I.. had.. too much fun with this. It’s simply just an excuse to draw big puppy eyes on Gabe bc I haven’t done that in a hot minute.
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I.. had.. too much fun with this. It’s simply just an excuse to draw big puppy eyes on Gabe bc I haven’t done that in a hot minute.
Witch Luncheon.
Exactly what happened, you can’t change my mind
do you ever just
“no that’s not dramatic and cheesy enough”
“getting warmer”
“t HERE IT IS”
i love this but i dont know how to do this
hoW
For those wondering about HOW to do this, here’s a short explanation according to me:
Drawing A to Drawing B: -the most obvious change is the exaggeration of the line of motion in the character.
In Drawing B the line of motion is much more pronounced, creating more drama and movement to the whole composition
-The arms are open wider, showing more confidence and exuberance in the character, exaggerating their emotions so they can be more clearly read without having to look to the face for emotional cues.
-the legs are wider apart, adding to the aforementioned confidence but also giving the character a solid foundation, visually speaking.
-The head is tilted back and overlapped by the chest, adding a touch of dynamic perspective to the drawing.
Drawing B to Drawing C: -Most obvious change is to zoom in on the character. Character framing is just as important as what the character is doing. Zooming in can help infensify emotions. this shot is ALL about this character and what they’re feeling. -Because of the zooming in, the arms/hands would have gotten lost, so instead of making the canvas wider, the artist has elected to rotate the character slightly, bringing a dynamic angle to things and more intensity to the close shot. -While the character is more upright in this shot compared to Drawing B, in Drawing C the chest still slightly overlaps the neck, preserving the feeling of being slightly below the character (putting them in a position of power relative to the viewer), which helps maintain confidence and power in the character. -the chest is exaggerated to carry the majority of the body’s line of action so even though you cannot see the legs, our brains are able to fill in the gap and envision that line of action. -The cropping/framing of the character allows for a more interesting composition/negative shapes created by the positive (character) on the negative (background), creating more visual interest as well as a circular motion to the composition through the arms, across the face to the negative space for the eyes to rest in before dropping to the hand in the background and back through the composition again.
Pretty sure I’ve posted this before. But worth a repost
adventures in figure drawing
Drawing Faces (A Collage of Tips)
Hey hey! We just drew a cute sketch of one of the alters in our system (Ava) and, since we’re really happy with it, we’ll share some proportion and facial construction tips that will hopefully help you with drawing too.
Picture for example above, explanation/details are below each picture.
The center of the eye almost always lines up with the corners of the lips (approximately–some people have slightly smaller or larger lips). If you’re confused about the size of the mouth, but the eyes look great, just draw a line down from the center of each eye and you’ll have the exact size of the mouth you need!
It’s approximately five eyes that go across the face (depending on your style, play with this a little). The head wraps in a circle, so if the end eyes go over that’s cool, especially when drawing the face at an angle or in a semi-realistic style like this.
The key part is that one eye width is in between both eyes. This helps remain as a guide for typical eye-to-eye distance. Then, if you have a character who has wider or closer together eyes, you can change that consciously!
Enticing eyelashes have movement! They essentially work like arrows from the center of the eye. Upper eyelashes curve in the opposite direction of the lower eyelashes (directions are on the left side of the above picture).
Just make sure they curve, no one has straight eye lashes (unless you’re deliberately using that for stylistic effect)!
Hair has lots of movement too! Drawing arrows to start getting a sense of direction can be a great place to start. Start the arrow where the hair is attached to the head or pinned (like with a clip or hair tie) and then fan out from there.
Draw hair in sections/chunks that vary in size. See how some are thin sections and others are thicker? Typically on the edges of hair it’s thiner (like by the face, edges of the hair/outline) and in the center of sections it’s thicker.
As always, don’t be afraid to use references so you can see how hair falls on the shape of a human head!
A little neck trick: There is a V of muscles that connects near the collarbones and all the way up to under the ear. Make sure this V is something you draw (even if you erase it because your character has a thicker neck). The thinnest part of the neck cannot be thinner than this V.
Also, shoulder muscles start pretty soon after the neck, so see that thick red line on the side? That’s where the V and the shoulder muscles (the ones that get really sore on all of us) coming around the back connect. This gentle V will add a much more realistic look to the necks you draw and help the head look properly supported!
Best wishes with your drawing!
-Arien (& Bael)
One of the artists that regularly contribute tutorials to this blog @etheringtonbrothers is actually running a Kickstarter right now if you guys want to check it out!
If you back the project you can get your own copy from their book series filled with art references and tutorials, they do really great work that’s informative and concise and this would be a useful resource for anyone looking to invest in some art books: https://www.kickstarter.com/projects/1378058646/how-to-think-when-you-draw-book-2-plus-book-1-and
Hair Tutorial by Sutexii
Support the artist on Patreon!
how do i learn how to storyboard comics
1. set the panels
the first version is the easier but also boring for the eye, the sequence rectangular-square-square and repetitive, try to use diagonal cut, open space and vertical cut to help the movement of the story and action.2. use movement to tell the story
3. Pose, Perspective and Line density
4. Framing and Silhouettebeing the file too big it’s a link format
In my opinion, those are the main rules to make a good storyboard. If you need more help ask awayMOD.gif
Tuesday Tips - Embrace The Nose / It’s very easy to take shortcuts when drawing the nose, and honestly, it’s fine most of the time. The nose is right in the center of the face and can unintentionally draw a lot of attention if constructed poorly. But when it’s embraced, it can do wonders. It’s key to track the facial features at odd angles and can bring a ton a personality to a character design. Use it or lose it! -Norm @grizandnorm #100tuesdaytipsbook #100tuesdaytips #tuesdaytips #arttips #arttutorial #embracethenose
Clothing study: shirts by Spectrum-VII
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i gave my sister $100 for her bday, but i gave it to her in $1 bills that i folded into origami. so that’s how she pays for delivery food & now the pizza girl thinks she’s a stripper
You’re really good at origami holy sh
i learned it specifically to make these for this exact situation
Aren’t you the same bitch that gave your sister $100 dollars in nickels?
same bitch
Yeah, neither of these things happened 👍🏼
listen here my good hoe, i can’t find photos of the 2000 nickels or the 20 stars, but i did not spend weeks planning meticulously inconvenient birthday gifts over a period of years just to get whaled on by internet gremlins. here is some equally compelling evidence for an anecdote i was saving for later:
it weighed 68.6 lbs
This is the 100 Star. Reblog to receive cash in unexpected ways.
Did someone just doubt GAUDI? The balls on that guy.
Some drawing tips previously posted on twitter. More drawing tips on my patreon. Hope some of these can be helpful.
So my therapist has been helping me get to grips with my ADHD, and also the concept that I’m not shit at being an adult, I just can’t do things the way everyone has always told me to do them. Like every single “organize your life” books have always left me wanting to cry with frustration, and after I got hold of a copy of Organizing Solutions for People with ADHD by Susan Pinsky I realized that was because they primarily focus on “aesthetic” over “function”. And the function of most standard “organize your life books” is to “make things look Show Home Perfect”.
So the standard “hide all your unsightly things by doing xyz” may look nice for the first week or so, but by the end of the week it’ll look like a tornado made of pure inhuman frustration ripped through the house as I try to find the fucking advil.
To give you an example of the kind of hell I’ve been fumbling my way through the last 20 odd years: dishes will be washed and left in the drying wrack but never put away. Which means I can’t wash more dishes, which means dishes pile up, which means I can’t make food, which means I don’t eat, which means my CFS gets worse, which means I don’t have the energy to put the dishes away, and so on so forth until I have a meltdown, cry to ETD (who also likely has ADHD but has never had it confirmed) about how I can’t cope with life, and then we fix it for a while, but inevitably end up back at square one within about a week.
Pinsky’s solution to this was “remove an obstacle between you and your goal, if that means taking all the doors off your kitchen cabinets to make things easier, so be it.”
And lemme tell you, fucking revolutionary.
Laundry never ends up in the hamper??? why???? is it a closed hamper??? Remove the lid. Throw it out the window. Clothes are now miraculously finding their way into the hamper??? Rejoice????
Mail ends up spread out over every available flat surface? Put a sorting station right where your mail arrives. Put a shredder or “junk” basket under it. Shred or dump the junk immediately. Realize you only actually have two real letters that need attention, feel less overwhelmed, pay your bills on time.
Like I’m not saying this book is miraculous, but it did help me realize that I was effectively torturing myself by trying to conform to certain ideals of “perfect house keeping”, and presenting a certain image rather than just allowing myself to live in my space as effectively as possible. And why? Why was I doing that? Cause people with different lives and capabilities are perceived as the norm? Fuck that. If this was a physical problem I wouldn’t be forcing myself to conform to an ableist standard, so why am I doing it with this?
My lived space will never look a certain way, and that’s okay. It will never look show home perfect, and that’s okay. It will likely always be cluttered and eclectic where nothing matches, and that’s okay. Sometimes I will have odd socks on because sorting them out required too much mental energy, and that’s okay. Actually fuck sorting socks, just buy all your socks in the same color. Problem solved. Boring sure, but also one less thing to do, which means more time to hyper fixate on fun things. Which really, what else is my life for if not to write screeds and screeds of vampire shit posts, I ask you.
Some drawing tips previously posted on twitter. More drawing tips on my patreon. Hope some of these can be helpful.