Kristof Kintera - all my bad thoughts

Product Placement

izzy's playlists!
h

blake kathryn

Discoholic 🪩
occasionally subtle
No title available

Janaina Medeiros
trying on a metaphor
Not today Justin
sheepfilms
Alisa U Zemlji Chuda
RMH
"I'm Dorothy Gale from Kansas"

#extradirty
No title available
Cosmic Funnies
he wasn't even looking at me and he found me
taylor price
Show & Tell
seen from United States
seen from United States
seen from Bosnia & Herzegovina
seen from United States
seen from Japan
seen from United States

seen from United States
seen from India
seen from United States
seen from United States
seen from United States

seen from Malaysia
seen from United States

seen from Indonesia

seen from United States

seen from Malaysia
seen from Mexico
seen from Mexico
seen from Mexico

seen from United States
@newspaperprince
Kristof Kintera - all my bad thoughts
Vintage family portraits printed on feathers by Louise Richardson, 2017
NUNS, UNDERGROUND BASILICA OF ST. PIUS X, LOURDES, FRANCE, Photo by Robert Brecko Walker, 1969
Unmasked 💻: ‘il computer’ reveals the face behind the screen ➤
leonard cohen's farewell letter to marianne ihlen on a shirt
kristin hayter on subverting metal for survivors
Equivalents is a series of photographs of clouds taken by Alfred Stieglitz from 1925 to 1934. They are generally recognized as the first photographs intended to free the subject matter from literal interpretation, and, as such, are some of the first completely abstract photographic works of art.
cleaned my room and found hide samples under my bed
Body Type by Ina Saltz
Leonor Fini at the monastery of Nonza, Corse, c. 1965. Photo by Eddy Brofferio. (thanks to eucanthos for the credits)
Leonor Fini's Witches: "This (video) lecture investigates the motif of the witch across surrealist artist Leonor Fini’s (1907–1996) oeuvre...
While Fini’s most sustained treatment of the witch appears to be the series of etchings published in the book Le Sabbat ressuscité par Leonor Fini (1957) this lecture suggests that her return to this motif in the 1970s crystallizes its feminist significance."
'I'm tired of waiting'
2025
watercolour on paper
14.8x21cm
Glamour Italia, February 2000.
Ph. Christophe Rinet
TAKUMA NAKAHIRA 中平 卓馬 PROVOKE MAGAZINE // 1960s
Everything I’ve Ever Let Go Of Has Claw Marks On It
To save someone else going through eleventy billion reverse image searches - the sculptor is David Altmejd.
Thought 2, 2019
“Holy cow”
Acrylic painting on canvas
Size 40 x 30 cm