Reminder
I haven’t done this in a while, so here’s another reminder that my art can be found HERE on Tumblr
I’m also on DeviantArt, Twitter and Newgrounds

if i look back, i am lost
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🩵 avery cochrane 🩵

Kaledo Art
"I'm Dorothy Gale from Kansas"
wallacepolsom
Sweet Seals For You, Always
DEAR READER
almost home
tumblr dot com

titsay
Stranger Things
No title available
hello vonnie

blake kathryn
Jules of Nature
we're not kids anymore.
cherry valley forever

❣ Chile in a Photography ❣
$LAYYYTER
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@neoneko5000
Reminder
I haven’t done this in a while, so here’s another reminder that my art can be found HERE on Tumblr
I’m also on DeviantArt, Twitter and Newgrounds
This ask was done in collaboration with @nn5kscratchpad , it was very fun!
Sketched some friends’ OCs for fun!
Rika belongs to @junjie-oyan Mielle belongs to @neoneko5000 Lilly belongs to @sindraws
Happy New Year!
Just to remind everyone here that all my art is now posted on my art blog. You can get to it here
People aren’t the only ones with vivid imaginations
MY FUCKIN HEART
I WISH YALL WOULD STOP POSTING THIS SAD POKÉMON SHIT I CANT TAKE ANYMORE
Happy E3! Here’s a SamusxPeach comic commission I did!
Thank you @lady–peaches!!
@hbreckel
I did a series of sketches and decided to take this one to completion. I tried out some new techniques for shading. I’m somewhat satisfied with the results. If nothing else, I learned some stuff along the way, so that’s what counts the most. These are two random Pokemon, not any official characters, but I’m playing through Moon right now and have female Gardevoir names Jeanne and a female Garchomp named Mako, so I decided to base these characters off of those two. ^^ Again though, these aren’t new characters or anything.
I love kids they’re all like.. “when i grow up i’m gonna be an astronaut and a chef and a doctor and an olympic swimmer” like that self confidence! That drive! That optimism! Where does it go
It gets destroyed by adults not believing in you and telling you to pick a realistic career. And by society creating all these obstacles to the point that you’re too tired to try.
But they’re not really unrealistic, SOMEBODY is going to be an olympic swimmer and it might as well be you.
Actually I want to talk about this a little more than I did, because olympic swimming is incredible and works perfectly to talk about attaining goals.
I used to be a varsity swimmer, and I was damn good, but I was forced into it by my parents and completely lost my love for it and therein my drive. But in high school I was swimming against such talented swimmers like Olympic Swimmer Missy Franklin. I’ve met her, and the main difference between her and me was that I was strong but had no passion, but she was strong BECAUSE she had passion.
And I could have been good, really good, maybe even Olympic good. I even have the predisposition for it, been swimming since I was 2 years old, have a mom who was almost an olympic swimmer. Missy didn’t have either of those things, she just wanted it, loved it, had been doing it for a long time, and decided she was going to kick ass at it.
Right, that’s great and all, but I completely missed my opportunity to be an olympic swimmer, yeah? and can never achieve those dreams I had as a kid? No, not even though. There was this whole thought that female athletes peak when they’re 17 years old and lose their skills quickly after that, and male athletes peak around 19. But then Olympic Swimmer Dara Torres shows up. She was an olympic swimmer when she was 17, 21 and 25. Pretty normal age for retirement. She had a few kids. She kicked butt at being a mom.
And then at 33 years old she decides she’s bored or something gets back in shape and kicks so much ass at the trials that she lands herself on the Olympic Team ONCE AGAIN. And then 8 years later, she decides, heck I’m 41 now, no one has ever made the olympic swim team as old as I am, I want to get in shape yet again and teach these children how sports work.
And she still has the record for oldest US Olympic Swimmer, not even any men have beat out that record.
So basically what I’m saying is you could be an olympic swimmer, you really could be. And there are obviously a lot of things stopping you and trying to get in your way: your brain, society, too much chocolate cake for example. But if you really dedicate yourself to it and love it with all of your heart you could, you really could.
And lets say olympic swimming isn’t your jam? That’s cool too. There isn’t a single skill in this world that you can’t learn if you absolutely love it and want to. Any skill you want is going to take time. There are countless famous people who started learning a skill after 20, 30, 40, or even 50. Not a single person has even been president under age 35 (most likely because you’re not allowed to be, but there’s a reason for that). Whatever you want to do you’re probably going to be bad at first, and I’m talking really shitty.
Van Gogh got started in his 20′s and was thought to have no artistic talent at first and was forced to sit in the back of classrooms where the worst artists in the class sat. So yeah you’ll probably be bad, like really bad and everyone including you will think you’re bad. If you stick with it though, if you’re willing to work for years and years, if you keep loving it after all the pain it’s given you,
then you might just paint Starry Night.
#looks like there’s still time for me to learn how to draw … YES. As someone who started drawing at 35 and who always was like: ‘eh, I can’t draw a stick figure to save my life, but I would love to be able to’ this is near and dear to my heart. If you want to draw, start drawing. Keep drawing. Be shit at drawing at first. Keep it up, doodle things on scraps but also draw stuff you don’t think you can draw. Challenge yourself, you will be surprised what you can do. It will be frustrating at times, but it will also be awesome. It is SO much a matter of practice and dedication, not talent.
This applies for writing, too.
Don’t ever think for a second that it doesn’t! Want to start writing? Then write! You will get better the more you write, the more often, and you will improve, all of the time, as long as you dedicate yourself.
The worst lie we tell ourselves is “it’s too late.”
How do I get my art noticed online; A simple guide based on what I have experienced.
This is one of my most asked questions so I am going to try and offer what advice I can. It certainly did not make any sense to me years ago and I would have liked a bit of help.
To preface this entire guide will be from the perspective of an artist attracting an audience for their work that is interested in buying and supporting their art.
Understanding and reaching the audience.
These are the people you want to see your work. If you are trying to create something commercially viable you must always keep the audience in mind. What matters to you is often lost on them and it is easy to lose track of that when you are emotionally involved in your work.
Everything I discuss from here on is centred around the audience and how they will potentially regard you and your artwork.
1. Time does not matter to the audience.
I see this brought up a lot. “I worked very hard for a long time on my art, someone else did not, why don’t people appreciate that.”
To be incredibly blunt, why should they? Two artists create two similar pieces of work. One took 3 days, one took 3 hours. Both are at the same technical level and a similar concept. Why should one be “worth” anything more to the audience, who only sees the end result.
Time rarely matters to the audience. An audience with no art background of any kind will find it very hard to judge how long someone spent on a piece of art (especially digital art) unless-
It’s very clear. A huge traditional painting for example, with something for scale. A linked video showing the process.
The artist states the time taken somewhere. Again, this is only really going to matter to the audience if it surprises them or justifies their own assumptions about the work. (It looks good, but they work quickly, how do they do it!)
I know there will be exceptions. People who really appreciate art will understand and recognise the time taken to create it. You aren’t leaving your success to exceptions though. You need to work with the majority.
Taking a long time to produce a piece of work only really informs your potential audience that they are going to have to wait a while to receive the content. If the work or the concept behind it are strong enough this is not a problem. It hurts an unknown artist trying to establish themselves though for the following reasons…
2. Your upload schedule.
People like consistency and the best way to capture any kind of audience in media is with quick regular uploads of content they are prepared for, are looking for or easily understand. I will list a few things that I feel an audience appreciates or deviates towards.
A regular upload schedule, be it daily, twice a week, even once a month. As long as it is clear. This is a great way to keep viewers coming back to you once they find your work and are happy with the content you appear to be providing.
The time you upload matters. If you post your artwork while the world is asleep no one is going to see it. On sites like tumblr this is even worse, hours can go by and your work will be pushed further and further down the audiences dashboard.
Consistent content. It’s great to try new stuff, but unless your audience knows you for it it could possibly confuse people browsing your page or site. Artists often get categorised as “The dude that draws X, Y Z” for a reason, it’s just easier for an audience to understand.
Do not add unnecessary comments to posts. Nothing puts people off more than 2 paragraphs of text explaining the process or a personal story on why it took so long. Save that for a separate post, consider that your audience needs to share your image. Make it as easy to share as possible.
3. Your content and the concept.
Content is important. Your finished artwork can be technically beautiful, but if there is nothing there for people to understand or relate to they will have no reason to care, or they will be purely judging your work on its level of technical ability.
That can only go so far if the content is too strange, specific or incomprehensible. Very few people are going to share a technically impressive piece of work if it disgusts confuses or upsets them in some other aspect.
Vice versa, a strong or interesting concept can take very simple artwork a very long way. The perfect storm is to have both a fantastic concept and strong artwork working together, but you must consider how much work that will mean you have to do and how fast can you do it. Find a balance.
What grabs an audience varies greatly. You can build up your own brand with your own ideas concepts and characters as long as there is a consistent theme. More often than not an audience will look for:
Things they recognise
Things they can understand at a glance
Things that are relevant to them and their lives
Consider these examples, try to consider which one has the most immediate appeal to the general public:
4. Make things easy for them, some important general advice.
Upload on as many sites as possible, and where appropriate. (No one on a website purely for webcomics is going to appreciate your oil paintings, for example).
Join forums, sign up for art sites. Get to know people and make contacts to get your work out there. Understand the audience on the sites you frequent and what content they do and don’t enjoy. This takes time, this does not happen overnight. You have to commit and find your own path here.
The audience will not just come to you. You need to be proactive. You have to get out there and find them, but be careful, nobody likes to feel like they’re being sold something.
Wherever you post your art, MAKE IT EASY FOR PEOPLE TO FIND AND SHARE! Tag, list and group your content. Tags allow people to find things they already like, make use of that. Give them as few reasons as possible not to share your content. Put yourself in the shoes of the audience and think about what they would and would not want to share with their friends and people that know them.
To conclude
I hope this will give some people who are really lost a few extra ideas when it comes to creating commercially viable content. It upsets me to say this but sometimes there are ideas that, no matter how beautifully illustrated or conceptually brilliant, will just not resonate with certain groups of people.
This is a sad reality, but if this is an issue for you don’t worry. Use this information to create content you know people will enjoy, make a profit from that and then when you have the time and money make the things you really want to make.
Created by Dragonart
I don’t know what we did to deserve Mr. Rogers but I’m so glad we had him.
We need more men like him.
Finally drew @nn5kscratchpad‘s Mielle! I’ve always loved this slime wife ^^ Sorry for the long inactivity as well, life has kept me extraordinarily busy but I plan to get back to drawing regularly - and getting back to the ask blog - soon!
Mario Artwork made by Hans Tseng
A fan art based on @neoneko5000 ’s character, Mielle
Thanks! ^^
New commission sheet
Reblog from my art blog.
For anyone here that’s wondering where my art went, it’s all over there now