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EXPECTATIONS

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if i look back, i am lost
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@nicolebrewerwrites
by anna gray & ryan wilson paulsen (+)
Today is World Mental Health Day! Organized by the World Health Organization, this day is about raising awareness and destigmatizing mental illness around the world. This yearās theme is young people and mental health in a changing world. Suicide is the second leading cause of death among 15- to 29-year-olds. Much can be do ne to support young people with mental illness, and literacy initiatives, reading programs, and self-discovery through books is just one thing that might help. Recommend a book to a young person in your life today! Visit https://bit.ly/2blWyT for more about World Mental Health Day
Season
All My Puny Sorrows, by Miriam Toews // This book helped me through the worst time of my life this summer, and inspired me to start bringing Sad Girls Book Club to life. Books can save lives, bring people together, inspire. And bookish people are kind, compassionate, empathetic, soft-edged people in a very hard-edged world. I want to help bookish folks find solidarity and comfort in each other the way we find it in books. Keep your edges soft! You will change the world that way.
There There, by Tommy Orange
I just finished reading this, and it is one of the most powerful books Iāve ever read. I may never be the same again. Itās stylistically original, itās raw and beautiful and harrowing, and it has a full cast of complex and nuanced characters. Iām not usually one for books that are hyped to this degree, but wow, this really lives up to the praise that is going around.
Keep reading
Welcome to the Sad Girls Book Club, and the book that started it. There should be an āaboutā page going up soon, but for now Iāll share a little introduction. The Sad Girls Book Club is not just for girls and not just for sad people, but it is for people who know how it feels to be sad and who like to use books to survive. Right now itās just me, and a bunch of books Iāve read over the past several years ā posts Iāll be queuing up with a few sentences about why this belongs in the Sad Girls Book Club reading list.
For me, this book was the original Sad Girl book. It remains unlike anything Iāve ever experienced. I recommend reading my whole little review here, if youāre interested.
If you are, like me, a fellow half-formed thing slowly building up the rest of you, if you know what it is to be half-formed and propelled by dreams and terror, then this book will be awful. But it is a form of solidarity Iāve never encountered before, gut-wrenching, painstaking.
The stories of 2017
Hi, itās March 2018 and Iām just now getting around to reflecting on my 2017 short story reading challenge! The idea was to read a short story a day, all year. Knowing I would definitely not keep this up, the ultimate goal was to read 365 short stories. I read 305 (through to November 1, theoretically).
I was surprised that I didnāt meet the goal, to be honest. I ran into some obstacles that I was not expecting!
> I wanted to read stories from a variety of places (journals, anthologies, websites), and I wanted to stay as Canadian as possible. I bought a few litmag subscriptions, but Iāll admit I was looking for free online content as well. And hereās the thing I feel like a dick saying: it was really hard to find places that published stories that really blew me away. I ended up with just a handful of reliable sources, and I found that really discouraging, so I actually largely resorted to short story collections, something I hadnāt originally wanted to do.
> When I would hit a string of stories that I rated 3 stars or less, I became super unmotivated. Because I didnāt have a reliable source for stories to get out of that slump, it seemed like the answer was either keep slogging, or start another collection. I was trying to also read novels, and Iām not very good at reading more than one book at a time, so there were definitely weeks at a time where I would read only one or two stories after a string of bad luck.
> Sometimes, a string of 3-or-below stories would pop up partway through a collection, which was always surprising and disappointing. It would start strong and then halfway through it would feel like the stories were just recycled, with the same storylines, same quirky characters, and same narrative variations. This would throw me for a loop when it happened, and I would struggle for awhile with whether to finish the book or abandon. (I got better at abandoning as the year pressed on.)
So there you have it. TL;DR -- I am an elitist jerk.
But as someone who primarily writes short stories, this little quest of mine was weirdly distressing. I was often inspired, yes, by the great stories I read (there were a lot!), but this was my first big venture into the wide world of Canadian short story publishing and I was... disappointed.
Anyway, thatās enough of that. You can find my highlights from throughout the year here, here, and here, and below are the rest of my four- and five-starred stories! You can find my favourite short story collections included in my roundup of 2017 books here. In the home stretch, I read Carmen Maria Machadoās Her Body and Other Parties and itās one of the best short story collections Iāve ever read. I also loved Jill Sexsmithās Somewhere a Long and Happy Life Probably Awaits You.
The last of the 5-star stories
"Born of Man and Woman" Richard Matheson from the Ghost Box "The Lottery" Shirley Jackson (yes this was my first time reading it) Short Story Advent Calendar stories 1, 2, 7, 12, and 20
The last of the 4-star stories
"The Clock" from the Ghost Box "The Night Wire" H F Arnold from the Ghost Box "The Late Shift" Dennis Etchinson from the Ghost Box "Savory, Sage, Rosemary, and Thyme" Chelsea Quinn Yarbro from the Ghost Box "The Treader of the Dust" Clark Ashton Smith from theĀ Ghost Box "Opening the Door" Arthur Machen from theĀ Ghost Box "Shadetree" Michael Reaves from theĀ Ghost Box "This Must Be the Nature of Things" Ben Ladouceur in Maisonneuve Short Story Advent Calendar stories 3, 4, 5, 9, 11, 13, 16, 17, 19, 25
2017: THE BOOKS
The Bone Clocks, David Mitchell
The Bell Jar, Sylvia Plath
Everything I Never Told You, Celeste Ng
A Manual for Cleaning Women, Lucia Berlin*
The Embassy of Cambodia, Zadie Smith
The Vegetarian, Han Kang
In the Small Hours, Erin Brubacher
Fra Keeler, Azareen Van Der Vliet Oloomi
Pond, Claire-Louise Bennett
Department of Speculation, Jenny Offill
The Thing Around Your Neck, Chimamanda Ngozie Adichie*
How You Were Born, Kate Cayley*
Be Ready for the Lightning, Grace OāConnell
The Third Person, Emily Anglin*
Bridge Retakes, Angela Lopes
This Cake is for the Party, Sarah Selecky*
Hausfrau, Jill Alexander Essbaum
The Girl in the Flammable Skirt, Aimee Bender*
The Luminaries, Eleanor Catton
Nocturnes, Kazuo Ishiguro*
Bad Endings, Carleigh Baker*
White is for Witching, Helen Oyeyemi
Glory, Gillian Wigmore
You & a Bike & a Road, Eleanor Davis
Her Body and Other Parties, Carmen Maria Machado*
Uzumaki, Junji Ito
Better Nature, Fenn Stewart
The Marrow Thieves, Cherie Dimaline
Iām Not Here, gg
Somewhere a Long and Happy Life Probably Awaits You, Jill Sexsmith*
Where it Hurts, Sarah de Leeuw
Spinning, Tillie Walden
Body Music, Julie Maroh
--
2017 was a really great reading year for me. It was also a great book-buying year, which will ensure 2018 is a great reading year too. in 2016, I ventured out of my usual elitist tastes and enjoyed some lighter reads. What a thrill! In 2017, I ventured out more, getting into graphic novels, rediscovering poetry, and even getting in one non-fiction book! The focus, of course, was on short stories, and although I didnāt meet all my goals, I read more this year than I have since graduating university and a lot of it was fucking great. It was liberating to give up on books that werenāt clicking for me.
The bolded books in the list are books that surprised me, crushed me, books I would re-read (if I were a re-reader), books I am recommending, books that made a difference.
The starred books were collections of short stories, which Iām not technically counting towards my books-read total, because the stories are counting towards my 365-story goal (which I did not meet, but more on that later I guess). Any collection on the list, I read cover-to-cover, which meant it really blew me away.
In 2018, Iām going to aim to read 12 graphic novels, 52 short stories, and 20 books. I hope to read more than that, but Iām also going to try to return to my elitist tastes and challenge myself to read the more difficult books that have been gathering dust on my shelves for months. Years, in some cases. Aaaaaaand Iām going to take a book-buying hiatus this year. Probably.
Maybe Iāll do a better job posting reading updates throughout the year? Maybe.
So hi again. Itās been six damn months since I posted an update on my reading -- predictably, I fell behind on my short story reading goal, and am only just on track to finish my book reading goal for the year. That said, Iāve been really enjoying reading (and buying) books this year, and Iāve succeeded in shrugging off the pressure I felt to read both more more more and new new new. Iāve been picking up books Iāve had on my shelf for years, and itās felt great.
THE BOOKS:
When I last left you, I was reading Fra Keeler by Azareen Van Der Vliet Oloomi, which took me a hilariously long time to read (given how short it is) but was an existential delight. Iāve been reading a lot of short story collections to try to keep up with the short story goal (more on that at the end of the year), so havenāt read many more novels. In fact, I only have three really spectacular books to report: Bridge Retakes by Angela Lopes (read my Goodreads review here), The Luminaries by Eleanor Catton (yes I know Iām late to the party), and Glory by Gillian Wigmore (Goodreads review here).
Iāve plowed through many more short story collections though, and some of them have been truly incredible: Bad Endings by Carleigh Baker, The Girl in the Flammable Skirt by Aimee Bender, The Third Person by Emily Anglin, This Cake is For the Party by Sarah Selecky, How You Were Born by Kate Cayley, and The Thing Around Your Neck by Chimamanda Ngozi Adichie. These collections were filled with almost entirely 4- or 5-star stories, and Adichieās collection is probably one of the best books Iāve ever read, of any kind.
THE STORIES:
Iām about a month behind on the 365 story goal, but I do think Iāll be able to catch up. Maybe. I think it might depend on which reading goal I prioritize -- I set out to read 365 stories plus 20 books this year; technically Iāve already read 23 books, but 8 of those were short story collections. So, technically, I need to read 4 months of stories and 6 more books by the end of the year. Weāll see, I guess.
Anyway, obviously thereās a lot to report on, so here are the 4- and 5-star stories Iāve read since the end of March. I havenāt included stories from the collections listed above.
The best of the best, my five-star stories:
"Meanwhile" by Sasha Fletcher, in Joyland
"Zen and the Art of Children Maintenance" by Paddy Scott, in Grain 44.3
"Unearth" by Alicia Elliott, in Grain 44.3
āThe Soft No" by Kimberly King Parsons, in Joyland
"Barry Four Voices" Erika T Wurth, in The Offing
And my four-star picks from the last six months:
"What She Tells Them" Gail Anderson-Dargatz in Making Room, an anthology from Room magazine
"Little Hippo" by Miriam Cohen in Joyland Ā
"Circumnavigation" by Maggie Su in The Offing
"Uncle Harris" by Catriona Wright in Grain 44.3
"The Argentina Diego Maradona Hotel" by Joel Katelnikoff in Grain 44.3
"Ookie Cookie" by MƩira Cook in Grain 44.3
"Yellowcat" by Claire Humphrey in Grain 44.3
āPins and Needles" by Elaine Hayes in Grain 44.3
"Kokum's House" by Dawn Dumont, from Glass Beads
"Aurora Borealis" by Amy Jones in Taddle CreekĀ
"Erase and Rewind" by Meghan Bell in RoomĀ
"The Fisher Queen" by Alyssa WongĀ
āSalmon Upstream" by Nicole Dixon in Taddle CreekĀ
"Home (not ours)" (Excerpt) by Caleigh BakerĀ
"Pee on Water" by Rachel B GlaserĀ
āSusan and Tomas, Susan/Tomas, Tomas/Susan, Tomas" by Shilpa Iyyer, in Noble/Gas Qtrly
...
ITāS WORTH NOTING:
Iām actually trying very hard to read stories from a variety of places -- print magazines, online magazines, new journals, established journals -- and by a wide range of people. Iām a bit upset by how few publications are making it into my best-of lists. A four-star story, to me, is adventurous in style, packs an intellectual or emotional punch, and brings something new to the table. It must do all three of those things to be four stars, and (of course) it must do them well (according to me). I am open to recommendations!
2017 READING UPDATE
Wow, April. I had been hoping to post updates -- mainly on my 365 short story goal -- monthly(ish), but the last was in the beginning of February and here we are.
Well, letās get going anyway.
With the 365 short story goal, the idea was that Iād read a variety of stories from a variety of places by a variety of writers, but thatās proving harder that I thought. I fell off the reading wagon a little in February and couldnāt muster the energy to search for new stories, so I just stuck with Lucia Berlinās A Manual for Cleaning Women. Honestly, I cannot recommend it enough. Itās probably the best collection of stories Iāve ever read, in every way. The writing, the stories, the arrangement, even just the physical appeal of it, itās stunning. Iāll share a few of my favourite stories a little later.
I also finally read The Embassy of Cambodia by Zadie Smith (delightful), and picked up The Vegetarian by Han Kang. I want to start reading more work in translation, although I didnāt even realize the book was Korean when I first picked it up (I can be so observant sometimes!). Most recently, I finished a book of poetry for the first time in a long time: In the Small Hours by Erin Brubacher, a wonderful little book that I read in 8 minutes at work.
March was a funny month -- primarily because February was fucking terrible. I was unbearably depressed for several weeks, and had to scale back a lot of my goals for the year just so I could stay afloat. When it finally started to pass, I decided to celebrate by doing my favourite thing: buying books. I grabbed nine books in two days at two different bookstores, and I couldnāt be happier. I just started one of them: Fra Keeler by Azareen Van Der Vliet Oloomi, and itās perfect so far.
And now the stories! Here are my top picks since the last post:
āThe Rental Heartā by Kirsty Loga, from Word-o-Mat first edition
āJonā and āAdamsā by George Saunders, both from The New Yorker. I also started reading Tenth of December, because Iām intrigued by Saundersā writing and trying to decide if I love it or not. Iāve really enjoyed āVictory Lap,ā āSticks,ā and āPuppyā from the collection so far.
āThe Depressed Personā by David Foster Wallace
āI Still Donāt Even Know Youā by Michelle Berry, in Taddle Creek
āYeah Yeah Sorry Sorryā by Holly C Lam, in carte blanche 28
āIdea for a Sign,ā āThe Two Davises and the Rug,ā and āA Story Told to Me By a Friend,ā by Lydia Davis, from canāt and wonāt
āBettering Myselfā from Odessa Moshfegh, from Homesick for Another World
āGetting Outā by Cedar Bowers, in Joyland
āUteroā by Rudrapriya Rathore, in Minola Review
āBecoming Carysā by Erin Klassen, from You Care Too Much
āMe and Janeā by Lulu Miller, on Catapult
And of course, as I mentioned, all of Lucia Berlinās collection was amazing, but some standouts were āHere It Is Saturday,ā āMijito,ā āFool to Cry,ā and āDear Conchi,ā among many, many others. (This isnāt even a complete selection of five-star stories.)
JANUARY READING: BOOKS AND THE SHORT STORY PROJECT
They say it takes three weeks to make a habit, so if good for literally nothing else, 2017 has so far helped me create a habit of reading more during the day. I read 31 stories, pretty consistently one per day with a couple of days where I needed to catch up and read two or three. I also read The Bone Clocks by David Mitchell and The Bell Jar by Sylvia Plath, and started Between the World and Me by Ta-Nehisi Coates and also The Sound and the Fury by William Faulkner.
I also rediscovered the library, to my absolute wonder and delight. I have discovered the joy of borrowing ebooks. (Which is how Iām finally reading Coatesās book, as well as A Manual for Cleaning Women, which seems to be sold out everywhere.)
ALSO I started a Goodreads account. If you donāt have one, do it. Almost literally the best bookish thing, except that itās owned by Amazon, but, you know. It happens, I guess.
For nobodyās benefit other than my own, this month Iāve nailed down my own personal five-star rating system for both stories and books. I figured if Iām reading 365 short stories this year I should probably rate them as I go so I can recommend or go back to my favourites. In a few paragraphs Iāll get into a summary of Januaryās 4- and 5-star highlights. 5 stars means itās excellent writing, an original concept or a concept presented originally, and also just appeals to my personal tastes. 4 stars means it appeals less to my personal tastes but is still subjectively and objectively and excellent story or book. There are a lot of three-starred stories so far, because basically everything fromĀ āI liked it, sureā toĀ āI didnāt like that at all, but the writing was solid and I can see why someone elseĀ might like it.ā 2- and 1-star ratings mean I felt there was something missing in the craft of the writing, or I felt there was something aggressively bad about the content or characters.
The Bone Clocks was fucking fantastic. Iāll probably never get the chance to recommend it, just like I never get to recommend Cloud Atlas, but it was a thrill to read from start to finish and the best book with which to begin my 2017 reading quest.
THE STORIES (4- and 5-star January highlights)
I was reading stories this month from a mix of recommendations and back issues of magazines Iāve purchased and never read. Some publications that appeared multiple times with great stories were Taddle Creek issue 31, Little Brother issue 4, TOK 5 from Disapora Dialogues, and Lucia Berlinās collection of short stories A Manual for Cleaning Women, which dominated the end of the month and will continue to dominate early February.
āSealā by Kathryn Kuitenbrouwer: flawless magic realism with the most serious, sombre storytelling for an eerie, fully submersive reading experience.
āIn Dreams Begin Responsibilitiesā by Delmore Schwartz: a sort of hasty storytelling that strings you along while you never fully nail down whatās going on; feels like a bit of a reading adventure.
āJapanese Quartzā by Lauren Kirshner: the first 5-star story of the month for its quirky, direct storytelling, and its strange, unemotional emotional quality. (White Wall Review 38)
āApoptosisā by Becky Blake: more flawless magic realism, but more delightful--delightfully serious, I guess, at once so light, so airy, with slashes of depth and solemnity.
āTableau Vivantā by Emma Donoghue: one of those stories where the crystal clarity of the writing is not remarkable in and of itself, but creates an impeccably crafted story wherein you hardly notice the craft.
āA Change of Seasonsā by Karishma Krupalani: girl power despite being relatively powerless; fucking delightful.
āSometimes You Break Their Hearts, Sometimes They Break Yoursā by Marie Helene Bertino: alien reports back to its planet on the human condition, but better than I could ever have imagined, in every single way. The second five-star story of the month.
āArkā by Sofi Papamarko: an aching subtlety to this story, which seems like something else entirely as it gets going, until it closes in like a fist around your chest in its final paragraphs. Five stars.
āShrinkageā by Millie Ho: the straightforwardness of the story, directly opposed by its complete omission of details regarding the main events, made this a story I enjoyed reading for solidarity, if not necessarily pleasure.
āThe Floeā by Jessica Bebenek: just one of those stories that nails a voice so perfectly, a voice you know but havenāt heard before, in an impossible situation you couldnāt possible understand but you do, here, in this story, you do, in your bones, and it hurts. Five stars, and very sad I canāt find it online for you. (Little Brother 4)
āAlternative Scenarios for Loversā by Szilvia Molnar: delightful format, quirky, quintessentially hip; I am its target audience, and I enjoyed it exactly as you might predict I would. (Little Brother 4)
āAngelās Laundromat,āĀ āDr A H Moynihan,āĀ āStars and Saints,āĀ āA Manual for Cleaning Women,āĀ āEl Tim,āĀ āMy Jockey,āĀ āPoint of Viewā by Lucia Berlin, from A Manual for Cleaning Women: oh my god just go get this collection and read it immediately. Her writing is so crisp and so unlike anyone, I love her first person narrators, I love how she doesnāt give a shit about you, I love her, I love her, I love her.Ā āDr. A H Moynihanā is my favourite so far, and I wish I could find it online for you, but they all have either 4 or 5 stars (mostly 5).
I read 22 books in 2016.
I just discovered that apparently my goal was 30 books, but I failed to note that anywhere that Iād see it, and I must have nearly immediately forgotten about it. Itās not a lot of books, 22. There were some super heavy-hitters (like A Girl is a Half-Formed Thing, which took me 2.5 months to finish), and there were some lightweights (I read a few really lovely YA books, my first return to YA since I was about 12). I also read a few manuscripts, as usual, and hundreds of submissions. But 22 books.
This is not even many more books than last year (19), and Iād be lying if I said I werenāt a little disappointed. But I looked back over my last few years of reading, and I discovered something. My highest year was 2012, when I read 46--I was still in university, and many of those were course texts. My final months of university were in 2013, and that year I read 24. 2014 dipped to 18 books, and 2015, like I said, I read 19.
So Iām improving, is what I discovered. Iām still figuring out how to fit reading into a non-school schedule, around full-time work, around going to the gym, around running a small press and publishing a magazine every other month. Around living with my partner, having a dog, generally being an adult. Figuring it out, practicing, and improving.
In 2017, Iām aiming to read 365 short stories and at least 20 books. Iād actually like to read 25, but Iām putting the short story goal front and center, so Iāll be happy with 20. Iām hoping to do short writeups on at least some of the short stories, mostly for my own sake. Iām excited for this project! Anyway, below are a few of the highlights from my 2016 reading.
Man Walks Into a Room and Great House by Nicole Krauss | it was an absolute joy to discover Nicole Krauss last year, and her writing strikes a chord in me and makes me feel absolutely at home. Iāll admit I lost my focus about 2/3 of the way through each of these books, but I enjoyed them nonetheless and her writing style is now one of my favourites.
How to Get Along With Women by Elisabeth de Mariaffi | just, holy shit. Even though Iām a short story writer, Iāve had a hard time finding collections that I enjoy cover to cover, but as soon as I finished this one I just wanted to start it again. It spoke simultaneously to the feminist and the writer in me more than any other book Iāve read so far, and Iām grateful for it.
What is Not Yours is Not Yours by Helen Oyeyemi | Oyeyemi is definitely in my top ten favourite writers right now, for her beautiful magic realism and her ability to layer a story without it seeming pretentious. Her writing is quick, simple, clear, and easy in a way that makes the stories, characters, and strangeness shine. I will always recommend her books to everyone.
A Girl is a Half-Formed Thing by Eimear McBride | I wrote a hole other blog post about this. To summarize: this book is unrelentingly difficult in its subject matter, and absolutely stunning in its style.
Testament by Vickie Gendreau, translated by Aimee Wall | this book got into my head and broke me down in a way I hadnāt experienced before. I canāt really describe it, and I canāt even say it was pleasant, but I was floored by the writing, the story, and the experience. I feel like it was necessary. This review sums up exactly what I would have written if Iād been able to write about it.
The Best Kind of People by Zoe Whittall | I, like everyone else, was blown away by this book. I loved it when I started it, and read it in two days. I canāt honestly say that I still love it, or even that I liked it, but I donāt blame the book. It was too real for me. The ending was just fucking life, and I get it, I get why this book is important and I love that itās popular, but that part of life just fucking sucks, you know? Well maybe you donāt know, if you havenāt read it yet. So, I was unprepared. I was sad. No, I was crushed. But the book, the writing, the purpose--yes, amazing, I admit.
The Strange Library by Haruki Murakami | what a delight to return to Murakamiās strange, strange world. An eerie and beautiful little novella.
The Art of Racing in the Rain by Garth Stein | Iām probably the only person who hadnāt yet read this, and it was delightful. Itās narrated by a dog. Itās wonderful. Itās also dark and heavy as hell in the middle, which I was fully unprepared for. I wonāt lie: I cried.
The Short Story Advent Calendar 2016 | not a book, but I figured 25 short stories was enough to count as a book. Fucking great idea that inspired me to set my 365 story goal for 2017. I will definitely be buying the 2017 one come November.
Oh wow. This fucking book.
It took me about two months to finish this book, because I had to take a significant break in the middle--work, life, whatever.
āAnd he came, this grandfather, like bolts from the blue. Not a bit of warning just a rap on the door. No one expects the Spanish inquisition late Saturday afternoon. Would they drive four hundred miles without checking youād be in? Be he did because you wouldnāt dare not. Not be in, indeed.ā
I tore through the first 60 pages in a weekend. I was at a work conference spending a lot of time waiting between panels, and we were on the beach! So I read of course, and got beautifully sunburnt of course. It was an incredible experience: the writing is impossible, unreal. Itās not sentences. Itās hardly English in places. It rejects any and all grammar, and takes a great deal of mental and emotional energy to penetrate, but when you do, youāre there. Youāre all in, youāre her, you understand what was previously incomprehensible, you are a part of this half-formed thing.
āThat night weāre hunting. Pup to pup. Drunk up that. Do you feel? Better now. Better tan before. And some nice young manās mouth some nice young manās hands up my skirt in the toilets open up my thighs. Mind. All my life is hassle and all of this is fine. Singing toora loora, toora loora lay.ā
Iām writing my thoughts out because, after those first 60 pages, I vehemently recommended this book to a few people who had been putting it off. I still recommend it, but more cautiously. Itās more than intellectually difficult. This book affected me physically--from distress, from empathy, from hate. Itās not the publisherās responsibility to put a trigger warning on books, but Iāll put one with my recommendation: sexual assault, abuse. I almost wroteĀ āgraphic,ā but thatās not quite right. Because nothing is described from the outside, because itās all her, itās all how she experiences it, but itās visceral, itās all the intensity of description meeting all the horror of experience.
āThereās no room for him in me. Or thing we did. Million million years ago fell off the planet. Good. Safe within my healed up eye.ā
I hate the jacket copy for this novel.Ā āChronicles a young womanās tender relationship with her dying brother... and goes on to reveal her harrowing and isolating sexual awakening.ā It is never tender, he is only sometimes dying, there is never an awakening. It is about grief, obligation, guilt, self-loathing, independence, toxicity forced and chosen, consent. Itās awful. It never gets better. But Iāve never read, or heard of, a book that ploughs so forcefully and fearlessly into how awful girlhood, womanhood, can be; how confusing sex can be, even for women who want it; how lonely it can be to just exist, sometimes.
I didnāt discover feminism until I was about 22 years old. I knew about a history of feminism, sort of, and my mother is a strong, stubborn woman who taught me to be strong and critical and independent. (I think sometimes sheās still surprised at her success.) But I didnāt understand what feminism is now. I didnāt understand rape culture, I didnāt understand misogyny, I didnāt understand the patriarchy. I struggled with depression and anxiety and eating disorders rooted in guilt and pressure and--mainly--confusion. Confusion about sexuality and individuality and obligation and desire, right up into my early 20s. (Lol who I am kidding. Right up until forever, but now I have better resources and a better support network.) This book captures that overwhelming confusion and all the havoc it can wreak in just over 200 pages of chaos.
So yes, I certainly recommend it. If you donāt understand what Iām talking about, this book may help you. If you are familiar with what Iām talking about, but not intimately, this book will be difficult but immensely rewarding, I think. If you are, like me, a fellow half-formed thing slowly building up the rest of you, if you know what it is to be half-formed and propelled by dreams and terror, then this book will be awful. But it is a form of solidarity Iāve never encountered before, gut-wrenching, painstaking. And all that bundled up in one of the most incredible literary feats of my time?
Well.
From men, I learned to praise the thickness of walls. From women, I learned to praise.
Ocean Vuong, from āTo My Father/ To My Future Sonā (via anintimacy)
Venus
fiction by Sara Flemington | third-place winner of the Blodwyn Memorial Prize in fiction, sponsored by BookThug
ā
We were suddenly on a lucky streak. Following a very long, very unlucky streak. For example, the movies. Four bad movies in a row. And you being the type of person who could tell right away if a movie was going to suck or not, and me being the type who was clairvoyant enough to start panicking as early as the concession if it seemed like Iād taken someone out to a sucky movie, it was an all around uncomfortable series of unfortunately campy and āha-haā date nights. Then, there was X. Popping up everywhere: drugstore aisles, bars, the post office. And you being nice enough to always say hi, and me being nice enough to not comment on how her smile made her look like she was teething, or ask the reason as to why she was regularly done-up as if about to hit Prom ā85, we always had to stop and have a quaint little chit-chat about her newest accomplishments ā arts-grants-wise ā or about the tragic passing of Dear Aunt Beatrice, who was nothing if not her biggest source of moral support and guidance, as the lesbian of the family, and therefore, the only other dissenter. And on top of all that, the cactuses died. For no reason, as if by suicide to get away from the doomed home they had recently been moved into. And so I was pretty certain that, Mercury retrograde aside, I had become a jinx for you and our love would never be allowed its proper chance to sprout, let alone effloresce, (remember that homemade haircut I tried to give you ultimately resulting in a entire shaving of the head?) and in very little time you would, in turn, begin to despise me and wish we had never met and hope that somehow, in some life, you might find your way back to the inflatable tube man arms of X.
And then, Christmas came. But not in the Itās a Wonderful Life sense of the holiday, where we both would learn the power of a positive outlook; more like, in the holiday-packs-of-scratch-tickets sense. Because we were sitting beside each other at the very back of the very last bus of the night, heading home from drinking far too much acrid red wine at a disappointing poetry reading held at the ārecently renovatedā i.e. recently primer-painted community art gallery, and the heat was cranked far too high for our winter jackets and toques and scarves so we were both uncomfortably sweating through the crevices of our armpits and nostrils, and the reddish + greenish hue our skin had adopted from the alcohol + overhead bus lighting was making us appear even more dismal than we already naturally did. And thatās when I spotted them, jammed between the two seats directly across from us: the shimmering, unopened stack of lottery cards. Of course, it took a while for one of us to get up and ājust take them,ā being overly anxious over-thinkers plus regular sufferers of mental inertia, but finally, seconds from our stop, I threw my arms up as high as they could go in a puffy winter jacket + two more layers of sweaters and declared, āItās not like theyāre gonna be winners anyway,ā and tucked them into purse. Then we stepped off the bus into the refreshingly frozen night.
But I was wrong. Ten dollars. Thatās what we won. And Jupiter was about to make its move through Cancer.
āCan you believe it?ā I said to you ā sincerely, actually. āCan you believe we just happened upon these tickets? And now we have enough to buy like, four more bus rides? Thatās like, two bus rides each.ā
And you with your ever-salient shrug replied, āHappened upon? Really?ā
Regardless, that was just the start. Because then, along came the cat.
āHow is the cat good luck?ā you argued. āHeās disgusting and annoying and he gets litter everywhere. And Iām pretty sure heās slow. Like slow slow. Watch his eyes.ā
āBut, re-examine the point,ā I begged. āSo I was just walking along, like normal, like I always am, and right there in the window, thereās this little guy! Fresh off the streets, all shaking and on-sale and with a weird squinty eye. Look, it looks like heās winking. Which is just like how you described your beloved childhood cat that only just two nights ago you had come across an old picture of and went on and on about how much you missed so much, which led right into a conversation about adopting our own little kitten āā
āMaybe adopting our own little kitten.ā
āMaybe adopting our own little kitten. But anyway, here he is, and it was clearly meant to be.ā And even though, granted, this particular kitty was a bit off somehow, he did serve to prove my point that good, possibly even great things, were now on the horizon for us. You still didnāt believe me at this point, but you had, at least, learned to love to humour me, and also learned to love the oddly vacant cat, while I was taking a daily inventory of signs from the universe divining our good fortune:
Your favourite hat ā lost two months prior ā resurfaced, magically, while I was cleaning out the refrigerator.
The day every single item written down on our grocery list was on sale at the grocery store.
The cookie thing (when the second cookie got stuck to the one we bought to share, but the lady behind the counter didnāt notice, so basically we just got a free cookie, which was mostly good for you because then I wouldnāt eat two thirds of the first one after claiming I only wanted a single chocolate chip and leaving you with basically nothing).
The second chance you gave me at giving you a haircut, and it turned out to be a pretty spot-on attempt modelled after a picture of Ryan Gosling.
The discovery that we had, at one point, attended the same film screening in Toronto, on the same day, years before ever meeting in real life.
The discovery that we had ALSO been at the same concert for one of our mutually favourite bands, in Toronto, on the same night, ALSO before ever meeting in real life.
The lucid dream I swear we shared.
āMaybe youāre right, like, maybe weāre soul mates or something,ā you said one day, petting the winking feline and, joking or not, I continued to discover more coincidences to add to the inventory; a rare 1979 Boba Fett Loose Action Figure with Original Back Blaster for pennies in a bin of kids books at Goodwill; the big power outage and thus free popsicles from the convenience store the same night I found some old weed in the bookcase; the twenty bucks in the buildingās dryer. Even kitty seemed to be getting a little bit smarter, not batting his turds out of the litter box so often. And with the new moon beginning to wax, everything in both of our entire lives began to feel like it was not only coming together to complete a circle in which we would inevitably end up in the centre of ā deeply happy and entirely X-less ā but a sphere. Like we existed in some sphere type thing, like a planet, like our own planet following its own orbital path. Or fate. Or something.
āYouāre losing your mind,ā you said to me, combing your fingers through my hair one night as we lay across the couch watching yet another good movie. Maybe, baby, maybe. But maybe, I wasnāt, actually. Because then, as it often happens when things are going well, I started to wonder when it all might start to go wrong again; you know, when karma would decide it was time to balance things out. It was turning into spring, and while everyone around us was getting cheerier and everything around us was getting colourful and good-smelling, I was becoming paranoid that at any moment youād be calling me at work in the throes of a severe allergy attack, or the hospital would be calling me with news of your newly broken legs due to a bicycle accident (knock on wood), and I continued to I waver consistently between calm and vomit-mode. But these grand fears never materialized. What did end up materializing was the bagel you burned one sunny morning resulting in the whole apartment smelling like singed sesame seeds.
āThatās a thing,ā I said.
āItās not a thing if I donāt even care,ā you replied.
And I guess I kind of liked the smell.
So while I was out, walking along again, like I always did, I decided to take a chance and step inside the floral boutique I usually passed by but of course, never went inside of anymore. I meekly approached the thin young florist with a swoopy haircut and very well-ripped jeans who was tying white ribbons around lilac bouquets, and asked:
āExcuse me, I was just wondering, which plant would be relatively easy to maintain and, maybe doesnāt require much extra care and maybe, you know, could be left alone for an extended period of time or even accidentally forgotten about and still be okay afterward?ā
And whose shrill snort should I hear pipe up right behind me, followed by her sudden eagerness to show off all of the green-thumb knowledge she had apparently accumulated over her many years of being perfect at everything, but X. Our lovely lanky phantom X.
āA cactus?ā she laughed, and began in on how she used to raise orchids, nurse Venus flytraps, shape bamboo stalks into elaborate spirals and hearts and I could feel the acid reflux pushing up my trachea and clogging my nasal cavity. Sensing my panic, the florist stepped out from behind the counter, linked his arm through mine like a best girlfriend, and directed us safely away from X and towards the corner of the room, where the moderate moisture-loving shade-dwellers were kept.
āI think youāll do just fine with one of these,ā he said. I pocketed the laminated fertilization instructions.
And that was the day I brought home the spider plant. I set it down in the middle of the kitchen table with a dramatic thud, and I stood there and looked you in the eye and I made a promise. I promised that I would keep the damn thing pretty and green as long as I lived in this damn apartment with you, so help me dammit, and I may never be able to cultivate a banana plant or whatever, and even if we wake up one day to a flood or a fire or full body rashes or something, or Mars and Saturn and Pluto all simultaneously backspin right through both of our signs at the same time, I will still be here, keeping everything pretty and green and alive, for you, and for that weird cat over there, and for this plant, and that was about the point when I started to run out of breath, and kind of doubled over a bit, and realized how comforting it felt to know that while I was there, one hand on my chest and one hand stroking the long pointy leaves of our newest addition, you were looking at me with that composed smile.
āOkay, love. Sounds good.ā
On consent, and why Iāve been avoiding Ghomeshi conversations
(obvious tw: sexual assault)
Iām not sure Iāll ever share this more widely than here, where I have very few followers and even fewer readers. But this is my first step to not staying quiet. (I think I donāt want to share it more widely for two reasons: one, fear; two, many people are already saying this, saying it better, and adding my experience to the mix is largely redundant and narcissistic.)
I got into a fight with someone close to me over the Ghomeshi verdict. For the same reason weāre all getting into fights over the Ghomeshi verdict. He was coming from theĀ ābut the law...ā train of thought, and I was coming from theĀ āyes I know, but the patriarchy...ā train of thought. We both agreed: the justice system fails victims of sexual assault. But for some reason, he kept saying it falls on victims to make this better. And I kept trying to explain how shitty and weird and terrifying it is to be a victim.
The one thing that sticks with me after all this nonsense is how people (lots of people) are trying to say that what happened after the assault somehow changes the conditions of the assault. This is the same victim-blaming train of thought that blames women for staying in abusive relationships. But If iām in a relationship with some guy, and one day he punches me in the face, and I donāt immediately break up with him, that doesnāt suddenly mean it was okay for him to punch me in the face. That doesnāt even mean I canāt press charges against him for punching me in the face.
Look at you, look at your fucking face. Itās like I just want to be⦠right here, close enough to see just how perfect it is, like I donāt even want to go the last millimeter, but of course I do. Because look at your fucking lips.
(probably my favourite thing Iāve written recently, but I canāt think of who to share it with without seeming cloying)