the book of recurrent dreams @nesvarbu - Tumblr Blog

Visit Original Link

Some say love is a burning thing That it makes a fiery ring Oh but I know love as a fading thing Just as fickle as a feather in the stream…

#music

distantvoices

Natie Nowak For Vogue Czechoslovakia Jan 2019

#vogue #fashion #feminine

violentwavesofemotion-deactivat

November night. Brief note to self: Time to take myself in hand. To build into myself, to give myself backbone, however much I fail.

Sylvia Plath, from a journal entry featured in “The Unabridged Journals,” (via violentwavesofemotion)

#quotes #sylvia plath

maggierogers

“In the end, the fact remains: Amma enjoyed hurting.” - Sharp Objects

“But I know you must know this: Amy likes to play God when she’s not happy. Old Testament God.” - Gone Girl

#sharp objects #gone girl #giliian flynn

itsdailyactress

Claire Foy, photographed by Charlotte Hadden for The Telegraph, Oct 21, 2017.

#claire foy #charlotte hadden

theterroramc

The Terror - Main Title Sequence

Adapted from Dan Simmons’ novel of the same name, The Terror follows Franklin (Ciaran Hinds) and his men during the calamitous unknown years of the voyage, a period in which Inuit locals became the only witnesses to the disaster. According to this fictionalized account, the bitter cold is not the only thing to fear north of the Arctic circle. For the opening of The Terror, the showrunners and design studio Elastic hauntingly convey the story of this doomed expedition with a brisk, monochromatic main title sequence viewed through sheets of ice. As sun dogs turn to auroras, the ships — HMS Erebus and HMS Terror — are frozen in place, the crew bound in snow and darkness for the endless winter, driven to madness and worse. One by one the crew fades from view, those who remain setting off into a white wasteland and an unknown fate.

[Watch the full sequence here]

#the terror

wexler

Carrie Fisher, London, 1979

#this is magical #carrie fisher #london

puppetwithapistol-deactivated20

Natalia Vodianova in “Age of Innocence” by Peter Lindbergh for Harper’s Bazaar US, March 2003.

#natalia vodianova #harper's bazaar US #peter lindbergh

rogerdeakinsdp

Female cinematographers: Rachel Morrison Mudbound (2017) Directed by Dee Rees

“I mean to me everything about this film wanted to be analog and unfortunately at the end of the day we just couldn’t afford to shoot on film without losing shooting days, and we didn’t have enough shooting days as it was. So ultimately we had to shoot it digitally but I was doing everything I could to breathe the analog back into it because I feel like there’s a real tactile quality to a visible, palpable grain, so I did some of that in camera and some of it in post. The way films that are about food you want the audience to feel like they can taste it, in this case I wanted to try to make the audience feel like they were walking in the mud and dealing with the elements and burning in the sun, that kind of thing.” - Rachel Morrison

#Mudbound #cinema 2017 #cinematography