God, it’s been a lovely day. Everything’s been going my way. I took out the trash today, and I’m on fire.

@theartofmadeline
"I'm Dorothy Gale from Kansas"
★
almost home
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Product Placement
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d e v o n
The Bowery Presents
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Andulka
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Misplaced Lens Cap

❣ Chile in a Photography ❣

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NASA
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@nazsefik
God, it’s been a lovely day. Everything’s been going my way. I took out the trash today, and I’m on fire.
Sometimes we don't want to heal because the pain is the last link to what we've lost.
Sperduti nel buio è un film muto italiano del 1914 diretto da Nino Martoglio.
Si ritiene che il film sia andato perduto. L’ultima copia del film fu trafugata da soldati tedeschi dal Centro Sperimentale di Cinematografia durante la seconda guerra mondiale e di essa si sono perse le tracce.
È da molti critici considerato il padre più antico del Neorealismo per il suo carattere di cinema realistico regionale.
È considerato il primo film realista della storia, precursore del realismo russo, francese ed italiano. Il film ricavato dall’omonimo dramma di Roberto Bracco (1901), fu prodotto nel 1914 dalla Morgana film di Catania e diretto da Nino Martoglio. I protagonisti erano Giovanni Grasso e Virginia Balistrieri.
Il n'est pas de désir plus grand que celui du blessé pour une autre blessure. (Georges Bataille, Le coupable, 1944)
“No greater desire exists than a wounded person’s need for another wound.”
Franz Schubert’s “Serenade” performed by Camille Thomas and Beatrice Berrut
Alberto Martini (Italian, 1876-1954), Mètempsycose plastique, 1930
Alberto Martini - L'occhio e lo spirito umano, 1930 det
Bootleg of “Addesh Kan Fi Nas” sung by Fairuz in Beiteddine 2003
Fatimah Asghar, How’d Your Parents Die Again?
Why didn't you make me good enough so that you could've loved me?
Stephen Adly Guirgis, The Last Days of Judas Iscariot
Théophile Alexandre Steinlen (1859-1923), ‘Metamorphosis’, “Steinlen and His Art”, 1912 Source
De natuurlyke historie der insecten; voorzien met naar 't leven getekende en gekoleurde plaaten
by Rösel von Rosenhof, August Johann, 1705-1759; Kleemann, Christian Friedrich Carl, 1735-1789; Moerbeek, Adam Abrahamzoon
c. 1764-68
Man And His Counterpart Woman Or The fifty gates of understanding
By Aleta Blanche Baker
Order of the Portal
Art by Gibbs Mason
No greater desire exists than a wounded person’s need for another wound.
Georges Bataille, ‘Ecstasy’, from Guilty, tr. Bruce Boone
@o_e.e