bright Lights XV (2017)
interpol
09.22.17
new york, ny
Karen page and Frank castle in The punisher
Paul Banks of Interpol in the LiveOut music festival in Monterrey, Mexico.
Paul & Sam on September 11, 2001
Paul Banks: I was on Grand and Ludlow, where I lived.
Sam Fogarino: I was in Greenpoint, Brooklyn. I watched them fall from my roof.
Paul Banks: I had a job then - at that point I was doing data entry for Scholastic News. This is after I bailed on doing a real career. I was just doing shit work. I woke up to 1010 WINS every day, and some chick phoned in and said, "A plane crashed into the Twin Towers." I thought, "Ah, cool, I'll go see that." Because I'm thinking, "It has to be a Cessna, some moron in a Cessna just crashed into the Twin Towers." I walk down and see Armageddon happening.
You know how in movies like King Kong, women put their hands over their mouths and run the other way? I saw that for real. That's not just a film trope. That's an animal thing that humans do. A reflex.
I volunteered that whole day. My roommate Sebastian and I get on these MTA buses and we drive across the West Side Highway. We take off our T-shirts so they can be used as tourniquets for all these people we're going to rescue. They're teaching us CPR. You know, this was official. But we're just standing around. I wound up kind of saying to some fire marshal guy, I was like, "Are we gonna go in? Are we gonna do anything?" And he said, quote, "We're waiting for that building to come down." So I can vouch for the fact that they knew ahead of time that building seven was going to fall. Whether there was a conspiracy or not, I don't know. But I didn't do shit. I just stood around on the West Side Highway with my shirt off, with the volunteer group all fucking day, until sundown. But the one thing that I took away as being really, really memorable was seeing a bus full of firefighters going to the site. Fast-forward a couple of hours. It's dark, and the bus comes back with all the lights on inside, showing the firefighters completely covered in ash. I can see their faces and the look was deep dejection. That shit was heavy.
Sam Fogarino: For a couple months thereafter there was a great sense of paranoia and New York bonded together. It was like, "Oh, man. I'd rather be in shitty New York with people pissing on my leg."
I'd say for a minute we probably collectively thought that it was over, that we were not going to make a record. But then it became fuel for the fire. New York puffed up again and said, "You picked the wrong city. You picked the wrong one," and on a microscopic level this little band, Interpol, is going to put out a fucking record anyway.
- Meet Me In The Bathroom, Lizzy Goodman (2017)
Paul Banks by Felix Amsel