\p\r\q\

[its-cartier-bxtch]

[onomelino-plus]

“稲作には、穀物を食するネズミや、田の土手に穴を開けて水を抜くハタネズミが与える被害がつきまとう。稲作が始まってから江戸時代までの間に、日本人はキツネがネズミの天敵であることに注目し、キツネの尿のついた石にネズミに対する忌避効果がある事に気づき、田の付近に祠を設置して、油揚げ等で餌付けすることで、忌避効果を持続させる摂理があることを経験から学んで、信仰と共にキツネを大切にする文化を獲得した”

— キツネ - Wikipedia (via mug-g)

[1010ll]

https://www.instagram.com/p/BnMOBw-jgDA/?

[thecollectibles]

False Gods by Ching Yeh

[dollb0ys]

[sexymotorslifestyle]

[redlipstickresurrected]

Grażyna Smalej (Polish, b. 1976, Chełm, Poland) - Bath XXXVII, 2011  Paintings: Oil on Canvas

[athingcalledbliss]

Steffi Cook by Kristin-Lee Moolman for Selfridges’s Meet our Bright New Things

[feathersalwaysmakepplattractive]

[est-nord]

[unstablefragments2]

adidas AlphaBounce EM ‘Brown’ (via Kicks-daily.com)

[naiveasf]

[bear1na]

Medusa by Jenny Frison *

[voodoo-mon-amour]

[malamente1992]

https://www.instagram.com/p/BlnKEX4F5hG/

[darksilenceinsuburbia]

Mimesis by Kim Kei

Kim Kei evokes the body without depicting the figure as a form. The body is implied by mimicking the skin’s surface and the gesture of the form depicted. Our skin contains the interior and is the point of contact with everything outside ourselves specifically one another. Kei creates sculpted, simulated skins that are inked and pressed to paper leaving a precise impression. The paper captures the cracks and wrinkles, the body’s acquired marks though time, injury, repair, and illness. Encompassing spaces between vulnerability, invasiveness and tenderness, the unnameable forms unfurl, contort, meet, and touch seemingly of their own vitality. The opportunity for empathy in looking closely and the intimacy being seen transmutes shame into a resilient, forceful affirmation. Creases strike through the form revealing what we attempt to keep hidden bringing these unruly parts of ourselves fully to the surface communicating a body in motion.

you can also find me @mary_bu__

[& &]

[melisica]

Natan Vance