[rebelflet]

My old tutorial! Wanna share it with you)

[cassiesart]

Oh, this is infinitely superior to the usual ‘uhhh if u make ur character a triangle face we wont trust them’ crap.

[rileyav-moving]

artist tips

don’t save as jpeg

[suchirolle]

as a former yearbook editor and designer, let me explain this further

if youre only planning on posting your art online, them please save it as .png ;this is also better for transparencies as well

BUT

please, if youre planning of printing your art, NEVER use png. it makes the quality of the image pretty shitty. use jpeg or pdf instead. and always set your work at 300dpi to get a better printing quality - this means, the images are crisper and sharper and theres no slight blurriness. i had a talk with my friend who is currently taking design, and pdf is much better to use when youre working with a bigger publishing company because it still has the layers intact, but if youre only planning on printing your stuff at staples or at some small publishing store, the jpeg is the way to go.

this has been a public service announcement

[inactive-ironic-ken]

Want a good picture to save as? PNG

Want a good printed picture? JPEG

[fangirlinginleatherboots]

just so yall know

art block is your brain telling you to do studies.

draw a still life. practice some poses. sketch some naked people. do a color study. try out a different technique on a basic shape.

art block doesnt stop you from drawing, it stops you from making your drawings look the way you want them to. and thats because you need to push your skills to the next level so you can preform at that standard

think of it as level grinding for your next work.

[gallusrostromegalus]

As a scientific illustrator- this is 100% true and going to review your basics will fix it every goddamn time.  Not only does it keep your skills sharp, when you’re not emotionally invested in the final product of a piece, you relax and your brain makes more/better art juice for you.  So, when you get back to that big/important piece?  You’ll know what to do and how to do it.

Nothing in nature blooms all year round.  Rest, and take care of yourself.

[sjaisling]

Hey art guys, here’s a tip: Reverse storyboarding.

Watch a movie that you really like the art or composition of, and whenever the camera angle, viewpoint, or characters actions/interactions change noticeably, pause the movie and draw a little sketch of what you see. It doesn’t have to be gorgeous. This is just for you. Get down the layout of the composition, the placement and gestures of characters, or the lighting or color that is used to make that particular moment in time express that particular moment in the story.

You don’t have to pay anyone to teach you to do this. You are paying yourself forward. Your future art self will thank you for taking the time now to study masterfully created compositions, gestures, light/shadow, and settings/scenery. Think of how much your own compositions, gestures, use of light and shadow, and settings and scenery will improve!  

And plus you get to watch a movie you love.  <3 

[ghostbri]

my buddies brent and max have a really cool and helpful youtube channel where they redraw user submitted art to make it appropriate and relevant for animation! i am very humbled they asked me to help with this one!! check it out if you want a few color tips from lil ol me. and make sure to check out their other videos as well!!

[ghostbri]

Do you have any kind of process for picking colors for the backgrounds? They all seem to have really nice uniformity, and I would love to read up on how colors like that are picked (or if it's more intuition based). I do remember you mentioning that you also had help from another color lead before, so I was wondering how much of that they help out vs the colors you chose?

hey, thanks so much! this might get a lil long (as it always does!!) so bear with me.

firstly i want to say, there’s no right or wrong way to pick colors. every artist has their own palette they prefer and i think it’s super delightful to spend time developing your own special sense of color. so even though i’m explaining things in a “this is how you do it” sort of way, it’s not the only way! just my way. the best method to develop your own sense of color is to look at a LOT of art, look at a LOT of the world around you, and practice practice pratice.

at this point in my life i pick colors intuitively just because i think it’s something i’m naturally tuned into, and i’ve been doing it for a few years, so i don’t actively plan my palettes. but here are some things that i think about as i pick colors.

firstly, i want to go over hue, value, and saturation. i’m sure everyone knows these intuitively but i want to explain them in words. hue, value and saturation are what make up a color, and decide how colors differ from each other.

hue: what color the color actually is. red, purple, green, yellow, and everything in between.

value: how light or dark a color is. if you’re painting traditionally, adding more white or more black to a color lowers or raises its value.

saturation: how “pure” the color is vs how much neutral tone is in it.

here’s an example of all three:

this comes into play because a big mistake i see beginners make is that they pick a “just” color, and by that i mean they pick “just blue” or “just yellow”. imagine buying a set of oil paints and only using paints straight from the tube without ever mixing. it would be impossible! so i try to avoid picking “just” colors, except as for a complementary color (more on that in a bit). here are some variations of a red, for example.

so, the biggest thing for me when i pick colors is that i want them all to be friends. i want them all to have something in common so that they get along. i usually lose control of a painting when my colors feel to different from one another. so, i will usually start a painting with one color i know for sure i want, and “subordinate” other colors to it, meaning every other color i pick has to look good with that color. as to how you figure out what looks good and what doesn’t, that just takes time and lots of observation to build a personal opinion :) here’s an example from one of my paintings. in this case, the main color is the trees.

and here’s another from rick & morty, the main color is the sky this time.

now that that’s out of the way, i’m going to give you the Actual Cheat Sheet for color palettes. in color theory, there are 8 basic color schemes that are generally pleasing to look at. here they are.

i usually use an analogous palette or monochrome palette out of preference. the two examples above more or less fall into those categories. however, i also like to use split complementary because the complimentary color adds a LOT of contrast and visual interest. it’s great to use if you have a specific thing in a painting you want to draw attention to. here’s an example:

it doesn’t always have to be a perfect split complementary, just one color that differs from the “family” of colors that take up a majority of the piece. 

now! you might be wondering when’s the right time to subordinate a color, or where to put it, or how much of it to use, etc. and the answer is: CONTRAST. there is always visual interest in things that are different. i was rifling through my school notes and found these great types of contrast when working with color.

value: things that are light vs things that are dark.

hue: two colors that look different. I.E. yellow vs blue.

saturation: things that are saturated vs things that are desaturated.

proportion: note the example above. a majority of the painting is orange, so the green stands out because there is proportionally less of it.

temperature: things that are warm vs things that are cool.

complementary: red vs green, blue vs orange, yellow vs purple. when in doubt, these colors always contrast against each other because they have nothing in common (there is no red in green, etc).

simultaneous: this is a little advanced and i’m bad at explaining it, so please read up on it here. 

a super helpful exercise is to look at your favorite illustrations, paintings, photographs, designs, etc and assess which one of the 8 color schemes (linked above) it has, and which types (can be more than one) of contrast it has. we did this in school and it REALLY helped me look at color better. here’s part of the assignment i did, the artist is annette marnat.

so! that’s pretty much how i think about color and how i pick my colors! i hope it was somewhat helpful! there’s so so so so much about color theory i can’t even begin to cover, i highly urge you to watch some videos and read some books and articles to further your study. a great starting place would be this series of videos. these are made by my teacher Richard Keyes, i think he had a dvd or something. everything i’ve talked about so far i learned from him and he is an absolute expert in color. these videos are invaluable. if you take anything away from this post, let it be to watch these videos hahaha.

to answer your question about my color leads, every painting was a collaborative effort between the three of us, and sometimes other painters too. it was a very hands-on crew, so i can’t say any of the r&m bgs i did are 100% “mine”. however, i think my personal color sense is waaaay different than jason or phil’s, which made the process very interesting because we usually had 3 very different opinions hahaa. you can check out their work here and here to see what things they brought to the table in relation to my own contributions.

thank you for the ask! again, i hope this was helpful :)

[swedishjazz]

If you're an artist looking to diversify your faces:

click this link

draw whomever you get

don’t worry about making it super-accurate, just focus on the characteristic parts of the face and have fun

the outcome might not look like the ref, but it will be different and more varied than faces you draw out of your head, an dprobably pretty rad on its own right!

feel free to reblog with your drawing, if you want!

[taytei]

“Victory is a good look on you ..”

I was gonna post this tomorrow so I’d definitely have something in case i got swamped at school, but I’m literally too impatient

[foervraengd]

Every artist who sees this post should do the following:

- Watch the video.

- Follow the instructions

- Reblog

I can’t stress you enough about how important these exercises are for your drawing hand. You don’t wanna get CTS of Tendonitis and similar stuff that will prevent you from making art or even hold  a pencil.

[flatbear]

Okay, this guy is my HERO. I just did these exercises as I watched the video, and already my arms and hands feel better. I have a degenerative tendon disease that prevents my muscles, tendons and ligaments from retaining their elasticity, and so anything that maintains the health of my bendy parts is important.

I URGE YOU. Even if you don’t draw, do these several times a day. Even just sitting at a computer can do serious damage. My dad, who was a rugby player, a carpenter, and now a handyman, suffered from severe carpal tunnel syndrome, simply as a result of sitting at the computer at the end of the day to play a little solitaire. Don’t let it happen to you!

[xionbooty]

((Guys, I will reblog this like, 5 times a day just so you all will see this. This is REALLY helpful, and it’s quick and easy.))

[mercurialmalcontent]

Wow, these are REALLY helpful. And yes, this is not just good but IMPORTANT for more than artists — if you type a lot, play a lot of video games, do anything that requires lots of repetitive movements of your hands, wrists, and arms (gardening, sewing, factory work), these can help. Even if you don’t yet get pain these are a great preventative measure, because the damage builds up over time. Youth is no protection.

And like he says, you should feel a stretch, but don’t push it too far!

[keyblack-hl]

Signal boosting.  Guys, I just did this and holy cow do I feel incredibly light and limber in my arms.  Again, even if you don’t have any sort of disease, do this as a preventative measure.

[superwholockthecomic]

DEAR LORD THIS FELT WONDERFUL THANK YOU SO MUCH TO omfg-am-i-hallucinating-again FOR SENDING THIS TO ME

[fightartblock]

Draw Yourself Challenge!

Do you want to learn to draw yourself better? Do you want do draw yourself but just don’t know what to draw yourself doing/wearing? Take this challenge! Reblog as a daily challenge or have followers request numbers— do whatever you please! Have fun!

Draw yourself in a space suit.

Draw yourself in the clothes you wore yesterday.

Draw yourself wearing an outfit one of your parents typically wears/wore.

Draw yourself making some breakfast.

Draw yourself as a witch.

Draw yourself as a dragon.

Draw yourself riding a dragon.

Draw yourself in the style of the last animated thing you watched.

Draw yourself wearing a ball gown.

Draw yourself wearing a fancy suit.

Draw yourself wearing tennis shoes.

Draw yourself wearing a top hat.

Draw yourself walking through snow.

Draw yourself surrounded by trees.

Draw yourself with war paint.

Draw yourself playing a musical instrument.

Draw yourself in pajamas.

Draw yourself with different-colored hair.

Draw yourself with different colored eyes.

Draw yourself wearing colorful socks.

Draw yourself wearing a baggy hoodie.

Draw yourself eating ice cream.

Draw yourself as a merperson.

Draw yourself wearing sunglasses.

Draw yourself wearing a knit hat.

Draw yourself wearing a few bracelets.

Draw yourself wearing something purple.

Draw yourself with your best friend(s) or significant other(s).

Draw yourself with a potted plant.

Draw yourself smiling.

Draw yourself pouting.

Draw yourself stepping on a lego.

Draw yourself as an alien.

Draw yourself as a dog.

Draw yourself as a cat.

Draw yourself as a fish.

Draw yourself jumping.

Draw yourself running.

Draw yourself in swimwear.

Draw yourself wearing a helmet.

Draw yourself as a ghost.

Draw yourself sticking your tongue out.

Draw yourself hugging somebody.

Draw yourself in bright sunlight.

Draw yourself in the rain.

Draw yourself laughing.

Draw yourself wearing boots.

Draw yourself lighting a candle.

Draw yourself as a super hero.

Draw yourself sleeping.

[heartstoppercomic]

chapter 3 - 36

end of chapter 3!

read from the beginning / read on tapas / my art blog / my personal blog(come talk to me!) / art instagram / heartstopper merch / read the next update early on Patreon!

Charlie, a highly-strung, openly gay over-thinker, and Nick, a cheerful, soft-hearted rugby player, meet at a British all-boys grammar school. Friendship blooms quickly, but could there be something more…?

Nick and Charlie are characters from my debut novel, Solitaire. Heartstopper updates three times a month, on the 1st, 11th, and 21st.

i really appreciate reblogs and shares - please help me spread word about this comic! i’m so excited for people to read it!

ANNOUNCEMENT: Some lovely fans of Heartstopper are creating a comic dub and they’re officially open for auditions! If you like voice acting, can do a British accent, and want to be involved in the comic dub of Heartstopper, please submit an audition at @heartstopper-dub! 

Notes:

Keep reading

[soolagna-meow]

Really valuable thread. 

https://twitter.com/toastasaurus

[fuckyeahyoga]

[jaxblade]

Awesome 👏🏽

[paleosteno-deactivated20191020]

I need to start doing this because I sit in a chair so much of the day. Need to start doing this in the morning and like, go for a walk or something.

[catsdelightful-deactivated20240]

Hey artists, C. Spike Trotman, founder of Iron Circus Comics, just posted an invaluable thread on depicting different types of black hair. I’d do the thing where you screencap the whole thread and post it but it’s just too long (which is great because it’s a whole lot of useful information!) Give her a follow while you’re there.

Anyway, go check it out. I just wanted to save it and share it because I didn’t know how much I didn’t know!

[misslunarose]

This is an amazing resource, not only for artists, but for writers too! I love this!

[artcritique]

how do i learn how to storyboard comics

1. set the panels

the first version is the easier but also boring for the eye, the sequence rectangular-square-square and repetitive, try to use diagonal cut, open space and vertical cut to help the movement of the story and action.2. use movement to tell the story

3. Pose, Perspective and Line density

4. Framing and Silhouettebeing the file too big it’s a link format

In my opinion, those are the main rules to make a good storyboard. If you need more help ask awayMOD.gif

[990000]

source

[grossgiirl-deactivated20200228]

This is how I used to teach a couple of students how to create vehicles or weird creatures when they had trouble coming up with ideas

[peppermintmonster]

Friendly reminder to all working artists or (especially) aspiring artists.

If a client says they can’t afford to pay you but you’ll get good exposure, one of two things is happening:

1. They are lying. They can afford to pay you, but they are choosing not to. They will pay the printer to print the books, they will pay the mail service to deliver them, and you’d better believe they’re going to pay themselves for sending you an email explaining that they can’t afford to pay you. They think you are a sucker, and if you take the job you’ll be telling them they are right.

2. They are not lying. They have zero budget, no audience and no real distribution system. They’ll still be paying the printer and mail service because people who work in those professions don’t work for free just because someone promises them a recommendation. But they aren’t paying themselves, they’re running on an incredibly small margin, and there’s a good chance they won’t exist as a corporate entity in a few years. Publishing your work with them will give you less exposure than putting it on tumblr or Instagram for free would. It will never lead to a paying job. 

If a client starts ranting about the “short-sightedness” of artists, or otherwise complains about artists in general in their opening offer to you, run. Run as fast as you would run if a blind date spent the whole of dinner ranting about how horrible your entire gender is. Yes, there are doubtlessly clients who’ve been screwed over by artists in the past, but the ones who complain about artists in general will not respect you, they will not treat you well. 

Working for free does not prove that you are passionate about something. It proves that you do not need to be paid for your work. How many doctors went into medicine because they are passionate about saving lives? Do you think any of them are asked to perform heart surgery for free?

No one will ever pay $50 for something if they can get something similar for $5. When you charge next to nothing for art that you’ve worked for hours on, art that required years of training to create, you are telling your client that it is worth next to nothing. They will remember that the next time they want to hire an artist.

People who are looking to exploit artists know that artists are hard on themselves. They know that most artists don’t think their work is good enough to charge top dollar. They know that artists have been told from the first day they started taking their art seriously as a career that they’ll never make any money off it, that it’s not a real job, that it has no value to society. They know how to push artists’ insecurities about their profession in order to convince them that that demanding fair compensation is unrealistic and uncooperative.

If you’re just desperate for a job in the arts, any job in the arts, give yourself a job. Start a webcomic, or give yourself illustration assignments that you post on social media regularly, create work for a gallery show even if you don’t have one yet, or make a book. Give yourself a job. If you’re going to work for free, you may as well be working for yourself, setting your own hours and following your own interests. Having original art with original characters and ideas in your portfolio, and making sure your art is visible online will get the attention of publishers who are actually looking to hire people for good jobs. Drawing a shitty comic for a defunct publisher based on someone else’s shitty ideas will not.

Protect yourself, because no one else will. Protect yourself, because no one else will. There are people lining up around the block to exploit you. Protect yourself because no one else will.