UNIQLO Magic Mirror
Pretty cool magic mirror tech for UNIQLO. Increase linger time in-store and help conversion. Nice, nice, nice.
Stranger Things
todays bird

pixel skylines
Cosimo Galluzzi
"I'm Dorothy Gale from Kansas"

izzy's playlists!

祝日 / Permanent Vacation
sheepfilms
almost home
Monterey Bay Aquarium
YOU ARE THE REASON

No title available
Alisa U Zemlji Chuda
trying on a metaphor

@theartofmadeline
KIROKAZE
Misplaced Lens Cap
AnasAbdin

titsay
NASA
seen from United States

seen from Italy

seen from Malaysia

seen from United States
seen from United States

seen from Iraq
seen from Jordan
seen from Honduras
seen from Singapore

seen from South Africa
seen from Honduras

seen from Georgia

seen from United States
seen from United States
seen from United States

seen from Germany
seen from United States
seen from United States
seen from United States
seen from United States
@nervlondon
UNIQLO Magic Mirror
Pretty cool magic mirror tech for UNIQLO. Increase linger time in-store and help conversion. Nice, nice, nice.
Google launches, Super Sync Sports.
Really cool idea, and tons of fun. It is a Chrome Experiment, that allows a user to play 3 games via their mobile device.
The games currently available are Run, Cycle and Swim, which require you to simply move your fingers on the Mobile Device to control your player on the Chrome Browser. You are given the option of Single Player and Multiplayer (who must visit g.co/super and enter a code to sync the device to the browser).
Check it out here.
OLO is a simply designed iOS social game of skill and strategy. You can play it with a friend online via the game center, with split screen or just with a random online player.
Nice.
The Problem with Digital
Now and then, I read articles by the traditionalists of the ad world that state the self-professed prophets of digital are incredibly naïve for suggesting that digital will be the downfall of traditional media.
Thing is, I cant recall having read any article that expresses that view, or if I have, I have never taken any notice of it.
Digital is still seen by some big traditional shops as just an ancillary service provision, bolted on at the last minute to (badly) propagate the visibility of a traditional campaign.
The main reason being that red bricks make a massive* amount of money from selling stories, so why would they bother to sell their clients in on digital? It is difficult to gear up for and more frightening to a traditional shop than an escalator is to a Victorian. What’s worse is that every 12 months, you have to start learning about future tech all over again…what a pain in the CSS.
As a result, we have both sides, traditional and digital, in a kind of juxtaposition, squabbling over which route is best to implement when promoting a new product or service and why the predominant ad spend should go to them.
I recon that if you tell someone a story and alongside that deliver to them a beautifully planned digital experience through which they can further engage with, learn about and share that story, you are on to a winner. There are plenty of industry stats out there that will tell you what a superbly planned and executed integrated campaign can do for your clients’ bottom line.
So maybe it is time to stop bashing digital, learn about it and deliver campaigns as effective online as they are off. After all, it is (part of) ad lands future.
*Gigantoid
This is our time. A pep talk from Kid President.
The Next Search
On 15th January, Mark Zuckerberg unveiled Graph Search, the third "pillar" of the core Facebook experience.
What is it?
Ostensibly a social search engine, Graph Search isn't like any kind of search we've seen before. For the first time since its launch in 2004, Facebook's huge wealth of social data is now accessible in a way that allows meaningful analysis, revealing patterns in personal and social behaviour on a global scale.
For nearly 10 years Facebook has asked us who we are, where we're going, what we like, what we're doing and who we're with. Now we finally get a chance to drill into that data and see what comes out.
This might not mean much to the average user beyond the initial "hey, cool" reaction of finding everyone listed as both Single and In My Area but, as with every great disruptive technology, the real value of Graph Search lies beneath the rather plain-looking surface.
What Can It Do?
Some of the first searches being put into the system are already hinting at the potential for user profiling and demographic research. For example, Mashable's "Things We Learned Using Facebook's Graph Search" shows that users listed as Engineers like hit TV show The Big Bang Theory. Perhaps not much of a surprise there but, given the 800 million-strong sample size, potentially a much more reliable indicator of the show's primary audience than any marketing questionnaire might achieve. Further searches highlight such trivia as the differences in musical tastes between Google and Apple employees - somewhat useless information to most people but quite clearly marketing gold for those with the power to use that data effectively.
You can also search based on related Likes, which means that if your organisation has a prominent Facebook presence you can now discover a lot more about what your Fans are into simply by searching People who like [your organisation] also like, and letting the results roll in. Pretty neat, right?
Sounds Great!
Well, yes and no. Graph Search's power to categorise us by our interrelated Likes and other publicly-shared personal data, while fascinating and undoubtedly useful, is already being shown to have much less pleasant and, in some cases, dangerous implications for individuals who don't take great care to carefully curate their Facebook activity.
A recent article on Gizmodo shows that, with very little effort (and a rather helpful autocomplete function) it's painfully easy to bring up the profiles of those who have made somewhat unwise choices in what they have revealed about themselves to the public. So easy, in fact, that there's already a highly-popular Tumblr dedicated to highlighting some of these more unfortunate searches.
Oops?
It's unlikely anyone at Facebook anticipated that Graph Search would be used in such a revealing way so soon after the staggered launch process began, although you have to hope the minds that created such a powerful tool would have understood the potential for embarrassment when coupling devastatingly penetrative search functionality with inevitable human curiosity.
Predictably, the launch has been greeted with a mix of celebration and skepticism as industry watchers scramble to assess the potential impact Graph Search will have, not only on the future of Facebook as a platform but on how the entire notion of search could be redefined by the injection of social metadata.
So what happens next?
In the short term, the possibility of turning up in the results of a potentially embarrassing search will undoubtedly lead many to reassess the information they're sharing and, in many cases, completely scour their profiles of anything that could be considered unsavoury. With Facebook now being used as a valuable tool in many employers' recruitment processes, maintaining a spotless social profile will become even more important as the popularity of Graph Search grows.
One detail glossed over by many of the post-launch articles concerns the partnership between Facebook and Bing in the development of Graph Search. In what appears to be a huge coup for Microsoft's search engine technology, Facebook has taken aim at Google by joining forces with the search giant's only credible rival to provide the non-social results data for Graph Search.
How Facebook will monetize Graph Search and how it affects the search engine landscape in the long run remains to be seen, but when the likes of Facebook and Microsoft are stepping up to challenge Google's core business, it's worth paying attention to what Google does next.
Wee Nudge
Wee Nudge collects articles related to the web design process and aims to help you better explain and talk to your clients. Read articles on whitespace, wireframes or spec work.
Interactive Developer Jongmin Kim’s Form Follows Function is a collection of of interactive experiences. Each experience has a its own unique design and functionality.
Everything’s created in HTML5, which means the site works well on both desktop and tablet.
FictiveKin just launched a new project:Done Not Done. It’s a to-do list for things you want to do, not the things you have to do.
How many times do you email yourself a title of a book or a movie that you eventually want to read or watch when you have time? And then it gets lost in your inbox and it never happens. Well, no longer. Done Not Done will help you jot these things down, on the go, and then when you are looking for a good book, music or movie idea, it’s right there, ready to be tapped into.
Go check it out, over on donenotdone.com or download the iPhone app. But be kind, they *just* launched and might still discover a bug here and there.
From Dragons' Den to Digital
HB Prime Advantage, the business advisory division of Hamilton Bradshaw run ex-dragon, James Caan of BBC’s Dragons Den is now working with Nerv to expand the agency.
Nerv will be working alongside Greg Tufnell from HB Prime Advantage who will sit at board level within agency.
Greg is a highly experience blend of entrepreneur, strategist and hands on operator. As managing director of Burton Menswear he transformed losses of £12.5 million to profits of £3.5 million in two years generating the highest margins per square foot for six years.
Cynan Clucas, pictured above (right) Managing Director of Nerv said of the deal;
“The digital sector is growing exponentially, and as one of the top 100 independent digital agencies in the UK, we’re seeing explosive demand for our services, both domestically and internationally. HB Prime Advantages resources and expertise will help us manage that growth and take the agency forwards into the next stages of our business strategy.
“We’ve got an excellent reputation, but having proven entrepreneurs like James and Greg on board gives us a great strategic experience which will help us grow into foreign markets like the US, Canada, and the UAE.”
Read more here.
The Production Kitchen has created a very unique Google Maps based landing page, breaking new ground in its use of animated custom map tiles.
Here.
via rubbishcorp
Cheers, Physics!
The Institute of Physics (IOP) is set to get people thinking about the physics behind their favourite tipple, by launching the 'Cheers, Physics!' campaign.
The Campaign for Real Ale (CAMRA) is distributing around 50,000 beer mats, which ask questions such as ‘Are the bubbles in your pint of stout rising or falling?’, with the aim of raising a discussion.
We were tasked with producing a great-looking, mobile-first website to support the campaign. The website answers the questions on the beer mats and is linked to them via a QR code.
Read the full story, here.
Like rapid prototyping, but for kids. Draw, create, print and fold beautiful 3D figures with Foldify on your iPad.
Site here.
Concept Delorean New York Taxi Cab
American designer Mike Lubrano has come up with a clever conceptualisation of a Delorean outfitted as a New York City taxi cab. The design appears to be an ad for Nooka although his website shows otherwise.
Unfortunately, these will not be around by the time our NY office opens. Bad times.
On a Digital Mission to New York!
We are thrilled to announce that we have been selected to participate in the Digital Mission to NYC 2012!
Nerv will be touring office location options, as well as meeting local leaders in the tech and creative industries.
The trip is also coinciding with Social Media Week New York which aims to explore the social, cultural and economic imact of social media, so it should be a really insightful experience.
Read more here.
We have virtual keyboards, clip-on keyboards, magnetic keyboards and even laser keyboards. But what if your keyboard wasn’t a keyboard at all?
Florian Kräutli has developed an ingeniously simple alternative called theVibrative Virtual Keyboard. By placing an iPhone on any surface, that surface becomes a keyboard. Technically, the phone’s accelerometer is measuring vibrations on that surface. Kräutli’s software maps those vibrations to a point of origin on the table. And when the phone can “see” where you’re tapping, you can have a QWERTY keyboard on any tabletop.
Pretty impressive.
TO PITCH OR NOT TO PITCH
It’s another week at nerv HQ and we have yet another big pitch for a new client. The design team are heads down, fleshing out concepts ready for the big day. The Directors have their presentation almost ironed out and smooth as silk – ahead of a good days worth of practising to schedule in. And in a brief quiet time, I’m reminded of everything I’ve ever read about winning new business without the need for a pitch.
Pitches are a huge part of life in the creative industry. It’s a chance for the agency to show a potential client how they would respond to a brief. It's a chance to impress the potential client with some nice ‘shiny’ looking creative and a nice ‘shiny’ presentation. And then after one agency has shown their creative approach to the brief, along comes the next agency, interpreting the brief in an entirely different manner, with their own version of ‘shiny’ visuals and ‘shiny’ presentation.
At its absolute worst, the pitch process is little more than a glorified beauty parade. At its best, it’s an exploration of ideas and processes.
However, it's the way the industry works. We’d all love the opportunity to win new business without pitching (I’ve read many books dedicated to the subject) and yet, here we are preparing for another new pitch at nerv.
Pitching is flawed.
Our approach to working with clients at nerv is very objective. We follow a 5-step process that is heavily loaded at the start with a discovery phase – finding about the client, their organisation, products, services, customers and communication objectives. It involves a lot of communication between the client and ourselves. It involves harsh truths and blunt honesty. As the Australian’s would say, it's a “balls out” approach!
The pitch process doesn’t allow for this. Sometimes you get limited access to key staff within the potential client - rarely do you get much proper insight. You go into the pitch largely blind: The pitch process ends up being “Make us a logo; design us a website; create us a campaign and make it look good”.
Then, once we’ve presented all of this lovely ‘shiny’ work, we talk about the correct process for doing the work – we talk about the discovery, about getting to know them and effectively we tell them that what we are about to be judged entirely on, is irrelevant. The work we have created is purely for show. It will morph, change and be totally re-invented if we get to work together. It will be sculpted by research, adapted through insight and borne from a proper definition of the goals and brief.
Ideally, we open the floor up and have a conversation. Not every agency does this in a pitch. Too many agencies simply talk about themselves. As anyone who has been pitched to knows, this is not good. It’s tedious, in fact!
So…what about the creative?
Once upon a time, at nerv we would go into pitches without anything creative (the ‘shiny’) to show the potential client. We would talk entirely process and we would explain to them how this was the correct way to approach their work, as to do so without insight would be madness. Then the next agency would come in with some nice ‘shiny’ creative work and they would forget all about us! ‘Shiny’ wins.
So now we bring ‘shiny’ and we bring insight. It's a little like running a car showroom, and immediately walking any new customer that walks into the door to whatever car you assume suits them, showing them all the key features of it, before sitting down with them to talk about what they might actually want. Sometimes they might want the original car you showed them, sometimes they might not. But at least they've seen a car to compare with any other car showrooms they might visit.
Is there a better way?
That's difficult to judge really. From a client’s perspective, the most important consideration should be whether they could actually see themselves working with the agency presenting to them. Likewise for the agency. Now you’ve met one another, is there some kind of fit. Is a second date something you’d both want?
Perhaps clients could beta test agencies. Give them a paying piece of work as a test and see how it goes. Truly test what they can do. The pitch isn’t a true representative of anything. It doesn’t tell either side enough really.
There’s more discussed on the ways to fix the pitch process here: http://www.fastcocreate.com/1680035/10-ways-to-fix-the-agency-pitch-process
For now, we all have to accept that pitching is part of the process and unless we can find out own way out, it will remain that way.