Anna Wilson-Patterson - Prospect Cottage Cat. Oil on wood.
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Anna Wilson-Patterson - Prospect Cottage Cat. Oil on wood.
Like the formation of the image of Christ on the Veronica Veil and the Turin Shroud, […] In some circles, spirit photography was considered a no less miraculous and portentous phenomenon than the origination of these relics: both classes of image recorded an unexpected portrait — an image that (according to natural law) should not be there — and were, alike, evidential, permanent paranormal artefacts that purported to attest to the prior, real presence and supernatural nature of the represented subjects.
[Spirit photographer Ada Deane] also drew on the iconography of the pseudo-photographic relic. In a portrait of her taken in the 1930s, she smiles benignly through the folds of a translucent pall, purportedly made of ectoplasm, which frames and isolates her face in the manner of the kerchief depicted in paintings of the Veronica Veil.
Left: Francisco de Zurbarán, The Veil of St Veronica, c. 1635, oil on canvas | Right: Ada Deane, ‘The spirit guides “Stella” and “Bessie” with Mrs Barlow, Fred Barlow, Violet and Ada Deane’, detail from a gelatin silver print, 1920.
— John Harvey, Photography and Spirit, 2007.
Marya Hornbacher, Waiting
Isamaya Ffrench for “Far Away So Close”, Vogue Italia April 2020
every amount of money i spend will come back doubled. that’s the manifestation for now.
Barend Blankert (Dutch, 1941) Flowered chair, 2006
Acrylic and oil on panel, 111 x 97cm
Fishermen - Paul Schulenburg
The Queen and King of the Underworld
Commission. The design is inspired by my 2015 Persephone & Hades artwork.
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